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This sermon explains the importance of renouncing both worldly pleasures and oneself when seeking a religious profession.

This sermon explains the importance of renouncing both worldly pleasures and oneself when seeking a religious profession.

A woodcut floorplan depicting the building complex in the Vatican where the Papal conclave is held. Buildings in this area include St. Peter's Basilica, the Sistine Chapel, and the Vatican Palace.

A woodcut floorplan depicting the building complex in the Vatican where the Papal conclave is held. Buildings in this area include St. Peter's Basilica, the Sistine Chapel, and the Vatican Palace.

This sermon presents the four methods of general judgement by which humanity will be assessed in the end of days.

This sermon presents the four methods of general judgement by which humanity will be assessed in the end of days.

A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).

A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).

Summary: This pamphlet contains the Catholic response to the first, unauthorized edition of the Schwabach Articles, published in Coburg in 1530. Among the authors of this tract, Konrad Wimpina and Johannes Mensing helped draft the Catholic Confutation of the Augsburg Confession.

Summary: This pamphlet contains the Catholic response to the first, unauthorized edition of the Schwabach Articles, published in Coburg in 1530. Among the authors of this tract, Konrad Wimpina and Johannes Mensing helped draft the Catholic Confutation of the Augsburg Confession.

Summary:

Summary:

Summary: Second printing of a an anti-Protestant tract by Kilian Leib, prior of the Augustinian monastery at Rebdorf. Leib was a Catholic theologian in the humanist tradition who was a firm opponent of Martin Luther's reforms. In 1530 he had participated in drafting the Catholic response to the Augsburg Confession. In this work, Leib outlines 7 causes for the Lutheran heresy, which include among others an unfavorable constellation of the stars, ordained by God to punish humanity.

Summary: Second printing of a an anti-Protestant tract by Kilian Leib, prior of the Augustinian monastery at Rebdorf. Leib was a Catholic theologian in the humanist tradition who was a firm opponent of Martin Luther's reforms. In 1530 he had participated in drafting the Catholic response to the Augsburg Confession. In this work, Leib outlines 7 causes for the Lutheran heresy, which include among others an unfavorable constellation of the stars, ordained by God to punish humanity.

An engraved frontispiece of Histoire des conclaves depuis Clement V. jusqu'à present, augmentée, depuis la première édition, de plusieurs mémoires concernans le pape & les cardinaux d'aujourdhui, & les principales familles de Rome : où l'on apprend quantité de particularitez de cette cour. Avec un discours qui explique, suivant le taille douce, toutes les cérémonies qui s'observent depuis la mort du pape, jusqu'après l'élection de son successeur.

An engraved frontispiece of Histoire des conclaves depuis Clement V. jusqu'à present, augmentée, depuis la première édition, de plusieurs mémoires concernans le pape & les cardinaux d'aujourdhui, & les principales familles de Rome : où l'on apprend quantité de particularitez de cette cour. Avec un discours qui explique, suivant le taille douce, toutes les cérémonies qui s'observent depuis la mort du pape, jusqu'après l'élection de son successeur.

Summary: Translation, with additions, of Platina's Vitae pontificum.

Summary: Translation, with additions, of Platina's Vitae pontificum.

The title page of Robert Barnes' Bapsttrew Hadriani iiij. vnd Alexanders iii. gegen Keyser Friderichen Barbarossa geübt : Aus der Historia zusamen gezogen nützlich zu lesen featuring a woodcut of Pope Alexander III confronting the Holy Roman Emperor, Frederick I.

The title page of Robert Barnes' Bapsttrew Hadriani iiij. vnd Alexanders iii. gegen Keyser Friderichen Barbarossa geübt : Aus der Historia zusamen gezogen nützlich zu lesen featuring a woodcut of Pope Alexander III confronting the Holy Roman Emperor, Frederick I.

The title page of Martin Schrot's Vrsprung vnd vrsach Gege[n]wertiger Vffrür, Teütscher Nation depicting the pope (in armor and the papal crown) leading an army, presumably set during the Schmalkald War, reinforcing the theme of the work which criticises the pope as a warrior attacking his sheep rather than leading them to God.

The title page of Martin Schrot's Vrsprung vnd vrsach Gege[n]wertiger Vffrür, Teütscher Nation depicting the pope (in armor and the papal crown) leading an army, presumably set during the Schmalkald War, reinforcing the theme of the work which criticises the pope as a warrior attacking his sheep rather than leading them to God.

A pair of woodcuts with captions depicting the formal procession of food for the Cardinals (top) and the delivery of dishes to the Cardinals (bottom).

A pair of woodcuts with captions depicting the formal procession of food for the Cardinals (top) and the delivery of dishes to the Cardinals (bottom).

The title page of Histoire du concile de Constance : tirée principalement d'auteurs qui ont assisté au concile with a decorative engraving depicting the council in session.

