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A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).

A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.

A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.

A woodcut of a heavily decorated bishop's mitre accompanied by a poem, "The Daughter of Myst'ry, the child of Errour, / Mother of Tyranny, of Wars, of Terrour, / The Idol of Reproach, Rocke of offence / To Iew and Gentile, Source of Indulgence / For all Impieties, and th'usurping Crest / 'Bove Diademes, the State, the Churches Pest / Is now discov'red, and all the world awake, / Makes proud Rome, and th'opprobrious Myter shake."

A woodcut of a heavily decorated bishop's mitre accompanied by a poem, "The Daughter of Myst'ry, the child of Errour, / Mother of Tyranny, of Wars, of Terrour, / The Idol of Reproach, Rocke of offence / To Iew and Gentile, Source of Indulgence / For all Impieties, and th'usurping Crest / 'Bove Diademes, the State, the Churches Pest / Is now discov'red, and all the world awake, / Makes proud Rome, and th'opprobrious Myter shake."

A woodcut initial letter "M" featuring a symetrical plant design.

A woodcut initial letter "M" featuring a symetrical plant design.

A decorative woodcut header featuring a pair of horn players flanking a cherub's head and an initial letter "Y" decorated with floral and fish designs.

A decorative woodcut header featuring a pair of horn players flanking a cherub's head and an initial letter "Y" decorated with floral and fish designs.

A decorative woodcut on the title page of The Passionate remonstrance made by his Holinesse in the conclave at Rome: upon the late proceedings, and great Covenant of Scotland, &c. : With a reply Of Cardinall De Barbarini in the name of the Roman clergy. Together with a letter of intelligence from the Apostolicke Nuntio (now residing in London) to Pope Vrban the 8. The woodcut shows a pair of winged men's torsos flanking a plaque with a butterfly or insect.

A decorative woodcut on the title page of The Passionate remonstrance made by his Holinesse in the conclave at Rome: upon the late proceedings, and great Covenant of Scotland, &c. : With a reply Of Cardinall De Barbarini in the name of the Roman clergy. Together with a letter of intelligence from the Apostolicke Nuntio (now residing in London) to Pope Vrban the 8. The woodcut shows a pair of winged men's torsos flanking a plaque with a butterfly or insect.

An woodcut depicting the conclave of Pope Urban VIII. A group of cardinals sits around a table with the pope at the center, flanked by C. di Fiorenza, Francisco di Barbarini, and Antonio di Barbarini. On the bottom right corner of the table is a roll of paper that reads, "Tutto sta male" ("everything is bad").

An woodcut depicting the conclave of Pope Urban VIII. A group of cardinals sits around a table with the pope at the center, flanked by C. di Fiorenza, Francisco di Barbarini, and Antonio di Barbarini. On the bottom right corner of the table is a roll of paper that reads, "Tutto sta male" ("everything is bad").

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing east, with a view of the dome and the papal monument of Paul V.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing east, with a view of the dome and the papal monument of Paul V.

An engraving depicting the papal monument of Paul V in the Borghese Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the papal monument of Paul V in the Borghese Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing north, with a view of the dome and through the entrance into the nave.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing north, with a view of the dome and through the entrance into the nave.

An engraving depicting the entrance to the Borghese Chapel from the nave in the Basilica di Santa Maria Maggiore. Through the doorway, the altar of the Salus Populi Romani is visible.

An engraving depicting the entrance to the Borghese Chapel from the nave in the Basilica di Santa Maria Maggiore. Through the doorway, the altar of the Salus Populi Romani is visible.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing west, with a view of the dome and the papal monument of Clement VIII.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing west, with a view of the dome and the papal monument of Clement VIII.

An engraving depicting the papal monument of Clement VIII in the Borghese Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the papal monument of Clement VIII in the Borghese Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the altar commisioned by Paul V to house the Salus Populi Romani, believed to be painted by Saint Luke. Above the altar is a depiction of Pope Liberius outlining the original foundations of the basilica.

An engraving depicting the altar commisioned by Paul V to house the Salus Populi Romani, believed to be painted by Saint Luke. Above the altar is a depiction of Pope Liberius outlining the original foundations of the basilica.

An engraved floorplan of the Borghese Chapel and adjoining rooms in the Basilica di Santa Maria Maggiore.

An engraved floorplan of the Borghese Chapel and adjoining rooms in the Basilica di Santa Maria Maggiore.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing east, with a view of the dome and the papal monument of Sixtus V.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing east, with a view of the dome and the papal monument of Sixtus V.

An engraving depicting the papal monument of Sixtus V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the papal monument of Sixtus V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing south towards the entrance to the nave, with a view of the dome.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing south towards the entrance to the nave, with a view of the dome.