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Still imageJerusalem and the Mount of Olives — E. from the Latin Hospice, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A view from Mount Scopus across Jerusalem towards the Mount of Olives with the Dome of the Rock (Qubbat al-Ṣakhrah) in the middleground.A view from Mount Scopus across Jerusalem towards the Mount of Olives with the Dome of the Rock (Qubbat al-Ṣakhrah) in the middleground. -
Still imageA tomb with the stone rolled away (Tomb of the Kings), Jerusalem
Hurlbut, Jesse Lyman, 1843-1930An interior view of a rock-hewn tomb outside of Jerusalem.An interior view of a rock-hewn tomb outside of Jerusalem. -
Still image"The Tomb of our Lord", New Calvary, outside of Jerusalem
Hurlbut, Jesse Lyman, 1843-1930An interior view of a rock-hewn tomb outside of Jerusalem, proported to be the tomb where Jesus was laid after his crucifixion.An interior view of a rock-hewn tomb outside of Jerusalem, proported to be the tomb where Jesus was laid after his crucifixion. -
Still imageRock-hewn tomb in cliff outside Jerusalem — possible tomb of Jesus
Hurlbut, Jesse Lyman, 1843-1930An example of a rock-hewn tomb outside of Jerusalem, proposed to be the tomb where Jesus was laid after his crucifixion.An example of a rock-hewn tomb outside of Jerusalem, proposed to be the tomb where Jesus was laid after his crucifixion. -
Still imageThe "New" Calvary, outside the Damascus Gate, from the northern wall
Hurlbut, Jesse Lyman, 1843-1930A view from just outside the Damascus Gate of the Hill of Cavalry where Jesus was crucified.A view from just outside the Damascus Gate of the Hill of Cavalry where Jesus was crucified. -
Still imageDevout pilgrims carrying a great cross through the Via Dolorosa, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A procession of pilgrims carrying a cross along the Via Dolorosa.A procession of pilgrims carrying a cross along the Via Dolorosa. -
Still imageEaster procession of Greek Patriarch, entering Church of Holy Sepulchre
Hurlbut, Jesse Lyman, 1843-1930A procession of Eastern Orthodox clergymen into the Church of the Holy Sepulchre.A procession of Eastern Orthodox clergymen into the Church of the Holy Sepulchre. -
Still imageThe Holy Sepulchre, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930An interior view of the Church of the Holy Sepulchre showing the Holy Sepulchre itself.An interior view of the Church of the Holy Sepulchre showing the Holy Sepulchre itself. -
Still imageThe Stone of Anointment, Church of the Holy Sepulchre
Hurlbut, Jesse Lyman, 1843-1930An interior view of the Church of the Holy Sepulchre showing visitors kneeling before the Stone of Annointment.An interior view of the Church of the Holy Sepulchre showing visitors kneeling before the Stone of Annointment. -
Still imageChurch of the Holy Sepulchre, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A view of the Church of the Holy Sepulchre, showing the crowds gathered around (and on) the building.A view of the Church of the Holy Sepulchre, showing the crowds gathered around (and on) the building. -
Still imageChristian Street — motley life in the Holy City's bazaar district, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A view of Christian Street in Jerusalem showing streetside vendors and crowds.A view of Christian Street in Jerusalem showing streetside vendors and crowds. -
Still imageAncient pool of Hezekiah — N. E. to Church of Holy Sepulchre, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A view down into the Pool of Hezekiah with the Church of the Holy Sepulchre in the background.A view down into the Pool of Hezekiah with the Church of the Holy Sepulchre in the background. -
Still imageA money changer and his patrons just inside the Jaffa gate at Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A money changer's shop near the Jaffa Gate in Jerusalem, showing a line of waiting patrons.A money changer's shop near the Jaffa Gate in Jerusalem, showing a line of waiting patrons. -
Still imageCrowded bazaar and thoroughfare of David Street, view E. to Olivet
Hurlbut, Jesse Lyman, 1843-1930A view of David Street in Jerusalem, facing East towards the Mount of Olives. Crowds line the street where shops sell their wares.A view of David Street in Jerusalem, facing East towards the Mount of Olives. Crowds line the street where shops sell their wares. -
Still imageThe beautiful Church of the Armenian Christians, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930Interior view of the Cathedral of Saint Jaimes in Jerusalem, the principal church of the Armenian Patriarchate of Jerusalem.Interior view of the Cathedral of Saint Jaimes in Jerusalem, the principal church of the Armenian Patriarchate of Jerusalem. -
Still imageInside a Jewish synagogue, showing Holy Place and reader's platform
Hurlbut, Jesse Lyman, 1843-1930Interior view of a synagogue showing the reader's platform.Interior view of a synagogue showing the reader's platform. -
Still imageThe Jews' wailing-place, outer wall of Solomon's Temple, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A view of the Western Wall, also known as the "Wailing Wall," of Solomon's Temple.A view of the Western Wall, also known as the "Wailing Wall," of Solomon's Temple. -
Still imageSolomon's Stables, Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A view of "Solomon's Stables", a vaulted space beneath the Temple Mount. Today, it has been refurbished as the El-Marwani Mosque.A view of "Solomon's Stables", a vaulted space beneath the Temple Mount. Today, it has been refurbished as the El-Marwani Mosque. -
Still imageFrom the Temple area (S.W.) over modem Jewish quarter of Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A view of the Jewish quarter of Jerusalem as seen through the archways on the temple grounds.A view of the Jewish quarter of Jerusalem as seen through the archways on the temple grounds. -
Still imageHerod's Temple — reproduction of the famous Schick model at Jerusalem
Hurlbut, Jesse Lyman, 1843-1930A model of Herod's Temple designed by Conrad Schick.A model of Herod's Temple designed by Conrad Schick. -
Still imageSolomon's Temple — the famous Schick model
Hurlbut, Jesse Lyman, 1843-1930A model of Solomon's Temple designed by Conrad Schick.A model of Solomon's Temple designed by Conrad Schick.