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443 items
Medium engravings (prints)
  • An engraving depicting the aftermath of the execution of Marie Wens. The image shows Wens' sons searching through the ashes of their mother's pyre for something to remember her.
    Still image

    Marie Wens étant brulée la bouche fermée avec une vis, son fils vient chercher cette vis pour en garder le souvenir, A. 1573

    Luiken, Jan, 1649-1712
    An engraving depicting the aftermath of the execution of Marie Wens. The image shows Wens' sons searching through the ashes of their mother's pyre for something to remember her.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the aftermath of the execution of Marie Wens. The image shows Wens' sons searching through the ashes of their mother's pyre for something to remember her.
  • An engraving depicting the execution of a woman, Maria. The image shows Maria being bound at the edge of a dock, and as she removes her own outer garments, a monk attempts to encourage her to renounce her faith.
    Still image

    Marie, noyée à Monjou, A. 1552

    Luiken, Jan, 1649-1712
    An engraving depicting the execution of a woman, Maria. The image shows Maria being bound at the edge of a dock, and as she removes her own outer garments, a monk attempts to encourage her to renounce her faith.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the execution of a woman, Maria. The image shows Maria being bound at the edge of a dock, and as she removes her own outer garments, a monk attempts to encourage her to renounce her faith.
  • An engraved portrait of Pope Martin V, who sat as pope from 1417-1431. The portrait shows Martin V wearing a simple vestments with his coat of arms featured in the upper right corner. The portrait is labeled "MARTINVS. V. PAPA. ROMANVS".
    Still image

    Martinus V Papa Romanus

    Soye, Philippe de
    An engraved portrait of Pope Martin V, who sat as pope from 1417-1431. The portrait shows Martin V wearing a simple vestments with his coat of arms featured in the upper right corner. The portrait is labeled "MARTINVS. V. PAPA. ROMANVS".
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1568
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Pope Martin V, who sat as pope from 1417-1431. The portrait shows Martin V wearing a simple vestments with his coat of arms featured in the upper right corner. The portrait is labeled "MARTINVS. V. PAPA. ROMANVS".
  • An engraving depicting the Portadown massacre. The image shows people being cut apart and roasted over a fire (foreground) and being pushed en masse off a bridge into the River Bann (background).
    Still image

    Massacre d'Irlande pres l'an 1644

    Luiken, Jan, 1649-1712
    An engraving depicting the Portadown massacre. The image shows people being cut apart and roasted over a fire (foreground) and being pushed en masse off a bridge into the River Bann (background).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the Portadown massacre. The image shows people being cut apart and roasted over a fire (foreground) and being pushed en masse off a bridge into the River Bann (background).
  • An engraving depicting the massacre of Anabaptists under the orders of the Bishop of Chur. The image shows two men shooting a third with rifles while standing over two bodies (foreground), people being thrown from windows (background, center), and people being hanged (background left).
    Still image

    Massacre dans la Ville de Tiran, par l'Evêque de Chur, pres l'an 1606

    Luiken, Jan, 1649-1712
    An engraving depicting the massacre of Anabaptists under the orders of the Bishop of Chur. The image shows two men shooting a third with rifles while standing over two bodies (foreground), people being thrown from windows (background, center), and people being hanged (background left).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the massacre of Anabaptists under the orders of the Bishop of Chur. The image shows two men shooting a third with rifles while standing over two bodies (foreground), people being thrown from windows (background, center), and people being hanged (background left).
  • An engraving depicting the Siege of Magdeburg during the Thirty Years' War. The image shows the invading forces murdering civilians and burning the city.
    Still image

    Massacre de Tilly à Magdebourg, l'an 1631

    Luiken, Jan, 1649-1712
    An engraving depicting the Siege of Magdeburg during the Thirty Years' War. The image shows the invading forces murdering civilians and burning the city.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the Siege of Magdeburg during the Thirty Years' War. The image shows the invading forces murdering civilians and burning the city.
  • An engraving depicting the execution of Mattheus Mair. The image shows Mair, bound, being lowered into a river as a crowd watches.
    Still image

    Matthieu Mair, noyé à Wier, A. 1592

    Luiken, Jan, 1649-1712
    An engraving depicting the execution of Mattheus Mair. The image shows Mair, bound, being lowered into a river as a crowd watches.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the execution of Mattheus Mair. The image shows Mair, bound, being lowered into a river as a crowd watches.
  • An engraving depicting the execution of Matthias Servaes. The image shows Servaes being led towards the execution site with hands held in prayer (right) while a young man (left) and woman (right) who had wished to speak with him and were apprehended are ordered to be releasted by a nobleman (right, on horse).
    Still image

