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An engraving depicting the burning of eighteen Anabaptists. The image shows the victims bound to burning stakes and praying as a pair of men stoke the fires.

An engraving depicting the burning of eighteen Anabaptists. The image shows the victims bound to burning stakes and praying as a pair of men stoke the fires.

An engraving depicting the burning of 180 people from the Cathar sect who had been labeled heretics by the Pope. The image shows a massive bonfire with numerous people being thrown onto it while a crowd watches.

An engraving depicting the burning of 180 people from the Cathar sect who had been labeled heretics by the Pope. The image shows a massive bonfire with numerous people being thrown onto it while a crowd watches.

An engraving depicting the burning of 224 Waldensians outside of Toulouse. The image shows a large number of stakes with people tied to them being set ablaze as a crowd watches.

An engraving depicting the burning of 224 Waldensians outside of Toulouse. The image shows a large number of stakes with people tied to them being set ablaze as a crowd watches.

A depiction of seven notable scholars (real and mythological) from ancient Greece and Rome, including (clockwise from the bottom left): Xenokrates (ΞΕΝΟΚΡΑΤΗς), Pamphilos (ΠΑΜΦΙΛΟς), Machaon (ΜΑΧΑωΝ), Cheiron (ΧΕΙΡωΝ), Nigros or Niger (ΝΙΓΡΟς), [H]erakleides (ΗΡΑΚΛΕΙΔΗς), and Mantias (ΜΑΝΤΙΑς).

A depiction of seven notable scholars (real and mythological) from ancient Greece and Rome, including (clockwise from the bottom left): Xenokrates (ΞΕΝΟΚΡΑΤΗς), Pamphilos (ΠΑΜΦΙΛΟς), Machaon (ΜΑΧΑωΝ), Cheiron (ΧΕΙΡωΝ), Nigros or Niger (ΝΙΓΡΟς), [H]erakleides (ΗΡΑΚΛΕΙΔΗς), and Mantias (ΜΑΝΤΙΑς).

A series of six engravings depicting the events surrounding election of new pope. He is adored in the Sistine Chapel (top right), he is adored at thealtar of St. Peter (top left), he witnesses the burning of flax, which represents the fleeting nature of earthly glory (middle right), he is crowned (middle left), he receives a Torah scroll from the Jewish people (bottom right) and receives the keys symbolizing the keys to the Kingdom of heaven.

A series of six engravings depicting the events surrounding election of new pope. He is adored in the Sistine Chapel (top right), he is adored at thealtar of St. Peter (top left), he witnesses the burning of flax, which represents the fleeting nature of earthly glory (middle right), he is crowned (middle left), he receives a Torah scroll from the Jewish people (bottom right) and receives the keys symbolizing the keys to the Kingdom of heaven.

An engraving of a framed image of Adam naming animals as detailed in Genesis 2:20. The framed image sits above a plinth with the inscription: "And Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field:". Above the framed image are symbols of the Old and New Testaments, including the tablets of the Ten Commandments, a Sefer Torah, a Cross, and a crown of thorns flanking a glowing star shape potentially representing the Holy Spirit. The entire composition is surrounded by floral decorations held aloft by three birds.

An engraving of a framed image of Adam naming animals as detailed in Genesis 2:20. The framed image sits above a plinth with the inscription: "And Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field:". Above the framed image are symbols of the Old and New Testaments, including the tablets of the Ten Commandments, a Sefer Torah, a Cross, and a crown of thorns flanking a glowing star shape potentially representing the Holy Spirit. The entire composition is surrounded by floral decorations held aloft by three birds.

An engraved portrait of Pope Adrian VI, who sat as pope from 1522-1523. The portrait shows Adrian VI wearing elaborate vestments with his coat of arms featured in the upper left corner. The portrait is labeled "ADRIANVS. VI. PAPA. TRAIECTENSIS. BELGA".

An engraved portrait of Pope Adrian VI, who sat as pope from 1522-1523. The portrait shows Adrian VI wearing elaborate vestments with his coat of arms featured in the upper left corner. The portrait is labeled "ADRIANVS. VI. PAPA. TRAIECTENSIS. BELGA".

A pair of engravings depicting four obelisks (Vatican Obelisk, Lateran Obelisk, Flaminio Obelisk, and the Esquiline Obelisk), the Santi Apostoli, and Trajan's Column. All of these were part of Pope Sixtus V's urban reform program.

A pair of engravings depicting four obelisks (Vatican Obelisk, Lateran Obelisk, Flaminio Obelisk, and the Esquiline Obelisk), the Santi Apostoli, and Trajan's Column. All of these were part of Pope Sixtus V's urban reform program.

