Search

An engraved frontispiece of Histoire des conclaves depuis Clement V. jusqu'à present, augmentée, depuis la première édition, de plusieurs mémoires concernans le pape & les cardinaux d'aujourdhui, & les principales familles de Rome : où l'on apprend quantité de particularitez de cette cour. Avec un discours qui explique, suivant le taille douce, toutes les cérémonies qui s'observent depuis la mort du pape, jusqu'après l'élection de son successeur.

An engraved frontispiece of Histoire des conclaves depuis Clement V. jusqu'à present, augmentée, depuis la première édition, de plusieurs mémoires concernans le pape & les cardinaux d'aujourdhui, & les principales familles de Rome : où l'on apprend quantité de particularitez de cette cour. Avec un discours qui explique, suivant le taille douce, toutes les cérémonies qui s'observent depuis la mort du pape, jusqu'après l'élection de son successeur.

An engraved border for the title page of Paolo di Angelis' Basilicae s. Mariae Maioris di Urbe a Liberio Papa I usque ad Paulum V Pont. Max. descriptio et delinatio printed in 1621. The border consists of a single print with several scenes pertaining to the veneration of and maricles of the Virgin Mary. The top of the border depicts angels and cherubs flanking a depiction of the Virgin Mary with Christ. In the center of the engraving, below the title, is a scene of St. Gregory I the Great leading a crowd in worship as a depiction of Mary is brought forward.

An engraved border for the title page of Paolo di Angelis' Basilicae s. Mariae Maioris di Urbe a Liberio Papa I usque ad Paulum V Pont. Max. descriptio et delinatio printed in 1621. The border consists of a single print with several scenes pertaining to the veneration of and maricles of the Virgin Mary. The top of the border depicts angels and cherubs flanking a depiction of the Virgin Mary with Christ. In the center of the engraving, below the title, is a scene of St. Gregory I the Great leading a crowd in worship as a depiction of Mary is brought forward.

An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.

An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.

An engraved title page to Onuphrii Panuinii Veronensis Fratris Eremitae Augustiniani. XXVII. Pontificum Maximorum elogia et imagines. The engraving depicts a sculpted building facade including a base with two coats of arms and an illustration of a stork standing before a desert city (bottom); two columns with a two coats of arms and four icons featuring a peacock, anvil, burning barrel, and an obelisk (sides); and at the top, two papal crests flanking a woman holding a cross and the Keys of Heaven, while above her is a dove representing the Holy Spirit.

An engraved title page to Onuphrii Panuinii Veronensis Fratris Eremitae Augustiniani. XXVII. Pontificum Maximorum elogia et imagines. The engraving depicts a sculpted building facade including a base with two coats of arms and an illustration of a stork standing before a desert city (bottom); two columns with a two coats of arms and four icons featuring a peacock, anvil, burning barrel, and an obelisk (sides); and at the top, two papal crests flanking a woman holding a cross and the Keys of Heaven, while above her is a dove representing the Holy Spirit.

The title page of Ulrich Zwingli's Ad Carolum Romanorum imperatorem Germaniae comitia Augustae celebrantem, fidei Huldrychi Zuinglij ratio featuring a portrait of Holy Roman Emperor Charles V, holding a scepter and with the chain with the ram of the Order of the Goldent Fleece around his neck.

The title page of Ulrich Zwingli's Ad Carolum Romanorum imperatorem Germaniae comitia Augustae celebrantem, fidei Huldrychi Zuinglij ratio featuring a portrait of Holy Roman Emperor Charles V, holding a scepter and with the chain with the ram of the Order of the Goldent Fleece around his neck.

The title page of Michael Denis' Annalium typographicorum v. cl. Michaelis Maittaire supplementum featuring an image of a crowned woman sitting on a block bearing the two-headed eagle of the Holy Roman Empire as she arranges a board of movable type. A printing press sits to the woman's left, a line of drying pages in the background, and a child (possibly a cherub) sitting at a small table to her right.

The title page of Michael Denis' Annalium typographicorum v. cl. Michaelis Maittaire supplementum featuring an image of a crowned woman sitting on a block bearing the two-headed eagle of the Holy Roman Empire as she arranges a board of movable type. A printing press sits to the woman's left, a line of drying pages in the background, and a child (possibly a cherub) sitting at a small table to her right.

The title page of Sebastian Münster's Arukh ha-shorashot = Dictionarium Hebraicum : nunc primum aeditum & typis excusum : Adiectis Chaldaicis uocabulis non parum multis featuring the printer's mark of Johann Froben, a pair of hands supporting a caduceus.

The title page of Sebastian Münster's Arukh ha-shorashot = Dictionarium Hebraicum : nunc primum aeditum & typis excusum : Adiectis Chaldaicis uocabulis non parum multis featuring the printer's mark of Johann Froben, a pair of hands supporting a caduceus.

