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43 resources
43 items
Subject Mary, Blessed Virgin, Saint
  • An initial letter "P" featuring Christ in the manger before the Virgin Mary and Jospeh.
    Still image

    Initial Letter P

    An initial letter "P" featuring Christ in the manger before the Virgin Mary and Jospeh.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    An initial letter "P" featuring Christ in the manger before the Virgin Mary and Jospeh.
  • An initial letter "S" featuring the Holy Spirit appearing to the Apostles and the Virgin Mary.
    Still image

    Initial Letter S

    An initial letter "S" featuring the Holy Spirit appearing to the Apostles and the Virgin Mary.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    An initial letter "S" featuring the Holy Spirit appearing to the Apostles and the Virgin Mary.
  • An initial letter "S" featuring the Vigin Mary supporting the infant Jesus Christ atop an altar while another figure approaches. This is possibly a depiction of the circumcision of Jesus. A lion (upper left) and pelican (lower right) are depicted in the margins outside the initial.
    Still image

    Initial Letter S

    An initial letter "S" featuring the Vigin Mary supporting the infant Jesus Christ atop an altar while another figure approaches. This is possibly a depiction of the circumcision of Jesus. A lion (upper left) and pelican (lower right) are depicted in the margins outside the initial.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    An initial letter "S" featuring the Vigin Mary supporting the infant Jesus Christ atop an altar while another figure approaches. This is possibly a depiction of the circumcision of Jesus. A lion (upper left) and pelican (lower right) are depicted in the margins outside the initial.
  • An initial letter "S" featuring the Vigin Mary holding the infant Jesus Christ with a bird in the upper left corner.
    Still image

    Initial Letter S

    An initial letter "S" featuring the Vigin Mary holding the infant Jesus Christ with a bird in the upper left corner.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    An initial letter "S" featuring the Vigin Mary holding the infant Jesus Christ with a bird in the upper left corner.
  • An initial letter "V" or "U" featuring the ascension of Jesus Christ before the Apostles and the Virgin Mary.
    Still image

    Initial Letter V or U

    An initial letter "V" or "U" featuring the ascension of Jesus Christ before the Apostles and the Virgin Mary.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    An initial letter "V" or "U" featuring the ascension of Jesus Christ before the Apostles and the Virgin Mary.
  • A woodcut initial letter "E" including the scene of the three Wise Men bringing gifts of gold, frankincense, and myrrh to Jesus and the Virgin Mary.
    Still image

    Initial letter with the Three Wise Men

    Baldung, Hans, -1545
    A woodcut initial letter "E" including the scene of the three Wise Men bringing gifts of gold, frankincense, and myrrh to Jesus and the Virgin Mary.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1510
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut initial letter "E" including the scene of the three Wise Men bringing gifts of gold, frankincense, and myrrh to Jesus and the Virgin Mary.
  • An engraving depicting the altar commisioned by Paul V to house the Salus Populi Romani, believed to be painted by Saint Luke. Above the altar is a depiction of Pope Liberius outlining the original foundations of the basilica.
    Still image

    Insigne altare a Paulo V. Pont. Max. in magnificentissimo suo Basilicae Liberianae sacello ex inaurato duntaxat aere pulcherrimaq[ue] varietate pretiosorum lapidum atque gemmarum ad ornatum augustae imaginis Sanctae Mariae a B. Luca pictae constructum

    An engraving depicting the altar commisioned by Paul V to house the Salus Populi Romani, believed to be painted by Saint Luke. Above the altar is a depiction of Pope Liberius outlining the original foundations of the basilica.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1621
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the altar commisioned by Paul V to house the Salus Populi Romani, believed to be painted by Saint Luke. Above the altar is a depiction of Pope Liberius outlining the original foundations of the basilica.
  • A woodcut depicting the crucifixion of Jesus Christ, featuring the figures of the Virgin Mary, St. John, and a third figure.
    Still image

