Search

A woodcut depicting a synod gathering of a diocese. A bishop sits surrounded by priests as an archdeacon proclaims the faith from the pulpit. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting a synod gathering of a diocese. A bishop sits surrounded by priests as an archdeacon proclaims the faith from the pulpit. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the bestowal of the pallium upon a new bishop. The bishop kneels before the presiding bishop who drapes the pallium over his chasuble. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the bestowal of the pallium upon a new bishop. The bishop kneels before the presiding bishop who drapes the pallium over his chasuble. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The king kneels before a bishop who annoints his hands and arms with the oil of catechumens. The scene is flanked by a pair of cherubs holding rings and kneeling on helments. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The king kneels before a bishop who annoints his hands and arms with the oil of catechumens. The scene is flanked by a pair of cherubs holding rings and kneeling on helments. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels behind the king who petitions the bishop to bless and crown her. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels behind the king who petitions the bishop to bless and crown her. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before a bishop who is reciting a litany from a book of the Gospels held by an attendant. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before a bishop who is reciting a litany from a book of the Gospels held by an attendant. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing of a military standard. A soldier kneels and holds forward a banner, which a bishop holds to bless. The scene is flanked by a pair of cherubs holding rings and kneeling on helments. The woodcut is reused throughout the work.

A woodcut depicting the blessing of a military standard. A soldier kneels and holds forward a banner, which a bishop holds to bless. The scene is flanked by a pair of cherubs holding rings and kneeling on helments. The woodcut is reused throughout the work.

A woodcut version of Johann Reuchlin's coat of arms, featured on the title page of his work De arte cabalistica. The coat of arms includes a shield featuring an altar inscribed with "ARACAPNIONIS" (Ara Capnionis, the "altar of Capnion [Reuchlin]"), topped with burning coals, and encircled with three twisted ropes or garlands. Set atop the shield is a helmet with a cross inscribed on the neck, crowned with another three twisted ropes or garlands and a quartered wheel. Surrounding both helmet and shield are stylized vegitation.

A woodcut version of Johann Reuchlin's coat of arms, featured on the title page of his work De arte cabalistica. The coat of arms includes a shield featuring an altar inscribed with "ARACAPNIONIS" (Ara Capnionis, the "altar of Capnion [Reuchlin]"), topped with burning coals, and encircled with three twisted ropes or garlands. Set atop the shield is a helmet with a cross inscribed on the neck, crowned with another three twisted ropes or garlands and a quartered wheel. Surrounding both helmet and shield are stylized vegitation.

A woodcut depicting the consecration of a bishop. The bishop elect kneels before a trio of consecrating bishops who lay their hands upon his head as an assistant places a book of the Gospels upon his shoulders. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a bishop. The bishop elect kneels before a trio of consecrating bishops who lay their hands upon his head as an assistant places a book of the Gospels upon his shoulders. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting the celebration of Holy Saturday. A bishop presides as a deacon lights one candle from three and sings, “Lumen Christi” (“the light of Christ”), to which all reply,”Deo gratis” (“thanks be to God”). The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the celebration of Holy Saturday. A bishop presides as a deacon lights one candle from three and sings, “Lumen Christi” (“the light of Christ”), to which all reply,”Deo gratis” (“thanks be to God”). The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

An engraving depicting a bust of Jan Žižka atop a column featuring a laurel wreath. The figure is wearing armor and a helmet with a partial eyepatch.

An engraving depicting a bust of Jan Žižka atop a column featuring a laurel wreath. The figure is wearing armor and a helmet with a partial eyepatch.

A woodcut depicting the rite of laying on of hands. The bishop places his hands on the head of the ordainee, who kneels before him, holding vestments folded over his arms. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the rite of laying on of hands. The bishop places his hands on the head of the ordainee, who kneels before him, holding vestments folded over his arms. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting funeral rites performed upon the death of a bishop. The body of the deceased bishop is laid on an ornate bier while five presiding bishops stand at each corner of the bier and at the head, offering prayers. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting funeral rites performed upon the death of a bishop. The body of the deceased bishop is laid on an ornate bier while five presiding bishops stand at each corner of the bier and at the head, offering prayers. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.