The title page of Martin Luther's Auff des bocks zu Leypczick Antwort featuring several scenes, including: two men operating a printing press (bottom left), a man wearing worn clothes and carrying two flaggons and a cup with bees flying arouns his head (center left), an owl being harrassed by smaller birds (top right), an eagle (top center), a bear attacking a cow (top right), a dog attacking a deer (top-center right), a wolf attacking a sheep (bottom-center right), a man with a pole and a satchel (bottom right), and a heron standing beside Johann Rhau-Grunenberg's monogram "IG

The title page of Martin Luther's Auff des bocks zu Leypczick Antwort featuring several scenes, including: two men operating a printing press (bottom left), a man wearing worn clothes and carrying two flaggons and a cup with bees flying arouns his head (center left), an owl being harrassed by smaller birds (top right), an eagle (top center), a bear attacking a cow (top right), a dog attacking a deer (top-center right), a wolf attacking a sheep (bottom-center right), a man with a pole and a satchel (bottom right), and a heron standing beside Johann Rhau-Grunenberg's monogram "IG

The title page of Robert Barnes' Bapsttrew Hadriani iiij. vnd Alexanders iii. gegen Keyser Friderichen Barbarossa geübt : Aus der Historia zusamen gezogen nützlich zu lesen featuring a woodcut of Pope Alexander III confronting the Holy Roman Emperor, Frederick I.

The title page of Robert Barnes' Bapsttrew Hadriani iiij. vnd Alexanders iii. gegen Keyser Friderichen Barbarossa geübt : Aus der Historia zusamen gezogen nützlich zu lesen featuring a woodcut of Pope Alexander III confronting the Holy Roman Emperor, Frederick I.

The title page of Biblia : habes in hoc libro prudens lector vtriusq[ue] instrumenti nouam tran[s]latione[m] aeditum... featuring an architectural border decorated with portraits of Catholic saints. At the top of the border is an image of the pope flanked by cardinals and supported by a pair of cherubs holding horns and crests featuring a printer's mark. Along both sides are portraits of saints frmed with laurels, including: Jerome, Augustine, Gregory, Ambrosius, Hugo, Bernard, Thomas, Ireneus, and two unnamed saints.

The title page of Biblia : habes in hoc libro prudens lector vtriusq[ue] instrumenti nouam tran[s]latione[m] aeditum... featuring an architectural border decorated with portraits of Catholic saints. At the top of the border is an image of the pope flanked by cardinals and supported by a pair of cherubs holding horns and crests featuring a printer's mark. Along both sides are portraits of saints frmed with laurels, including: Jerome, Augustine, Gregory, Ambrosius, Hugo, Bernard, Thomas, Ireneus, and two unnamed saints.

The title page of Clarorum virorum epistolae Latinae, Graecae, & Hebraicae : uarijs temporibus missae ad Ioannem Reuchlin Phorcensem, LL. Doctorem featuring the printer's mark of Christoph Froschauer which depicts a tree bearing a banner with his name and surrounded with frogs (a play on "Froschauer" which means "frog meadow").

The title page of Clarorum virorum epistolae Latinae, Graecae, & Hebraicae : uarijs temporibus missae ad Ioannem Reuchlin Phorcensem, LL. Doctorem featuring the printer's mark of Christoph Froschauer which depicts a tree bearing a banner with his name and surrounded with frogs (a play on "Froschauer" which means "frog meadow").

The title page of Martin Luther's Low German translation of the Bible featuring a collection of biblical scenes and symbols based on Lucas Cranach the Elder's painting, "Law and Gospel" (or "Sin and Redemption"). On the left of the image are scenes representing Law/Sin, including: a dead tree, Moses receiving the Ten Commandments, Adam and Eve, the brazen serpent, and a corpse lying atop a tomb.

The title page of Martin Luther's Low German translation of the Bible featuring a collection of biblical scenes and symbols based on Lucas Cranach the Elder's painting, "Law and Gospel" (or "Sin and Redemption"). On the left of the image are scenes representing Law/Sin, including: a dead tree, Moses receiving the Ten Commandments, Adam and Eve, the brazen serpent, and a corpse lying atop a tomb.

The title page of Hans Sachs' Disputacion zwischen ainem Chorherrenn vnnd Schüchmacher : dariñ das wort gottes vnd ein recht Cristlich wesen verfochtten wirtt featuring a scene where a cobbler approaches a canon and a woman, possibly the canon's cook.

The title page of Hans Sachs' Disputacion zwischen ainem Chorherrenn vnnd Schüchmacher : dariñ das wort gottes vnd ein recht Cristlich wesen verfochtten wirtt featuring a scene where a cobbler approaches a canon and a woman, possibly the canon's cook.

The title page of Thomas Netter's Doctrinalis antiquitatu[m] ecclesiae Iesu Christi liber quintus, ac tomus secundus de sacramentis, editus in Vvitcleffistas, & eoru[m] asseclas featuring a central image of a printer's workshop with two men operating the press and a third arranging type. A decorative border surrounds the title and cetral image, including several cherubs, stylized fish, sirens, and armor.

The title page of Thomas Netter's Doctrinalis antiquitatu[m] ecclesiae Iesu Christi liber quintus, ac tomus secundus de sacramentis, editus in Vvitcleffistas, & eoru[m] asseclas featuring a central image of a printer's workshop with two men operating the press and a third arranging type. A decorative border surrounds the title and cetral image, including several cherubs, stylized fish, sirens, and armor.

