An engraving of a framed image of Adam naming animals as detailed in Genesis 2:20. The framed image sits above a plinth with the inscription: "And Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field:". Above the framed image are symbols of the Old and New Testaments, including the tablets of the Ten Commandments, a Sefer Torah, a Cross, and a crown of thorns flanking a glowing star shape potentially representing the Holy Spirit. The entire composition is surrounded by floral decorations held aloft by three birds.
An engraving of a framed image of Adam naming animals as detailed in Genesis 2:20. The framed image sits above a plinth with the inscription: "And Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field:". Above the framed image are symbols of the Old and New Testaments, including the tablets of the Ten Commandments, a Sefer Torah, a Cross, and a crown of thorns flanking a glowing star shape potentially representing the Holy Spirit. The entire composition is surrounded by floral decorations held aloft by three birds.
A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom).
Summary: This sermon on Genesis 1:1-5, was preached March 15, 1523. It is the first sermon that lasted until autumn, 1524. The entire series was not printed until 1527.
Summary: This sermon on Genesis 1:1-5, was preached March 15, 1523. It is the first sermon that lasted until autumn, 1524. The entire series was not printed until 1527.
A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting a skeleton (= Death) driving the team of a ploughman. An hour-glass, representing time, hangs from the skeleton’s neck. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
A woodcut depicting a skeleton (= Death) driving the team of a ploughman. An hour-glass, representing time, hangs from the skeleton’s neck. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
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