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A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Four lines of text in German, Latin, Hebrew, and Greek, surround the image: "Aller Gewalt von Gott" (top), ": מרשךרם חשפסך בנר אךם" (right), "Parcere Subiectis, & debellare Superbos" (bottom), "πἃδα ψυχη' έξουσί'αισ ύπερεχούδαισ ύποταδδε'ολω" (left).

A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Four lines of text in German, Latin, Hebrew, and Greek, surround the image: "Aller Gewalt von Gott" (top), ": מרשךרם חשפסך בנר אךם" (right), "Parcere Subiectis, & debellare Superbos" (bottom), "πἃδα ψυχη' έξουσί'αισ ύπερεχούδαισ ύποταδδε'ολω" (left).

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts four scenes: two well dressed men appearing to be appealing to God (right), Jesus preaching to a group while behind him is a fourest full of sheep and chickens (bottom), pilgrims or worshipers climbing a path towards a church (left), and shadowy figures surrounding a kneeling man in a cloak (top).

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts four scenes: two well dressed men appearing to be appealing to God (right), Jesus preaching to a group while behind him is a fourest full of sheep and chickens (bottom), pilgrims or worshipers climbing a path towards a church (left), and shadowy figures surrounding a kneeling man in a cloak (top).

A woodcut border to Luther's Dass Jesus Christus ein geborener Jude sei printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to Luther's Dass Jesus Christus ein geborener Jude sei printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Above and below the mark are the words "Allein Gott eer" (above) and "Aller Gewalt von Gott" (below).

A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Above and below the mark are the words "Allein Gott eer" (above) and "Aller Gewalt von Gott" (below).

A woodcut depicting Jesus Christ with a halo of light.

A woodcut depicting Jesus Christ with a halo of light.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts a forest filled with deer, lions, horses, a unicorn, and a pair of cherubs holding rabbits and a shield (bottom). At the top of the woodcut, a dove with a branch in its mouth sits above a pair of decorative dragons above a frame surrounding the title.

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts a forest filled with deer, lions, horses, a unicorn, and a pair of cherubs holding rabbits and a shield (bottom). At the top of the woodcut, a dove with a branch in its mouth sits above a pair of decorative dragons above a frame surrounding the title.

A decorative woodcut depicting a floral printer's ornament below the date of printing, "1523."

A decorative woodcut depicting a floral printer's ornament below the date of printing, "1523."

A woodcut border to Luther's Christmas sermon printed in 1523. The border is composed of a single woodcut depicting a pair of armed cherubs (top), a cherub, bird, and monkey climbing a pair of grapevines (sides), and a pair of kneeling men flanking the printer's mark of Michel Buchfürer featuring a bull (bottom).

A woodcut border to Luther's Christmas sermon printed in 1523. The border is composed of a single woodcut depicting a pair of armed cherubs (top), a cherub, bird, and monkey climbing a pair of grapevines (sides), and a pair of kneeling men flanking the printer's mark of Michel Buchfürer featuring a bull (bottom).

A woodcut depicting souls suffering in the fires of Hell.

A woodcut depicting souls suffering in the fires of Hell.

A woodcut portrait of Ulrich van Hutten dressed in armor and wearing a laurel crown. Below the portrait is the motto "IACTA EST ALEA," translated as "the die is cast." In the four corners of the portrait are coats of arms.

A woodcut portrait of Ulrich van Hutten dressed in armor and wearing a laurel crown. Below the portrait is the motto "IACTA EST ALEA," translated as "the die is cast." In the four corners of the portrait are coats of arms.

A woodcut initial letter "R" with a floral motif.

A woodcut initial letter "R" with a floral motif.

A set of three woodcuts: two medallion portraits of Erasmus Desidarius and Ulrich van Hutten and one medallion schematic caricature double portrait of Martin Luther and Philip Melanchthon.

A set of three woodcuts: two medallion portraits of Erasmus Desidarius and Ulrich van Hutten and one medallion schematic caricature double portrait of Martin Luther and Philip Melanchthon.

A woodcut border to Johannes Faber's anti-Luther tract printed in 1523. The border consists of four woodcuts depicting a cherub with a bow and arrows atop a decorative column (right), a cherub with a ball atop a decorative column (left), a pair of bucrania flanking a shield with the chi-rho and "EC" on it (bottom), and a group of cherubs (top).

A woodcut border to Johannes Faber's anti-Luther tract printed in 1523. The border consists of four woodcuts depicting a cherub with a bow and arrows atop a decorative column (right), a cherub with a ball atop a decorative column (left), a pair of bucrania flanking a shield with the chi-rho and "EC" on it (bottom), and a group of cherubs (top).

A woodcut border to Mattias Blochinger's response to Dominicus Beyer's preaching. The border consists of four separate woodcuts depicting a pair of cherubs dueling (bottom), decorative plant motif (left), a Wild Man or a Green Man (top), and a cherub playing either a violin or viola (right).

A woodcut border to Mattias Blochinger's response to Dominicus Beyer's preaching. The border consists of four separate woodcuts depicting a pair of cherubs dueling (bottom), decorative plant motif (left), a Wild Man or a Green Man (top), and a cherub playing either a violin or viola (right).

A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance.

A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance.

A woodcut initial letter "U" depicting Moses praying before God in Heaven, who is holding a globus cruciger. Moses is here depicted with horns, which was common before the Renaissance. The shape of the "U" includes two cherubs atop pillars and a bound bird.

A woodcut initial letter "U" depicting Moses praying before God in Heaven, who is holding a globus cruciger. Moses is here depicted with horns, which was common before the Renaissance. The shape of the "U" includes two cherubs atop pillars and a bound bird.

A woodcut initial letter "U" depicting a woman and a man kneeling before an altar with a sheep on it. The bottom and right curve of the "U" is made from the image of a dragon.

A woodcut initial letter "U" depicting a woman and a man kneeling before an altar with a sheep on it. The bottom and right curve of the "U" is made from the image of a dragon.

A woodcut depicting a preist dressed in the vestments described in Exodus 28, including an elaborate ephod and/or breastpiece, a long robe decorated with pomegranates and bells, and a decorated turban.

A woodcut depicting a preist dressed in the vestments described in Exodus 28, including an elaborate ephod and/or breastpiece, a long robe decorated with pomegranates and bells, and a decorated turban.

A woodcut depicting the full layout of the Tabernacle court, including the altar of burnt offerings, the bronze laver, and the inner tent with the table, lampstand, altar of incense, and the Ark of the Covanent.

A woodcut depicting the full layout of the Tabernacle court, including the altar of burnt offerings, the bronze laver, and the inner tent with the table, lampstand, altar of incense, and the Ark of the Covanent.