• A poster reproduction of a painting by David Teniers the Younger depicting the temptation of the desert father St. Anthony by demons.
    Still image

    La Tentation de Saint Antoine

    A poster reproduction of a painting by David Teniers the Younger depicting the temptation of the desert father St. Anthony by demons.
    A poster reproduction of a painting by David Teniers the Younger depicting the temptation of the desert father St. Anthony by demons.
  • A leaf featuring liturgical prayers surrounded by a historiated boarder, including the image of a woman and an angel.
    Text

    Liturgical prayers

    A leaf featuring liturgical prayers surrounded by a historiated boarder, including the image of a woman and an angel.
    A leaf featuring liturgical prayers surrounded by a historiated boarder, including the image of a woman and an angel.
  • A vellum leaf from a Dutch Book of Hours which includes a fully illuminated and historiated border of red and blue inks and an eight-line historiated initial “0”.
    Text

    Book of Hours

    A vellum leaf from a Dutch Book of Hours which includes a fully illuminated and historiated border of red and blue inks and an eight-line historiated initial “0”.
    A vellum leaf from a Dutch Book of Hours which includes a fully illuminated and historiated border of red and blue inks and an eight-line historiated initial “0”.
  • A leaf from St. Augustine's In Evangelium Iohannis tractatus, including the text of homilies XXV-XXVI.
    Text

    In Evangelium Iohannis tractatus, homilies XXV-XXVI

    Augustine, of Hippo, Saint, 354-430
    A leaf from St. Augustine's In Evangelium Iohannis tractatus, including the text of homilies XXV-XXVI.
    A leaf from St. Augustine's In Evangelium Iohannis tractatus, including the text of homilies XXV-XXVI.
  • An illustration of a figure presented as an archbishop, likely St. Peter, holding a city (possibly Bologna).
    Text

    St. Peter miniature

    An illustration of a figure presented as an archbishop, likely St. Peter, holding a city (possibly Bologna).
    An illustration of a figure presented as an archbishop, likely St. Peter, holding a city (possibly Bologna).
  • A vellum leaf containing the text of Matthew 5-7, written in Gothic script.
    Text

    Bible: Matthew 5-7

    A vellum leaf containing the text of Matthew 5-7, written in Gothic script.
    A vellum leaf containing the text of Matthew 5-7, written in Gothic script.
  • A vellum leaf containing the text of Matthew 2:1-11 and featuring decorative initial letters.
    Text

    Bible: Matthew 2

    A vellum leaf containing the text of Matthew 2:1-11 and featuring decorative initial letters.
    A vellum leaf containing the text of Matthew 2:1-11 and featuring decorative initial letters.
  • A vellum leaf containing the text of Luke 1:46-55 and featuring decorative initial letters.
    Text

    Bible: Luke 1

    A vellum leaf containing the text of Luke 1:46-55 and featuring decorative initial letters.
    A vellum leaf containing the text of Luke 1:46-55 and featuring decorative initial letters.
  • A leaf from an epistolary featuring musical annotation and the text of Matthew 27:60-64.
    Text

    Epistolary: Matthew 27

    A leaf from an epistolary featuring musical annotation and the text of Matthew 27:60-64.
    A leaf from an epistolary featuring musical annotation and the text of Matthew 27:60-64.
  • A vellum leaf from a Latin Book of Hours. The leaf contains 1/4 panel borders, 1-line and 2-line decoratored initials, and decorated line endings all of liquid gold and tempera.
    Text

    Book of Hours

    A vellum leaf from a Latin Book of Hours. The leaf contains 1/4 panel borders, 1-line and 2-line decoratored initials, and decorated line endings all of liquid gold and tempera.
    A vellum leaf from a Latin Book of Hours. The leaf contains 1/4 panel borders, 1-line and 2-line decoratored initials, and decorated line endings all of liquid gold and tempera.
  • A vellum leaf featuring a liturgical calendar with decorative text, initial letters, and three-sided border all in red and blue inks.
    Text

    Liturgical Calendar

    A vellum leaf featuring a liturgical calendar with decorative text, initial letters, and three-sided border all in red and blue inks.
    A vellum leaf featuring a liturgical calendar with decorative text, initial letters, and three-sided border all in red and blue inks.
  • A vellum leaf from a Latin Book of Hours. The leaf contains 1/4 panel borders of flowers and tree trunks in liquid gold and tempera.
    Text