The title page of Histoire du concile de Constance : tirée principalement d'auteurs qui ont assisté au concile with a decorative engraving depicting the council in session.

A Papal plenary indulgence, issued in the name of Pope Leo X to raise fund for work on the construction of a church and Carmelite convent (Santa Maria) on the island of Gorgona off the Tuscan coast. It was the sale of indulgences that had prompted Martin Luther to post his 95 Theses, which is generally seen as the beginning of the Protestant Reformation. Giacomo Mazzocchi, the printer of this indulgence used the same types in 1520 for the printing of Pope Leo's bull "Exsurge Domine," which called on Luther to retract 41 of his 95 theses or face excommunication.

A Papal plenary indulgence, issued in the name of Pope Leo X to raise fund for work on the construction of a church and Carmelite convent (Santa Maria) on the island of Gorgona off the Tuscan coast. It was the sale of indulgences that had prompted Martin Luther to post his 95 Theses, which is generally seen as the beginning of the Protestant Reformation. Giacomo Mazzocchi, the printer of this indulgence used the same types in 1520 for the printing of Pope Leo's bull "Exsurge Domine," which called on Luther to retract 41 of his 95 theses or face excommunication.

An initial letter "C" featuring an elaborate ciborium.

An initial letter "C" featuring an elaborate ciborium.

Summary: This rare anti-Lutheran tract was directed chiefly against Luther's views on the power of the Papacy, but includes material on the Word and Sacraments as well.

Summary: This rare anti-Lutheran tract was directed chiefly against Luther's views on the power of the Papacy, but includes material on the Word and Sacraments as well.

This manuscript consists of a handwritten copy of the speech made by James Radcliffe, third Earl of Derwentwater, from the scaffold on February 24, 1716. Radcliffe was sentenced to death by King George I because of his participation in the conspiracy to reinstate the Stuarts. In the speech Radcliffe renounced his plea of guilt, affirmed his adherene to the Roman Catholic faith, and professed his loyalty to James III.

This manuscript consists of a handwritten copy of the speech made by James Radcliffe, third Earl of Derwentwater, from the scaffold on February 24, 1716. Radcliffe was sentenced to death by King George I because of his participation in the conspiracy to reinstate the Stuarts. In the speech Radcliffe renounced his plea of guilt, affirmed his adherene to the Roman Catholic faith, and professed his loyalty to James III.

A series of six engravings depicting a Catholic Jubilee year, during which faithful make prilgrimages to four basilicas in exchange for indulgences.

A series of six engravings depicting a Catholic Jubilee year, during which faithful make prilgrimages to four basilicas in exchange for indulgences.

A series of six engravings depicting pilgrims traveling to one of the seven basilicas that grants indulgence during a Jubilee year (top left). There the pilgrims climb the Scala Santa (Holy Stairs) on their knees (top right), and Roman prelates and barons wash their feet (left middle). The pope blesses the tables the pilgrims uses to eat with the Cardinals and the other prelates (right middle). The pope distributes rosaries, medallions, and Agnus Dei (a wax medallion imprinted with the Lamb of God) to the pilgrims as they kiss his feet (bottom left).

A series of six engravings depicting pilgrims traveling to one of the seven basilicas that grants indulgence during a Jubilee year (top left). There the pilgrims climb the Scala Santa (Holy Stairs) on their knees (top right), and Roman prelates and barons wash their feet (left middle). The pope blesses the tables the pilgrims uses to eat with the Cardinals and the other prelates (right middle). The pope distributes rosaries, medallions, and Agnus Dei (a wax medallion imprinted with the Lamb of God) to the pilgrims as they kiss his feet (bottom left).

A pair of engravings depicting an amphitheater where full Inquisition tribunals took place before royalty and Catholic officials during the Spanish Inquisition in Madrid (top) and a procession making to an Inquisition trial in Goa, led by Dominicans carrying the Inquisition standard (which bears the Latin motto “Misericordia et Justitia” [“Mercy and Justice”]), followed by the guards and accused criminals, and the Grand Inquisitor. Both engravings are labelled.

A pair of engravings depicting an amphitheater where full Inquisition tribunals took place before royalty and Catholic officials during the Spanish Inquisition in Madrid (top) and a procession making to an Inquisition trial in Goa, led by Dominicans carrying the Inquisition standard (which bears the Latin motto “Misericordia et Justitia” [“Mercy and Justice”]), followed by the guards and accused criminals, and the Grand Inquisitor. Both engravings are labelled.

A pair of engravings depicting condemned heretics performing an auto-da-fé, or act of faith, as penance prior to being burned at the stake during the Inquisition (top) and condemned heretics during the Inquisition being publically burnt at the stake (bottom).

A pair of engravings depicting condemned heretics performing an auto-da-fé, or act of faith, as penance prior to being burned at the stake during the Inquisition (top) and condemned heretics during the Inquisition being publically burnt at the stake (bottom).