A woodcut version of Johann Reuchlin's coat of arms, featured on the title page of his work De arte cabalistica. The coat of arms includes a shield featuring an altar inscribed with "ARACAPNIONIS" (Ara Capnionis, the "altar of Capnion [Reuchlin]"), topped with burning coals, and encircled with three twisted ropes or garlands. Set atop the shield is a helmet with a cross inscribed on the neck, crowned with another three twisted ropes or garlands and a quartered wheel. Surrounding both helmet and shield are stylized vegitation.
A woodcut version of Johann Reuchlin's coat of arms, featured on the title page of his work De arte cabalistica. The coat of arms includes a shield featuring an altar inscribed with "ARACAPNIONIS" (Ara Capnionis, the "altar of Capnion [Reuchlin]"), topped with burning coals, and encircled with three twisted ropes or garlands. Set atop the shield is a helmet with a cross inscribed on the neck, crowned with another three twisted ropes or garlands and a quartered wheel. Surrounding both helmet and shield are stylized vegitation.
A series of four engravings depicting aspects of religious rituals and practices from ancient Mediterranean cultures, including Greek, Roman, and Egyptian. The engraving on the top right depicts a supplicant praying before a temple of Pomona, the Latin and Roman goddess of fruit trees, gardens, and orchards, who is depicted to the supplicant's left.
A series of four engravings depicting aspects of religious rituals and practices from ancient Mediterranean cultures, including Greek, Roman, and Egyptian. The engraving on the top right depicts a supplicant praying before a temple of Pomona, the Latin and Roman goddess of fruit trees, gardens, and orchards, who is depicted to the supplicant's left.
A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).
A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).
An engraving depicting a portrait of John Wycliffe framed in a laurel wreath with a pile of books and papers being burned, representing the declaration by the Council of Constance that his works should be burned.
An engraving depicting a portrait of John Wycliffe framed in a laurel wreath with a pile of books and papers being burned, representing the declaration by the Council of Constance that his works should be burned.
An engraving depicting a portrait of Jerome of Prague with a fire built below the portrait, the flames catching along the sides and frame in reference to his execution by burning at the stake.
An engraving depicting a portrait of Jerome of Prague with a fire built below the portrait, the flames catching along the sides and frame in reference to his execution by burning at the stake.
An engraving depicting the torture of Origen. The image shows Origen chained to a prison wall by his neck, his hands clasped in prayer and feet locked in a stocks, while torturers head coals and hold burning straw towards him.
An engraving depicting the torture of Origen. The image shows Origen chained to a prison wall by his neck, his hands clasped in prayer and feet locked in a stocks, while torturers head coals and hold burning straw towards him.
An engraving depicting the martyrdom of Saint Polycarp. The image shows Polycarp sitting on a blazing fire with eyes turned towards heaven as a man stabs him with a sword.
An engraving depicting the martyrdom of Saint Polycarp. The image shows Polycarp sitting on a blazing fire with eyes turned towards heaven as a man stabs him with a sword.
An engraving depicting the martyrdom of Saint Thomas the Apostle. The image shows Thomas led towards a large furnace by a groupof four spearmen as a king looks on from the back of an elephant.
An engraving depicting the martyrdom of Saint Thomas the Apostle. The image shows Thomas led towards a large furnace by a groupof four spearmen as a king looks on from the back of an elephant.
A woodcut of a creature labeled as "Salamandra" (Salamander), which is described as preferring to live in fire and can be found on a mountain in the land of Chinchital in the New World.
A woodcut of a creature labeled as "Salamandra" (Salamander), which is described as preferring to live in fire and can be found on a mountain in the land of Chinchital in the New World.
A woodcut depicting an angel, robed in clouds with legs of flaming pillars, handing a book to Saint John the Apostle and pointing up at the heavens. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depicting an angel, robed in clouds with legs of flaming pillars, handing a book to Saint John the Apostle and pointing up at the heavens. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depicting two angels announcing the destruction of Babylon and dropping a millstone into the sea while the city itself is seen in flames below. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depicting two angels announcing the destruction of Babylon and dropping a millstone into the sea while the city itself is seen in flames below. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depictng God and seven angels with trumpets (top), hail and fire falling into the sea (bottom left), and a burning mountain falling into the sea (bottom right). The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depictng God and seven angels with trumpets (top), hail and fire falling into the sea (bottom left), and a burning mountain falling into the sea (bottom right). The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depicting two beasts, the first with seven crowned heads and ten horns rising from the sea, and the second in the shape of a lamb with two horns which is accompanied by flames raining from the skies. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depicting two beasts, the first with seven crowned heads and ten horns rising from the sea, and the second in the shape of a lamb with two horns which is accompanied by flames raining from the skies. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
![A woodcut version of Johann Reuchlin's coat of arms, featured on the title page of his work De arte cabalistica. The coat of arms includes a shield featuring an altar inscribed with "ARACAPNIONIS" (Ara Capnionis, the "altar of Capnion [Reuchlin]"), topped with burning coals, and encircled with three twisted ropes or garlands. Set atop the shield is a helmet with a cross inscribed on the neck, crowned with another three twisted ropes or garlands and a quartered wheel. Surrounding both helmet and shield are stylized vegitation.](https://s3.us-west-2.amazonaws.com/omekacloud-main/large/P_300000152440_P003/P_300000152440_P003_PROD.jpg)
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