    Matthieu Servaas, decapité à Cologne, A. 1565

    Luiken, Jan, 1649-1712
    An engraving depicting the execution of Matthias Servaes. The image shows Servaes being led towards the execution site with hands held in prayer (right) while a young man (left) and woman (right) who had wished to speak with him and were apprehended are ordered to be releasted by a nobleman (right, on horse).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the execution of Matthias Servaes. The image shows Servaes being led towards the execution site with hands held in prayer (right) while a young man (left) and woman (right) who had wished to speak with him and were apprehended are ordered to be releasted by a nobleman (right, on horse).
  • An engraving depicting a scene from the fifth book of the epic poem, Saint Louys, in which the sorcerer Mirème (center, holding a torch) raises the shade of Saladin (right, pointing) inside one of the great pyramids so that Sultan Mélédin (left) can consult him on how to defeat the crusaders.
    Still image

    Mirème and Mélédin Consult the Shade of Saladin

    Chauveau, François, 1613-1676
    An engraving depicting a scene from the fifth book of the epic poem, Saint Louys, in which the sorcerer Mirème (center, holding a torch) raises the shade of Saladin (right, pointing) inside one of the great pyramids so that Sultan Mélédin (left) can consult him on how to defeat the crusaders.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1658
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a scene from the fifth book of the epic poem, Saint Louys, in which the sorcerer Mirème (center, holding a torch) raises the shade of Saladin (right, pointing) inside one of the great pyramids so that Sultan Mélédin (left) can consult him on how to defeat the crusaders.
  • An engraving depicting the torture and forced labor of Protestant priests in Hungary. The image shows the priests digging and hauling dirt in work parties under the watch of overseers.
    Still image

    Miseres fait aux Ministres Protestans en Hongrie en l'an 1674

    Luiken, Jan, 1649-1712
    An engraving depicting the torture and forced labor of Protestant priests in Hungary. The image shows the priests digging and hauling dirt in work parties under the watch of overseers.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the torture and forced labor of Protestant priests in Hungary. The image shows the priests digging and hauling dirt in work parties under the watch of overseers.
  • An engraving depicting the papal monument of Pius V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.
    Still image

    Monumentum Pii Papae V. in quo et effigies et res eius pontificis preclare gestae eleganter in marmore exprimuntur

    An engraving depicting the papal monument of Pius V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1621
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the papal monument of Pius V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.
  • An engraving depicting Moses kneeling beside the Red Sea and reaching out his hand so that the waters could comeback over the Egyptians along with their chariots and horsemen. The men dressed in armor and on horseback depict the Egyptians, and the men standing behind Moses depict the Israelites.
    Still image

    Moses Returning the Red Sea

    Raphael, 1483-1520
    An engraving depicting Moses kneeling beside the Red Sea and reaching out his hand so that the waters could comeback over the Egyptians along with their chariots and horsemen. The men dressed in armor and on horseback depict the Egyptians, and the men standing behind Moses depict the Israelites.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1600/1699
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting Moses kneeling beside the Red Sea and reaching out his hand so that the waters could comeback over the Egyptians along with their chariots and horsemen. The men dressed in armor and on horseback depict the Egyptians, and the men standing behind Moses depict the Israelites.
  • An engraved portrait of Pope Nicholas V, who sat as pope from 1447-1455. The portrait shows Nicholas V wearing a papal miter with his coat of arms featured in the upper right corner. The portrait is labeled "NICOLAVS. V. PAPA. SERGIANENSIS".
    Still image

    Nicolaus V Papa Sergianensis

    Soye, Philippe de
    An engraved portrait of Pope Nicholas V, who sat as pope from 1447-1455. The portrait shows Nicholas V wearing a papal miter with his coat of arms featured in the upper right corner. The portrait is labeled "NICOLAVS. V. PAPA. SERGIANENSIS".
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1568
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Pope Nicholas V, who sat as pope from 1447-1455. The portrait shows Nicholas V wearing a papal miter with his coat of arms featured in the upper right corner. The portrait is labeled "NICOLAVS. V. PAPA. SERGIANENSIS".
  • An engraved tailpiece to the second, fifth, and eleventh books of Moyne's epic, "Saint Louys," depicting a laurel crown above a monogram, above which is a banner with the Latin motto, "non marcescet" (it will not fade/wither).
    Still image

    Non marcescet

    Chauveau, François, 1613-1676
    An engraved tailpiece to the second, fifth, and eleventh books of Moyne's epic, "Saint Louys," depicting a laurel crown above a monogram, above which is a banner with the Latin motto, "non marcescet" (it will not fade/wither).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1658
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved tailpiece to the second, fifth, and eleventh books of Moyne's epic, "Saint Louys," depicting a laurel crown above a monogram, above which is a banner with the Latin motto, "non marcescet" (it will not fade/wither).
  • An engraving depicting the prophet Obadiah standing barefoot as he glances left and up towards heaven. Behind him is a landscape featuring a cliffside with two groups of buildings.
    Still image

