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This view of the Belvedere Gardens and Courtyard at the Vatican is particularly important since it shows the courtyard as it was originally designed by Donato Bramante in 1505. Bramante's design offered an unobstructed prospect from the papal apartments (at left) through the length of the courtyard to the exedra, the semi-circular structure at the right of the image. This perspectival view was later blocked by the construction of a library for Pope Sixtus V in 1587-89.

This view of the Belvedere Gardens and Courtyard at the Vatican is particularly important since it shows the courtyard as it was originally designed by Donato Bramante in 1505. Bramante's design offered an unobstructed prospect from the papal apartments (at left) through the length of the courtyard to the exedra, the semi-circular structure at the right of the image. This perspectival view was later blocked by the construction of a library for Pope Sixtus V in 1587-89.

The story of how this obelisk came to be in the piazza of the Lateran spans three thousand years. It was first quarried by Thutmose III around 1450 BC and stood at the Temple of Amun at Karnak. When the emperor Augustus (27 BC-14 AD) had the first obelisks brought from Egypt to Rome in 10 BC, he had considered this one, but was deterred by the fact that it was the largest of all obelisks (being over 32 meters tall and weighing 455 tons).

The story of how this obelisk came to be in the piazza of the Lateran spans three thousand years. It was first quarried by Thutmose III around 1450 BC and stood at the Temple of Amun at Karnak. When the emperor Augustus (27 BC-14 AD) had the first obelisks brought from Egypt to Rome in 10 BC, he had considered this one, but was deterred by the fact that it was the largest of all obelisks (being over 32 meters tall and weighing 455 tons).

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Summary: Translation, with additions, of Platina's Vitae pontificum.

Summary: Translation, with additions, of Platina's Vitae pontificum.

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Summary: This is an early Italian response to Martin Luther, attacking the schismatic monk on his own terms, in the vernacular for the benefit of laymen or simplici, as advertised on the title-page. The work is quite broad in its criticism and aims to refute not only Luther and his followers, but all heretics and even Jews.

Summary: This is an early Italian response to Martin Luther, attacking the schismatic monk on his own terms, in the vernacular for the benefit of laymen or simplici, as advertised on the title-page. The work is quite broad in its criticism and aims to refute not only Luther and his followers, but all heretics and even Jews.

The print depicts the cavalcade accompanying Pope Clement XI from the Vatican Basilica to the Basilica of Saint John Lateran in Rome on April 10, 1701

The print depicts the cavalcade accompanying Pope Clement XI from the Vatican Basilica to the Basilica of Saint John Lateran in Rome on April 10, 1701

The lower third of Falda's plan shows the Belvedere Court designed in 1505 by Donato Bramante for Pope Julius II (1503-1513) to link the palace with a fifteenth-century villa on the grounds. The small courtyard (no. 9 on the plan) at the lower right housed the incomparable collection of ancient sculpture begun by Pope Julius which included such works as the Laocoon.

The lower third of Falda's plan shows the Belvedere Court designed in 1505 by Donato Bramante for Pope Julius II (1503-1513) to link the palace with a fifteenth-century villa on the grounds. The small courtyard (no. 9 on the plan) at the lower right housed the incomparable collection of ancient sculpture begun by Pope Julius which included such works as the Laocoon.

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