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443 items
Medium engravings (prints)
  • A framed engraving of John Wesley, James Hamilton, M.D., and Revd. Joseph Cole with the inscription, "Ninty [sic] four years have I sojourned upon this earth endeavouring to do good" [sic, Wesley died at age 87].
    Still image

    Engraving of John Wesley, James Hamilton, M.D., and Rev. Joseph Cole

    A framed engraving of John Wesley, James Hamilton, M.D., and Revd. Joseph Cole with the inscription, "Ninty [sic] four years have I sojourned upon this earth endeavouring to do good" [sic, Wesley died at age 87].
    Subject - Time Period
    Eighteenth century
    Date Created
    1790
    Collection
    Wesleyana Artifact Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A framed engraving of John Wesley, James Hamilton, M.D., and Revd. Joseph Cole with the inscription, "Ninty [sic] four years have I sojourned upon this earth endeavouring to do good" [sic, Wesley died at age 87].
  • An engraved portrait of John Wesley, James Hamilton and Joseph Cole, inscribed "eighty-seven years have I sojourned on this earth endeavoring to do good." The engraving was presented by Thirteenth Street Methodist Episcopal Church (Philadelphia). The image is based on 95-001-023.
    Still image

    Engraving of John Wesley, James Hamilton, M.D., and Rev. Joseph Cole

    Longacre, J. B.
    An engraved portrait of John Wesley, James Hamilton and Joseph Cole, inscribed "eighty-seven years have I sojourned on this earth endeavoring to do good." The engraving was presented by Thirteenth Street Methodist Episcopal Church (Philadelphia). The image is based on 95-001-023.
    Subject - Time Period
    Nineteenth century
    Date Created
    1870/1879
    Collection
    Wesleyana Artifact Collection
    Copyright
    COPYRIGHT UNDETERMINED
    An engraved portrait of John Wesley, James Hamilton and Joseph Cole, inscribed "eighty-seven years have I sojourned on this earth endeavoring to do good." The engraving was presented by Thirteenth Street Methodist Episcopal Church (Philadelphia). The image is based on 95-001-023.
  • An engraving of a medallion or coin featuring James II of England on the face, framed by the inscription "IACOBUS II DEI GRA ANG SCOT FRAN ET HIB REX" ("James II, by the grace of God, King of England, Scotland, [France?], and [Hibernia]"). On the back, there is a scene of a naval battle behind a set of Roman style armaments beneath the inscription "GENUS ANTIQUUM".
    Still image

    Engraving of a medallion or coin featuring James II on the face

    An engraving of a medallion or coin featuring James II of England on the face, framed by the inscription "IACOBUS II DEI GRA ANG SCOT FRAN ET HIB REX" ("James II, by the grace of God, King of England, Scotland, [France?], and [Hibernia]"). On the back, there is a scene of a naval battle behind a set of Roman style armaments beneath the inscription "GENUS ANTIQUUM".
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1698/1702
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving of a medallion or coin featuring James II of England on the face, framed by the inscription "IACOBUS II DEI GRA ANG SCOT FRAN ET HIB REX" ("James II, by the grace of God, King of England, Scotland, [France?], and [Hibernia]"). On the back, there is a scene of a naval battle behind a set of Roman style armaments beneath the inscription "GENUS ANTIQUUM".
  • An engraving depicting the execution and torture of some 350 people in Alzey on the orders of the Holy Roman Emperor. The image shows a man having his fingers removed with a chisel (right), a man being blindfolded in preparation for beheading (center), and a bound man with a cross burned onto his forehead (left).
    Still image

    Environ 350 Personnes tuées près d'Altzey par par ordre de l'Empereur, A. 1529

    Luiken, Jan, 1649-1712
    An engraving depicting the execution and torture of some 350 people in Alzey on the orders of the Holy Roman Emperor. The image shows a man having his fingers removed with a chisel (right), a man being blindfolded in preparation for beheading (center), and a bound man with a cross burned onto his forehead (left).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the execution and torture of some 350 people in Alzey on the orders of the Holy Roman Emperor. The image shows a man having his fingers removed with a chisel (right), a man being blindfolded in preparation for beheading (center), and a bound man with a cross burned onto his forehead (left).
  • An engraving depicting the burning of eighty Waldensians in Strasbourg. The image shows a number of individuals already tied to stakes (right) while others are being prepared to be led to the pyres (left).
    Still image

    Environ 80 Vaudois brulez à Strasbourg, A. 1215

    Luiken, Jan, 1649-1712
    An engraving depicting the burning of eighty Waldensians in Strasbourg. The image shows a number of individuals already tied to stakes (right) while others are being prepared to be led to the pyres (left).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the burning of eighty Waldensians in Strasbourg. The image shows a number of individuals already tied to stakes (right) while others are being prepared to be led to the pyres (left).
  • An engraved headpiece to the first, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a pair of cherubim holding a crown of thorns above an interwoven pair of initials ("SL") which sit above a laurel crown and crossed palm fronds. Above the scene is a banner with the Latin motto, "est lauros palmasque Super" (It [Crown of thorns] is above laurels and palms).
    Still image

