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Still imageIllustrated title page of Histoire du concile de Constance : tirée principalement d'auteurs qui ont assisté au concile
Picart, Bernard, 1673-1733The title page of Histoire du concile de Constance : tirée principalement d'auteurs qui ont assisté au concile with a decorative engraving depicting the council in session.The title page of Histoire du concile de Constance : tirée principalement d'auteurs qui ont assisté au concile with a decorative engraving depicting the council in session. -
Still imageFrederick-Guillaume, Roi de Prusse
Picart, Bernard, 1673-1733An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait. -
Still imageA tree with a shield
A decorative woodcut appearing on the end page and depicting a tree with a bird coming in to land and a blank shield at its base.A decorative woodcut appearing on the end page and depicting a tree with a bird coming in to land and a blank shield at its base. -
Still imageShepherd in a field
A woodcut depicting a shepherd leaning against a tree in the middle of a field, a flock of sheep in the background.A woodcut depicting a shepherd leaning against a tree in the middle of a field, a flock of sheep in the background. -
Still imageDecorative woodcut
A decorative woodcut depicting a pair of birds standing aboce a field of crops beneath a shining sun, flanked by floral decoration.A decorative woodcut depicting a pair of birds standing aboce a field of crops beneath a shining sun, flanked by floral decoration. -
Still imageThe Crowning of the Pope
A woodcut depicting the newly elected Pope being crowned befored the gathered Cardinals.A woodcut depicting the newly elected Pope being crowned befored the gathered Cardinals. -
Still imageThe Arrival of the New Pope in St. Peter's Basilica
A pair of woodcuts with captions depicting the newly elected Pope being carried from the Sistine Chapel to St. Peter's Basilica (top) and the recognition of the new Pope as he sits upon the High Altar in St. Peter's Basilica (bottom).A pair of woodcuts with captions depicting the newly elected Pope being carried from the Sistine Chapel to St. Peter's Basilica (top) and the recognition of the new Pope as he sits upon the High Altar in St. Peter's Basilica (bottom). -
Still imageThe Two-day Election and Recognition of the New Pope
A pair of woodcuts with captions depicting the two-day election process by the Cardinals (top) and the initial process of the Cardinals formally recognizing and paying tribute to the new Pope (bottom).A pair of woodcuts with captions depicting the two-day election process by the Cardinals (top) and the initial process of the Cardinals formally recognizing and paying tribute to the new Pope (bottom). -
Still imageDecorative section divider
A decorative woodcut element including a pair of bands featuring stylized stars and patterns.A decorative woodcut element including a pair of bands featuring stylized stars and patterns. -
Still imageHow Food is Brought to the Cardinals in the Conclave
A pair of woodcuts with captions depicting the formal procession of food for the Cardinals (top) and the delivery of dishes to the Cardinals (bottom).A pair of woodcuts with captions depicting the formal procession of food for the Cardinals (top) and the delivery of dishes to the Cardinals (bottom). -
Still imageThe Entry to the Conclave and the Temporary Rooms
A pair of woodcuts with captions depicting the cardinals entering the conclave (top) and two examples (one complete and one with the framing) of the temporary rooms set up to house the cardinals during the conclave (bottom).A pair of woodcuts with captions depicting the cardinals entering the conclave (top) and two examples (one complete and one with the framing) of the temporary rooms set up to house the cardinals during the conclave (bottom). -
Still imageFloorplan of where the Conclave is held in the Vatican
A woodcut floorplan depicting the building complex in the Vatican where the Papal conclave is held. Buildings in this area include St. Peter's Basilica, the Sistine Chapel, and the Vatican Palace.A woodcut floorplan depicting the building complex in the Vatican where the Papal conclave is held. Buildings in this area include St. Peter's Basilica, the Sistine Chapel, and the Vatican Palace. -
Still imageThe Pope Lying in State and the Novemdiales
A pair of woodcuts with captions depicting the body of the Pope lying in state (top) and a depiction of the delivery of a eulogy during the nine official days of mourning following interment, called the Novemdiales (bottom).A pair of woodcuts with captions depicting the body of the Pope lying in state (top) and a depiction of the delivery of a eulogy during the nine official days of mourning following interment, called the Novemdiales (bottom). -
Still imageThe Funeral Procession of Pope Clement XI
A woodcut depicting the stages of the funeral procession of Pope Clement XI, showing the route of the procession and the elements of the procession.A woodcut depicting the stages of the funeral procession of Pope Clement XI, showing the route of the procession and the elements of the procession. -
Still imageThe First Meeting of Cardinals and the Mass of the Holy Spirit
A pair of woodcuts with captions depicting the initial meeting of the Cardinals before the official conclave (top) and the Mass of the Holy Ghost preceeding the Papal conclave (bottom).A pair of woodcuts with captions depicting the initial meeting of the Cardinals before the official conclave (top) and the Mass of the Holy Ghost preceeding the Papal conclave (bottom). -
Still imageThe Cardinal Camerlengo retrieving the Ring of the Fisherman and the Destruction of the Papal Seal
A pair of woodcuts with captions depicting the Cardinal Camerlengo retrieving the Ring of the Fisherman from the body of the deceased Pope (top) and the sealing of the Papal office and destruction of the deceased Pope's seal (bottom).A pair of woodcuts with captions depicting the Cardinal Camerlengo retrieving the Ring of the Fisherman from the body of the deceased Pope (top) and the sealing of the Papal office and destruction of the deceased Pope's seal (bottom). -
Still imagePrisoners taken to Castel Sant'Angelo and the Nightly Patrol
A pair of woodcuts with captions depicting guards taking prisoners to Castel Sant'Angelo (while others are left alone) (top) and a depiction of the nightly patrol that occurs during the Conclave in Rome (bottom).A pair of woodcuts with captions depicting guards taking prisoners to Castel Sant'Angelo (while others are left alone) (top) and a depiction of the nightly patrol that occurs during the Conclave in Rome (bottom). -
Still imageDecorative woodcut
A decorative woodcut depicting a cherub surrounded by a globe, paper, a bust, books, an artist's palette, and plants.A decorative woodcut depicting a cherub surrounded by a globe, paper, a bust, books, an artist's palette, and plants. -
Still imageThe Announcement of the New Pope and the Burning of Flax
A pair of woodcuts with captions depicting the announcement of a successful election of a new pope (top) and the rite of burning flax at the Papal corronation (bottom).A pair of woodcuts with captions depicting the announcement of a successful election of a new pope (top) and the rite of burning flax at the Papal corronation (bottom). -
TextLetter from Sarah Wesley to [Doctor] Tarpley "To be opened at my death", Chesterfield Street [London]
Wesley, Sarah 1760-1828A letter from Sarah Wesley to Doctor Tarpley entrusting a set of papers, many written when she was 14, to them which were to be read upon Sarah's death and then destroyed. In the letter, Sarah expresses her trust in Tarpley, shame and uncertainty in allowing anyone to read these papers, and insistence that they should be destroyed once read.A letter from Sarah Wesley to Doctor Tarpley entrusting a set of papers, many written when she was 14, to them which were to be read upon Sarah's death and then destroyed. In the letter, Sarah expresses her trust in Tarpley, shame and uncertainty in allowing anyone to read these papers, and insistence that they should be destroyed once read. -
TextNotebook of poems and accounts
Wesley, Sarah 1760-1828A collection of poems, notes, accounts, and journal entries discussing love, relationships, life events, friends and family, religion and religious experience, prayers, and daily expenses.A collection of poems, notes, accounts, and journal entries discussing love, relationships, life events, friends and family, religion and religious experience, prayers, and daily expenses.