The title page of Diepold Peringer's Ein Sermon geprediget vom Pawren zu Werdt, bey Nürmberg, am Sontag vor Fassnacht, von dem freyen Willen des Menschen featuring an image of a German peasant farmer holding an agricultural flail (used to separate grain from husk) in representation of the author. A coat of arms is set beside the figure.

The title page of Diepold Peringer's Ein Sermon geprediget vom Pawren zu Werdt, bey Nürmberg, am Sontag vor Fassnacht, von dem freyen Willen des Menschen featuring an image of a German peasant farmer holding an agricultural flail (used to separate grain from husk) in representation of the author. A coat of arms is set beside the figure.

The title page of Georg Sabinus' Electio et coronatio Caroli .V. Imp. Aug, featuring the coat of arms of Holy Roman Emperor Charles V, which features the two-headed eagle of the Holy Roman Empire, bearing a quartered shield representing the regions he rules.

The title page of Georg Sabinus' Electio et coronatio Caroli .V. Imp. Aug, featuring the coat of arms of Holy Roman Emperor Charles V, which features the two-headed eagle of the Holy Roman Empire, bearing a quartered shield representing the regions he rules.

The title page of Martin Luther's Ermanunge zum frid auff die zwölff artickel der bawrschafft in Schwaben featuring a decorative border with seven cherubs harvesting flowers amongst thorny roses.

The title page of Martin Luther's Ermanunge zum frid auff die zwölff artickel der bawrschafft in Schwaben featuring a decorative border with seven cherubs harvesting flowers amongst thorny roses.

The title page of Etlich Cristlich lider Lobgesang, vn[d] Psalm : dem reinen wort Gottes gemess, auss der heylige[n] schrifft, durch mancherley hochgelerter gemacht, in der Kirchen zu sigen, wie es dann zum tayl berayt zuo Wittenberg in übung ist featuring four decorative panels, the left and right mirrored decorative columns, the top featuring Jesus/God, and the bottom (printed upside-down) featuring a pair of horns with two swans and fish.

The title page of Etlich Cristlich lider Lobgesang, vn[d] Psalm : dem reinen wort Gottes gemess, auss der heylige[n] schrifft, durch mancherley hochgelerter gemacht, in der Kirchen zu sigen, wie es dann zum tayl berayt zuo Wittenberg in übung ist featuring four decorative panels, the left and right mirrored decorative columns, the top featuring Jesus/God, and the bottom (printed upside-down) featuring a pair of horns with two swans and fish.

Title page of Martin Luther's In Epistolam S. Pauli ad Galatas commentarius featuring a coat of arms shield below the title. The shield and title are flanked by columns, both of which have winged cherbus standing on top.

Title page of Martin Luther's In Epistolam S. Pauli ad Galatas commentarius featuring a coat of arms shield below the title. The shield and title are flanked by columns, both of which have winged cherbus standing on top.

The title page of Desiderius Erasmus' Io Frobenius studiorum liberalium mystis, s.d : Quo sæpius hoc opus uobis redit, optimi Iuuenes, hoc debet esse gratius. Redit enim subinde, cum emendatis, tum locupletius. Qui nouam æditionem emunt, lucrum faciunt, qui ueteribus contenti sunt, certe nihil faciũt damni. In hac non ita multum accessit paginarum, sed rerum nõ pœnitendum auctarium, valete, & nostræ fauete industriae. ...

The title page of Desiderius Erasmus' Io Frobenius studiorum liberalium mystis, s.d : Quo sæpius hoc opus uobis redit, optimi Iuuenes, hoc debet esse gratius. Redit enim subinde, cum emendatis, tum locupletius. Qui nouam æditionem emunt, lucrum faciunt, qui ueteribus contenti sunt, certe nihil faciũt damni. In hac non ita multum accessit paginarum, sed rerum nõ pœnitendum auctarium, valete, & nostræ fauete industriae. ...

The title page of Kirche[n] Gesäng : aus dem Wittenbergischen vnd allen andern den besten Gesangbüchern, so biss anhero hin vnd wider aussgangen colligirt vnd gesamlet ; In eine feine richtige vnd gute ordnung gebracht, vnd auffs fleissigest, vnd nach den besten exempla, including a frame with several scenes from the New Testament. The scenes include: the nativity (top), Jesus teaching and healing (top left), Jesus praying in the Garden of Gethsemane and the crucifixion (bottom left), the resurrection (top right), and Pentecost (bottom right).

The title page of Kirche[n] Gesäng : aus dem Wittenbergischen vnd allen andern den besten Gesangbüchern, so biss anhero hin vnd wider aussgangen colligirt vnd gesamlet ; In eine feine richtige vnd gute ordnung gebracht, vnd auffs fleissigest, vnd nach den besten exempla, including a frame with several scenes from the New Testament. The scenes include: the nativity (top), Jesus teaching and healing (top left), Jesus praying in the Garden of Gethsemane and the crucifixion (bottom left), the resurrection (top right), and Pentecost (bottom right).