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A woodcut depicting Jesus Christ teaching the apostles about the End Times as he gestures towards the heavens, where the sun, moon, and stars can be seen.

A woodcut depicting Jesus Christ teaching the apostles about the End Times as he gestures towards the heavens, where the sun, moon, and stars can be seen.

A decorative woodcut accent featuring a rabbit or hare amongst flowers.

A decorative woodcut accent featuring a rabbit or hare amongst flowers.

A woodcut depicting Jesus Christ riding into Jerusalem on a donkey, the apostles behind him, as a man lays his cloak on the road before him.

A woodcut depicting Jesus Christ riding into Jerusalem on a donkey, the apostles behind him, as a man lays his cloak on the road before him.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.

A woodcut depicting Jesus Christ praying in the Garden of Gethsemane while the apostles sleep around him.

A woodcut depicting Jesus Christ praying in the Garden of Gethsemane while the apostles sleep around him.

A woodcut border on the title page of Gallus Korn's personal narrative of leaving his monastic community after joining the Protestants. The border is comprised of a single woodcut depicting a Wild Man and Woman flanking a blank crest (bottom), a bagpipe player (right), a cherub and another figure (left), and a group of cherubs fighting a dragon (top).

A woodcut border on the title page of Gallus Korn's personal narrative of leaving his monastic community after joining the Protestants. The border is comprised of a single woodcut depicting a Wild Man and Woman flanking a blank crest (bottom), a bagpipe player (right), a cherub and another figure (left), and a group of cherubs fighting a dragon (top).

A woodcut depicting a pilgrim outfitted with a hat, cloak, staff, and bag for his journey, being directed by God from Heaven (top right).

A woodcut depicting a pilgrim outfitted with a hat, cloak, staff, and bag for his journey, being directed by God from Heaven (top right).

A woodcut depicting the wedding ceremonies of three clergy members with musicians (top) playing accompaniment.

A woodcut depicting the wedding ceremonies of three clergy members with musicians (top) playing accompaniment.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, and flanked by two decorated pillars. Appears to be done after the woodcut portrait by Hans Baldung.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, and flanked by two decorated pillars. Appears to be done after the woodcut portrait by Hans Baldung.

A woodcut border on the title page of Luther's Iudicium de votis printed in 1521. The border is done as a single woodcut depicting a monk (left), a nun (right), a Green Man of pagan and Christian lore (bottom), and a bowl of fruit (top). The intermediate spaces are filled with floral and plant decorative motifs.

A woodcut border on the title page of Luther's Iudicium de votis printed in 1521. The border is done as a single woodcut depicting a monk (left), a nun (right), a Green Man of pagan and Christian lore (bottom), and a bowl of fruit (top). The intermediate spaces are filled with floral and plant decorative motifs.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.

A woodcut border on the title page of Karlstadt's treatise on which books should be considered canonical alongside the Bible. The border is made up of four separate woodcuts, all with unique floral designs.

A woodcut border on the title page of Karlstadt's treatise on which books should be considered canonical alongside the Bible. The border is made up of four separate woodcuts, all with unique floral designs.

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting Martin Luther, in the garb of an Augustinian monk, debating a gathering of Catholic clergy members, including the Pope, a cardinal, a bishop, and a monk. This woodcut appears on the title page of a popular anonymous account of Luther's debate before the Diet of Worms in 1521.

A woodcut depicting Martin Luther, in the garb of an Augustinian monk, debating a gathering of Catholic clergy members, including the Pope, a cardinal, a bishop, and a monk. This woodcut appears on the title page of a popular anonymous account of Luther's debate before the Diet of Worms in 1521.

A woodcut depicting Martin Luther in the garb of an Augustinian Monk. Below Luther is a traditional Luther rose. Surrounding the portrait is an inscription, mirrored as the image was printed in reverse, reading "DOCTOR MARTINUS LUTTER AUGUSTINER: WITTENB:". This is purported to be the earliest depiction of Luther.

A woodcut depicting Martin Luther in the garb of an Augustinian Monk. Below Luther is a traditional Luther rose. Surrounding the portrait is an inscription, mirrored as the image was printed in reverse, reading "DOCTOR MARTINUS LUTTER AUGUSTINER: WITTENB:". This is purported to be the earliest depiction of Luther.

A woodcut of Johann Schott's printer's device, depicting a pair of dogs fighting, each biting the other's back and the initials "RSM".

A woodcut of Johann Schott's printer's device, depicting a pair of dogs fighting, each biting the other's back and the initials "RSM".

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible. This woodcut appears on the title page of Luther's work De captivitate Babylonica ecclesiae praeludium.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible. This woodcut appears on the title page of Luther's work De captivitate Babylonica ecclesiae praeludium.

A woodcut of Johann Schott's printer's device, depicting a pair of dogs fighting, each biting the other's back and the initials "RSM". This version includes additional rubrication to highlight the points where each dog is biting.

A woodcut of Johann Schott's printer's device, depicting a pair of dogs fighting, each biting the other's back and the initials "RSM". This version includes additional rubrication to highlight the points where each dog is biting.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible. This woodcut appears on the title page of the German translation of Luther's work De captivitate Babylonica ecclesiae praeludium.

A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible. This woodcut appears on the title page of the German translation of Luther's work De captivitate Babylonica ecclesiae praeludium.

A pair of woodcuts depicting a man kneeling beside a woman (left) and a two men in a building while a third sits at a table possibly counting money or grain (right), representing the Ninth and Tenth Commandments (in the Lutheran tradition), "Thou shalt not covet thy neighbor's wife, or his slaves, or his animals, or anything of thy neighbor."

A pair of woodcuts depicting a man kneeling beside a woman (left) and a two men in a building while a third sits at a table possibly counting money or grain (right), representing the Ninth and Tenth Commandments (in the Lutheran tradition), "Thou shalt not covet thy neighbor's wife, or his slaves, or his animals, or anything of thy neighbor."

A woodcut depicting a trial with a judge, a woman kneeling (the accused), and a man delivering a (presumably false) witness statement, representing a violation of the Eighth Commandment (in the Lutheran tradition), "Thou shalt not bear false witness against thy neighbor."

A woodcut depicting a trial with a judge, a woman kneeling (the accused), and a man delivering a (presumably false) witness statement, representing a violation of the Eighth Commandment (in the Lutheran tradition), "Thou shalt not bear false witness against thy neighbor."