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Summary: Sermon preached August 10, 1522, on Matthew 7:15-23 (Beware of False Prophets).

Summary: Sermon preached August 10, 1522, on Matthew 7:15-23 (Beware of False Prophets).

Summary: Sermon preached July 27, 1522, on Matthew 5:20ff. (Unless your righteousness is greater than that of the Pharisees, etc,.).

Summary: Sermon preached July 27, 1522, on Matthew 5:20ff. (Unless your righteousness is greater than that of the Pharisees, etc,.).

Summary: Sermon preached in Erfurt, October 21, 1522, on Matthew 25:1ff. (Wise and Foolish Virgins).

Summary: Sermon preached in Erfurt, October 21, 1522, on Matthew 25:1ff. (Wise and Foolish Virgins).

A vellum leaf containing the text of Matthew 2:1-11 and featuring decorative initial letters.

A vellum leaf containing the text of Matthew 2:1-11 and featuring decorative initial letters.

A vellum leaf containing the text of Matthew 5-7, written in Gothic script.

A vellum leaf containing the text of Matthew 5-7, written in Gothic script.

Leaf CI of the German Nuremberg Chronicle, with a large woodcut, colorized by hand, depicting Christ enthroned, surrounded by the Apostles.

Leaf CI of the German Nuremberg Chronicle, with a large woodcut, colorized by hand, depicting Christ enthroned, surrounded by the Apostles.

Summary: Third printing of a sermon by Martin Luther contrasting the respective powers of Christ and Herod, whereby the latter is associated with papal authority.

Summary: Third printing of a sermon by Martin Luther contrasting the respective powers of Christ and Herod, whereby the latter is associated with papal authority.

Summary: This is the first printing of Luther's sermon preached June 29th, 1519, at the Leipzig Disputation, on text: Matthew 16: 13-19 (Peter's Great Confession, and the presentation of the Keys). The woodcut on the title page is the earliest known portrait of Luther.

Summary: This is the first printing of Luther's sermon preached June 29th, 1519, at the Leipzig Disputation, on text: Matthew 16: 13-19 (Peter's Great Confession, and the presentation of the Keys). The woodcut on the title page is the earliest known portrait of Luther.

Summary: Sermon preached June 29, 1519, on text: Matthew XVI, 13-19.

Summary: Sermon preached June 29, 1519, on text: Matthew XVI, 13-19.

A leaf from an epistolary featuring musical annotation and the text of Matthew 27:60-64.

A leaf from an epistolary featuring musical annotation and the text of Matthew 27:60-64.

Summary: Sermon preached September 30, 1526, on Matthew 22:34-46 (Jesus in Temple during Passion Week).

Summary: Sermon preached September 30, 1526, on Matthew 22:34-46 (Jesus in Temple during Passion Week).

Summary: Sermon preached June 29, 1519, on text: Matthew XVI, 13-19.

Summary: Sermon preached June 29, 1519, on text: Matthew XVI, 13-19.

A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525.

A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525.

A woodcut border to Mensing's Von dem Testament Christi vnsers Herren vnd Seligmachers : Dem Hochlöblichen Adell ym landt zu Sachsen, sampt alle[n] Christglewbigen, Deutscher Nation, tzugutt geschriben vnd auszgangen, beweret mit Götlicher schrifft, tröstlich zu lesen printed in 1526. The border is composed of four woodcuts depicting the symbols of the four Gospels (corners), Apostle Peter (top), Apostle Paul (bottom), and the four "Great Western Fathers" of the church, Pope Gregory I, Saint Jerome, Saint Ambrose, and Saint Augustine (sides).

A woodcut border to Mensing's Von dem Testament Christi vnsers Herren vnd Seligmachers : Dem Hochlöblichen Adell ym landt zu Sachsen, sampt alle[n] Christglewbigen, Deutscher Nation, tzugutt geschriben vnd auszgangen, beweret mit Götlicher schrifft, tröstlich zu lesen printed in 1526. The border is composed of four woodcuts depicting the symbols of the four Gospels (corners), Apostle Peter (top), Apostle Paul (bottom), and the four "Great Western Fathers" of the church, Pope Gregory I, Saint Jerome, Saint Ambrose, and Saint Augustine (sides).

An initial letter "D" featuring Jesus entering Jerusalem on the back of a donkey.

An initial letter "D" featuring Jesus entering Jerusalem on the back of a donkey.

An initial letter "E" featuring the Three Wise Men presenting gifts to Jesus who sits in the lap of Mary.

An initial letter "E" featuring the Three Wise Men presenting gifts to Jesus who sits in the lap of Mary.

An initial letter "P" featuring Christ in the manger before the Virgin Mary and Jospeh.

An initial letter "P" featuring Christ in the manger before the Virgin Mary and Jospeh.

A woodcut depicting Jesus' triumphal entry into the city of Jerusalem. Jesus rides a donkey with hand raised to bless the people as they lay palms before him. The scene is flanked by ornamental scroll work featuring pelicans and snails.

A woodcut depicting Jesus' triumphal entry into the city of Jerusalem. Jesus rides a donkey with hand raised to bless the people as they lay palms before him. The scene is flanked by ornamental scroll work featuring pelicans and snails.

Summary: Sermon preached November 1, 1523, on Matthew 18:23-35 (the parable of the forgiven debtor who was unforgiving).

Summary: Sermon preached November 1, 1523, on Matthew 18:23-35 (the parable of the forgiven debtor who was unforgiving).

Drawing on scenes of gathering and shared meals in the Bible, specifically the wedding in Cana, Jesus feeding the five thousand, and the Last Supper, this linocut depicts a group of men, women, and children gathered and sharing food and drink. At the center of this gathering is a large ornamental ewer.

Drawing on scenes of gathering and shared meals in the Bible, specifically the wedding in Cana, Jesus feeding the five thousand, and the Last Supper, this linocut depicts a group of men, women, and children gathered and sharing food and drink. At the center of this gathering is a large ornamental ewer.

A woodcut depicting a skeleton (= Death) taking a bishop by the hand and leading him from his pasture and flock. The Bishop holds a crosier, while an hourglass rests in the bottom left corner. The woodcut is accompanied by verses from Matthew 26 and Mark 14 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) taking a bishop by the hand and leading him from his pasture and flock. The Bishop holds a crosier, while an hourglass rests in the bottom left corner. The woodcut is accompanied by verses from Matthew 26 and Mark 14 translated into French (top) and then reformatted into verse (bottom).