    Obadiah

    An engraving depicting the prophet Obadiah standing barefoot as he glances left and up towards heaven. Behind him is a landscape featuring a cliffside with two groups of buildings.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1695
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the prophet Obadiah standing barefoot as he glances left and up towards heaven. Behind him is a landscape featuring a cliffside with two groups of buildings.
  • An engraving depicting detailed representations of the four sides of the Obelisk of Domitian, which had been moved by Pope Innocent X from the Via Appia to his family home, the Palazzo Pamphilj. Between the four sides, there is a small representation of the obelisk with a decorative ribbon proclaiming it the "Obelisus Pamphilius" (bottom), a cherub holding a pair of medallions with a portrait of Innocent X (left) and the obelisk (right) (middle), and an angel lying on a cloud supporting Innocent X's coat of arms.
    Still image

    Obeliscus Pamphilius

    An engraving depicting detailed representations of the four sides of the Obelisk of Domitian, which had been moved by Pope Innocent X from the Via Appia to his family home, the Palazzo Pamphilj. Between the four sides, there is a small representation of the obelisk with a decorative ribbon proclaiming it the "Obelisus Pamphilius" (bottom), a cherub holding a pair of medallions with a portrait of Innocent X (left) and the obelisk (right) (middle), and an angel lying on a cloud supporting Innocent X's coat of arms.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1650
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting detailed representations of the four sides of the Obelisk of Domitian, which had been moved by Pope Innocent X from the Via Appia to his family home, the Palazzo Pamphilj. Between the four sides, there is a small representation of the obelisk with a decorative ribbon proclaiming it the "Obelisus Pamphilius" (bottom), a cherub holding a pair of medallions with a portrait of Innocent X (left) and the obelisk (right) (middle), and an angel lying on a cloud supporting Innocent X's coat of arms.
  • A series of six engravings depicting the observation of various Catholic Holy Days, including: Candlemas (top), tenebrae (left middle), the Procession of the Eucharist into a tomb (right middle), the fire that begins Holy Saturday (bottom left), and the blessing of a new Paschal candle (bottom right).
    Still image

    Observation of Catholic Holy Days

    Picart, Bernard, 1673-1733
    A series of six engravings depicting the observation of various Catholic Holy Days, including: Candlemas (top), tenebrae (left middle), the Procession of the Eucharist into a tomb (right middle), the fire that begins Holy Saturday (bottom left), and the blessing of a new Paschal candle (bottom right).
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1741
    Copyright
    NO COPYRIGHT - UNITED STATES
    A series of six engravings depicting the observation of various Catholic Holy Days, including: Candlemas (top), tenebrae (left middle), the Procession of the Eucharist into a tomb (right middle), the fire that begins Holy Saturday (bottom left), and the blessing of a new Paschal candle (bottom right).
  • The act of forgiving offenses, illustrated and accompanied by scriptural references.
    Still image

    Offensam remittere

    Galle, Philippe, 1537-1612
    The act of forgiving offenses, illustrated and accompanied by scriptural references.
    Subject - Time Period
    Sixteenth century
    Date Created
    1577
    Collection
    Philippe Galle, Septem opera misericordiae spiritalia
    Copyright
    NO COPYRIGHT - UNITED STATES
    The act of forgiving offenses, illustrated and accompanied by scriptural references.
  • An engraved portrait of Olaudah Equiano which appears in his autobiography.
    Still image

    Olaudah Equiano of Gustavus Vassa, De Africaan

    An engraved portrait of Olaudah Equiano which appears in his autobiography.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1790
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Olaudah Equiano which appears in his autobiography.
  • An engraved tailpiece to the first, fourth, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a crown of thorns above a monogram, above which is a banner with the Latin motto, "olim efflorescet" (In the future, it will bloom/grow/flourish).
    Still image

    Olim efflorescet

    Chauveau, François, 1613-1676
    An engraved tailpiece to the first, fourth, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a crown of thorns above a monogram, above which is a banner with the Latin motto, "olim efflorescet" (In the future, it will bloom/grow/flourish).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1658
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved tailpiece to the first, fourth, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a crown of thorns above a monogram, above which is a banner with the Latin motto, "olim efflorescet" (In the future, it will bloom/grow/flourish).
  • A series of six engravings depicting a Roman Catholic cleric receiving tonsure (top left) and a surplice (top right), and the ordination of a sexton (middle left), a lector (middle right), an exorcist (bottom left), and an acolyte (bottom right).
    Still image

    Ordinations

    Picart, Bernard, 1673-1733
    A series of six engravings depicting a Roman Catholic cleric receiving tonsure (top left) and a surplice (top right), and the ordination of a sexton (middle left), a lector (middle right), an exorcist (bottom left), and an acolyte (bottom right).
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1741
    Copyright
    NO COPYRIGHT - UNITED STATES
    A series of six engravings depicting a Roman Catholic cleric receiving tonsure (top left) and a surplice (top right), and the ordination of a sexton (middle left), a lector (middle right), an exorcist (bottom left), and an acolyte (bottom right).
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