    Litany of Saints (Book of Hours)

    A vellum leaf from a Latin Book of Hours. The leaf contains 1/4 panel borders of flowers and tree trunks in liquid gold and tempera.
    A vellum leaf from a Latin Book of Hours. The leaf contains 1/4 panel borders of flowers and tree trunks in liquid gold and tempera.
  • A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders, two- and five-line decorated initials, and an angel in the margin of the recto showing wounds on his hands and feet all in red and blue inks.
    Text

    Wounds of Christ (Book of Hours)

    A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders, two- and five-line decorated initials, and an angel in the margin of the recto showing wounds on his hands and feet all in red and blue inks.
    A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders, two- and five-line decorated initials, and an angel in the margin of the recto showing wounds on his hands and feet all in red and blue inks.
  • A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders; the recto contains a six-line historiated initial “S” depicting the head of Christ, the symbol of the “agnus dei” (lamb of God) in the margin, and two two-line decorated initials all in red and blue inks.
    Text

    Agnus Dei (Book of Hours)

    A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders; the recto contains a six-line historiated initial “S” depicting the head of Christ, the symbol of the “agnus dei” (lamb of God) in the margin, and two two-line decorated initials all in red and blue inks.
    A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders; the recto contains a six-line historiated initial “S” depicting the head of Christ, the symbol of the “agnus dei” (lamb of God) in the margin, and two two-line decorated initials all in red and blue inks.
  • A vellum leaf containing the partial text of 1 Kings (1 Samuel). The text contains an illuminated zoomorphic initial “F” with a long marginal extender. There is also a decorated letter beginning the first chapter of 1 Kings (1 Samuel).
    Text

    Bible: 1 Kings

    A vellum leaf containing the partial text of 1 Kings (1 Samuel). The text contains an illuminated zoomorphic initial “F” with a long marginal extender. There is also a decorated letter beginning the first chapter of 1 Kings (1 Samuel).
    A vellum leaf containing the partial text of 1 Kings (1 Samuel). The text contains an illuminated zoomorphic initial “F” with a long marginal extender. There is also a decorated letter beginning the first chapter of 1 Kings (1 Samuel).
  • Summary: A set of questions written by Bennet, here referred to as queries, posed to Count Niclaus Ludwig graf von Zinzendorf, the founder of the Moravian Church.
    Text

    Queries humbly proposed to the Rt. Reverend and Rt. Honourable Count Zinzendorf

    Bennet, John, 1714-1759
    Summary: A set of questions written by Bennet, here referred to as queries, posed to Count Niclaus Ludwig graf von Zinzendorf, the founder of the Moravian Church.
    Summary: A set of questions written by Bennet, here referred to as queries, posed to Count Niclaus Ludwig graf von Zinzendorf, the founder of the Moravian Church.
  • An engraving of Daniel, flanked by a lion and lioness, the four beasts from his vision depicted in the sky on either side of his head.
    Still image

    Effigies Danielis

    Ganière, Pierre, 1663-1721
    An engraving of Daniel, flanked by a lion and lioness, the four beasts from his vision depicted in the sky on either side of his head.
    An engraving of Daniel, flanked by a lion and lioness, the four beasts from his vision depicted in the sky on either side of his head.
  • An engraving of the four beasts which appeared to Daniel in a vision rising from the sea.
    Still image

    The Vision of the Four Beasts

    Doré, Gustave, 1832-1883
    An engraving of the four beasts which appeared to Daniel in a vision rising from the sea.
    An engraving of the four beasts which appeared to Daniel in a vision rising from the sea.
  • An engraved portrait of Olaudah Equiano which appears in his autobiography.
    Still image

    Olaudah Equiano of Gustavus Vassa, De Africaan

    An engraved portrait of Olaudah Equiano which appears in his autobiography.
    An engraved portrait of Olaudah Equiano which appears in his autobiography.
  • A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Catholic monk.
    Still image

    Monk Fish

    A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Catholic monk.
    A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Catholic monk.
  • A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Roman Catholic bishop.
    Still image

    Bishop Fish

    A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Roman Catholic bishop.
    A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Roman Catholic bishop.
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