    Est lauros palmasque Super

    Chauveau, François, 1613-1676
    An engraved headpiece to the first, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a pair of cherubim holding a crown of thorns above an interwoven pair of initials ("SL") which sit above a laurel crown and crossed palm fronds. Above the scene is a banner with the Latin motto, "est lauros palmasque Super" (It [Crown of thorns] is above laurels and palms).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1658
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved headpiece to the first, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a pair of cherubim holding a crown of thorns above an interwoven pair of initials ("SL") which sit above a laurel crown and crossed palm fronds. Above the scene is a banner with the Latin motto, "est lauros palmasque Super" (It [Crown of thorns] is above laurels and palms).
  • An engraved portrait of Pope Eugene IV, who sat as pope from 1431-1447. The portrait shows Eugene IV wearing a simple miter with his coat of arms featured in the upper right corner. The portrait is labeled "EVGENIVS. IIII. PAPA. VENETVS".
    Still image

    Eugenius IIII Papa Venetus

    Soye, Philippe de
    An engraved portrait of Pope Eugene IV, who sat as pope from 1431-1447. The portrait shows Eugene IV wearing a simple miter with his coat of arms featured in the upper right corner. The portrait is labeled "EVGENIVS. IIII. PAPA. VENETVS".
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1568
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Pope Eugene IV, who sat as pope from 1431-1447. The portrait shows Eugene IV wearing a simple miter with his coat of arms featured in the upper right corner. The portrait is labeled "EVGENIVS. IIII. PAPA. VENETVS".
  • An engraving depicting the Eulalia kicking over an alter to a Roman god in an event preceeding her martyrdom. In the image, the crowd around Eulalia appearing outraged.
    Still image

    Eulalie, brulée et suffoquée avec des lampes et des flambeaux à Villa Nova en Portugal, A. 302

    Luiken, Jan, 1649-1712
    An engraving depicting the Eulalia kicking over an alter to a Roman god in an event preceeding her martyrdom. In the image, the crowd around Eulalia appearing outraged.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the Eulalia kicking over an alter to a Roman god in an event preceeding her martyrdom. In the image, the crowd around Eulalia appearing outraged.
  • An engraving depicting a portrait of Poggio Bracciolini hanging in a window above a stack of books on the windowsill with the city of Florence in the distance.
    Still image

    F. Pogge. Florentin

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Poggio Bracciolini hanging in a window above a stack of books on the windowsill with the city of Florence in the distance.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Poggio Bracciolini hanging in a window above a stack of books on the windowsill with the city of Florence in the distance.
  • An engraving of the western facade of the Basilica di Santa Maria Maggiore.
    Still image

    Facies occidentalis Liberianae Basilicae addita utrinque orthographia lateris item occidentalis sacellorum qua Maximi Pontifices Sixtus V ad dexteram s.mo dni nostri praesepi Paulus V ad lavam ipsi deipara magnifico opere extruxerunt

    An engraving of the western facade of the Basilica di Santa Maria Maggiore.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1621
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving of the western facade of the Basilica di Santa Maria Maggiore.
  • A set of six engravings depicting various examples of separation and reconciliation in the Catholic Church. The upper engravings show the degradation and restoration of a bishop. The middle engravings show the extinguishing of a candle, symbolizing excommunication, and the restoration of the excommunicated person to the church . The lower engravings show a heretic seeking reconciliation and being led to the altar by a bishop.
    Still image

    Fall and Restoration in the Catholic Church

    Picart, Bernard, 1673-1733
    A set of six engravings depicting various examples of separation and reconciliation in the Catholic Church. The upper engravings show the degradation and restoration of a bishop. The middle engravings show the extinguishing of a candle, symbolizing excommunication, and the restoration of the excommunicated person to the church . The lower engravings show a heretic seeking reconciliation and being led to the altar by a bishop.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1741
    Copyright
    NO COPYRIGHT - UNITED STATES
    A set of six engravings depicting various examples of separation and reconciliation in the Catholic Church. The upper engravings show the degradation and restoration of a bishop. The middle engravings show the extinguishing of a candle, symbolizing excommunication, and the restoration of the excommunicated person to the church . The lower engravings show a heretic seeking reconciliation and being led to the altar by a bishop.
  • An engraving depicting Jesus asking Peter three times if he loves him and then insisting he care for Jesus's sheep.
    Still image

    Feed My Sheep

    Raphael, 1483-1520
    An engraving depicting Jesus asking Peter three times if he loves him and then insisting he care for Jesus's sheep.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1600/1699
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting Jesus asking Peter three times if he loves him and then insisting he care for Jesus's sheep.
  • An engraving depicting the martyrdom of Saint Felicity. The image shows Felicity being approached by a guard holding a set of keys, her hands clasped in prayer and chained to the prison wall by her neck. According to tradition, Felicity was martyred alongside Saint Perpetua, was an enslaved woman, and was pregnant at the time.
    Still image