An engraving depicting a scene from the third book of the epic poem, Saint Louys, in which Alcinde (center left, by the crocodile's tail, holding a bow), killed a large crocodile which was the guardian deity of the city of Damietta before the arrival of Saint Louis and the crusaders.

An engraving depicting a scene from the third book of the epic poem, Saint Louys, in which Alcinde (center left, by the crocodile's tail, holding a bow), killed a large crocodile which was the guardian deity of the city of Damietta before the arrival of Saint Louis and the crusaders.

An engraved portrait of Antipope Alexander V, who was elected by the Council of Pisa during the Western Schism and held the office from 1409-1410. The portrait shows Alexander V wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "ALEXANDER. V. PAPA. CRETENSIS. GRÆCVS".

An engraved portrait of Antipope Alexander V, who was elected by the Council of Pisa during the Western Schism and held the office from 1409-1410. The portrait shows Alexander V wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "ALEXANDER. V. PAPA. CRETENSIS. GRÆCVS".

An engraved portrait of Pope Alexander VI, who sat as pope from 1492-1503. The portrait shows Alexander VI wearing simple vestments with his coat of arms featured in the upper right corner. The portrait is labeled "ALEXANDER. VI. PAPA. VALENTINVS. HISP".

An engraved portrait of Pope Alexander VI, who sat as pope from 1492-1503. The portrait shows Alexander VI wearing simple vestments with his coat of arms featured in the upper right corner. The portrait is labeled "ALEXANDER. VI. PAPA. VALENTINVS. HISP".

An engraving depicting the execution of Algerius, a student from Padua. The image shows Algerius being drenched in boiling oil as he stands before a prepared stake and pyre while a monk attempts to convince him to repent.

An engraving depicting the execution of Algerius, a student from Padua. The image shows Algerius being drenched in boiling oil as he stands before a prepared stake and pyre while a monk attempts to convince him to repent.

An engraving depicting a scene from the second book of the epic poem, Saint Louys, in which Alphonse de Pointiers, after having been shipwecked near Acre, rescues the young woman, Lisamante, from panthers.

An engraving depicting a scene from the second book of the epic poem, Saint Louys, in which Alphonse de Pointiers, after having been shipwecked near Acre, rescues the young woman, Lisamante, from panthers.

An engraving depicting the Altar of All Saints which contains minor relics of various saints.

An engraving depicting the Altar of All Saints which contains minor relics of various saints.

An engraving depicting a scene from the tenth book of the epic poem, Saint Louys, in which, following the destruction of the poisoned armor gifted to Saint Louis by the Sultan's representatives, the hermit and widow of Aymon de Bourbon, Alégonde, is consulted to interpret the sign, and informs the prelates that only a member of the House of Bourbon can battle the dragon blocking the crusaders path.

An engraving depicting a scene from the tenth book of the epic poem, Saint Louys, in which, following the destruction of the poisoned armor gifted to Saint Louis by the Sultan's representatives, the hermit and widow of Aymon de Bourbon, Alégonde, is consulted to interpret the sign, and informs the prelates that only a member of the House of Bourbon can battle the dragon blocking the crusaders path.

An engraving depicting the arrest of Andries Langedul. The image shows Langedul seated on a porch witha Bible open on his lap, the open door behind him showing his family inside the house, as a man accompanied by guards approaches him from the street.

An engraving depicting the arrest of Andries Langedul. The image shows Langedul seated on a porch witha Bible open on his lap, the open door behind him showing his family inside the house, as a man accompanied by guards approaches him from the street.

An engraving depicting the execution of Anne Hendricks. The image shows Hendricks, bound to a ladder, being lifted towards a bonfire as a crowd watches.

An engraving depicting the execution of Anne Hendricks. The image shows Hendricks, bound to a ladder, being lifted towards a bonfire as a crowd watches.

An engraving depicting the execution of Anne Ians. The image shows Anne being led away as she reaches back to deliver her final testament of faith to her son.

An engraving depicting the execution of Anne Ians. The image shows Anne being led away as she reaches back to deliver her final testament of faith to her son.

An engraving depicting the execution of Anne van den Hove. The image shows van den Hove buried up to her neck while priests attempt to convince her to recant.

An engraving depicting the execution of Anne van den Hove. The image shows van den Hove buried up to her neck while priests attempt to convince her to recant.

An engraving depicting the martyrdom of Antipas of Pergamum. The image shows a hollow bull statue set above a blazing fire.

An engraving depicting the martyrdom of Antipas of Pergamum. The image shows a hollow bull statue set above a blazing fire.

An engraving depicting the execution of Anthonie Ysbaarts. The image shows Ysbaarts bound to a stake as a man attempts to stop the executioner from lighting the pyre.

An engraving depicting the execution of Anthonie Ysbaarts. The image shows Ysbaarts bound to a stake as a man attempts to stop the executioner from lighting the pyre.