    Felicitas, de Tuburbi en Mauritanie, mise, à mort A. 201

    Luiken, Jan, 1649-1712
    An engraving depicting the martyrdom of Saint Felicity. The image shows Felicity being approached by a guard holding a set of keys, her hands clasped in prayer and chained to the prison wall by her neck. According to tradition, Felicity was martyred alongside Saint Perpetua, was an enslaved woman, and was pregnant at the time.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the martyrdom of Saint Felicity. The image shows Felicity being approached by a guard holding a set of keys, her hands clasped in prayer and chained to the prison wall by her neck. According to tradition, Felicity was martyred alongside Saint Perpetua, was an enslaved woman, and was pregnant at the time.
  • An engraving depicting the martyrdom of Saint Felicitas and her seven sons. The image shows five of the seven sons already dead, with one beheaded and another kneeling as the executioner prepares to behead him (left). On the right, Felicitas watches with her final son bound behind her (left).
    Still image

    Felicitas, mise à mort avec ses 7 fils à Rome, A. 164

    Luiken, Jan, 1649-1712
    An engraving depicting the martyrdom of Saint Felicitas and her seven sons. The image shows five of the seven sons already dead, with one beheaded and another kneeling as the executioner prepares to behead him (left). On the right, Felicitas watches with her final son bound behind her (left).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the martyrdom of Saint Felicitas and her seven sons. The image shows five of the seven sons already dead, with one beheaded and another kneeling as the executioner prepares to behead him (left). On the right, Felicitas watches with her final son bound behind her (left).
  • An engraved portrait of Antipope Felix V, who was elected by the Council of Basel-Ferrara-Florence and held the office from 1439-1449. The portrait shows Felix V wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "FELIX. IIII. DICTVS. V. DVX. SABAVDIAE".
    Still image

    Felix IIII Dictus V Dux Sabaudiae

    Soye, Philippe de
    An engraved portrait of Antipope Felix V, who was elected by the Council of Basel-Ferrara-Florence and held the office from 1439-1449. The portrait shows Felix V wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "FELIX. IIII. DICTVS. V. DVX. SABAVDIAE".
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1568
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Antipope Felix V, who was elected by the Council of Basel-Ferrara-Florence and held the office from 1439-1449. The portrait shows Felix V wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "FELIX. IIII. DICTVS. V. DVX. SABAVDIAE".
  • The act of patiently bearing those who wrong you, illustrated and accompanied by scriptural references.
    Still image

    Ferre patieter iniuriam

    Galle, Philippe, 1537-1612
    The act of patiently bearing those who wrong you, illustrated and accompanied by scriptural references.
    Subject - Time Period
    Sixteenth century
    Date Created
    1577
    Collection
    Philippe Galle, Septem opera misericordiae spiritalia
    Copyright
    NO COPYRIGHT - UNITED STATES
    The act of patiently bearing those who wrong you, illustrated and accompanied by scriptural references.
  • A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).
    Still image

    Four Catholic Trials

    Picart, Bernard, 1673-1733
    A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1741
    Copyright
    NO COPYRIGHT - UNITED STATES
    A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).
  • An engraving depicting a portrait of Pierre de Foix topped with a galero and surrounded by a cherub holding an olive branch and leaning on a column above a multi-headed dragon that has been decapitated. There is an inscription at the bottom reading, "Il finit le Schisme et donna la paix au Siege de Rome."
    Still image

    François Pierre, Cardinal de Foix

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Pierre de Foix topped with a galero and surrounded by a cherub holding an olive branch and leaning on a column above a multi-headed dragon that has been decapitated. There is an inscription at the bottom reading, "Il finit le Schisme et donna la paix au Siege de Rome."
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Pierre de Foix topped with a galero and surrounded by a cherub holding an olive branch and leaning on a column above a multi-headed dragon that has been decapitated. There is an inscription at the bottom reading, "Il finit le Schisme et donna la paix au Siege de Rome."
  • An engraving depicting Dirk Willems, who as later burned at the stake, rescuing his pursuer from an icy body of water.
    Still image

    Frederic Willemsz, pris et brulé hors d'Asperen, A. 1569

    Luiken, Jan, 1649-1712
    An engraving depicting Dirk Willems, who as later burned at the stake, rescuing his pursuer from an icy body of water.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1685
    1698
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting Dirk Willems, who as later burned at the stake, rescuing his pursuer from an icy body of water.
  • An engraving depicting a portrait of Frederick IV, Duke of Austria, with his coat of arms below the portrait.
    Still image

    Frederic, Duc D'Austriche

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Frederick IV, Duke of Austria, with his coat of arms below the portrait.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Frederick IV, Duke of Austria, with his coat of arms below the portrait.
  • An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
    Still image

    Frederick-Guillaume, Roi de Prusse

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
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