    Jesus Christ Crucified

    A woodcut depicting the crucifixion of Jesus Christ, featuring the figures of the Virgin Mary, St. John, and a third figure.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1525
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut depicting the crucifixion of Jesus Christ, featuring the figures of the Virgin Mary, St. John, and a third figure.
  • Illuminated painting depicting the Nativity and Epiphany. Three angels in the starry night sky look down on the manger scene. Jesus is swaddled in the manger with Mary reclining beside him. There is a horse and ox eating from the manger on the left. The Three Wise men are also on the left, presenting their gifts. The
    Still image

    Nativity

    Illuminated painting depicting the Nativity and Epiphany. Three angels in the starry night sky look down on the manger scene. Jesus is swaddled in the manger with Mary reclining beside him. There is a horse and ox eating from the manger on the left. The Three Wise men are also on the left, presenting their gifts. The
    Subject - Time Period
    Seventeenth century
    Date Created
    1700/1799
    Copyright
    NO COPYRIGHT - UNITED STATES
    Illuminated painting depicting the Nativity and Epiphany. Three angels in the starry night sky look down on the manger scene. Jesus is swaddled in the manger with Mary reclining beside him. There is a horse and ox eating from the manger on the left. The Three Wise men are also on the left, presenting their gifts. The
  • An engraving depicting the Altar of Gregory, built as dictated by a vision of Mary to contain pieces of Jesus' cradle as relics, as it originally looked according to older accounts.
    Still image

    Original Altar of Gregory containing pieces of the Cradle of Jesus

    An engraving depicting the Altar of Gregory, built as dictated by a vision of Mary to contain pieces of Jesus' cradle as relics, as it originally looked according to older accounts.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1621
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the Altar of Gregory, built as dictated by a vision of Mary to contain pieces of Jesus' cradle as relics, as it originally looked according to older accounts.
  • Illuminated painting depicting the Presentation in the Temple. Mary stands on the left of the image, hands outstretched to Simeon on the right, who holds the infant Jesus. Joseph stands behind Mary holding their sacrifice of two doves, while the prophetess Anna stands behind Simeon.
    Still image

    Presentation at the Temple

    Illuminated painting depicting the Presentation in the Temple. Mary stands on the left of the image, hands outstretched to Simeon on the right, who holds the infant Jesus. Joseph stands behind Mary holding their sacrifice of two doves, while the prophetess Anna stands behind Simeon.
    Subject - Time Period
    Seventeenth century
    Date Created
    1700/1799
    Copyright
    NO COPYRIGHT - UNITED STATES
    Illuminated painting depicting the Presentation in the Temple. Mary stands on the left of the image, hands outstretched to Simeon on the right, who holds the infant Jesus. Joseph stands behind Mary holding their sacrifice of two doves, while the prophetess Anna stands behind Simeon.
  • A woodcut depicting Mary and Joseph of Arimathea taking the body of Jesus down from the cross. The crown of thorns lies on the ground beside Jesus and the inscription "INRI" appears above the cross.
    Still image

    Removal of Jesus from the Cross

    A woodcut depicting Mary and Joseph of Arimathea taking the body of Jesus down from the cross. The crown of thorns lies on the ground beside Jesus and the inscription "INRI" appears above the cross.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1519
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut depicting Mary and Joseph of Arimathea taking the body of Jesus down from the cross. The crown of thorns lies on the ground beside Jesus and the inscription "INRI" appears above the cross.
  • An engraving depicting the Altar of Gregory, built as dictated by a vision of Mary to contain pieces of Jesus' cradle as relics, as it appeared after restoration was done.
    Still image

    Restored Altar of Gregory containing pieces of the Cradle of Jesus

    An engraving depicting the Altar of Gregory, built as dictated by a vision of Mary to contain pieces of Jesus' cradle as relics, as it appeared after restoration was done.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1621
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting the Altar of Gregory, built as dictated by a vision of Mary to contain pieces of Jesus' cradle as relics, as it appeared after restoration was done.
  • The scene of Christ's circumcision described in Luke 2:21 (after the style of Albrecht Dürer). The text beneath the image engraved by C. Schonaeus reads: "Cernis ut octava sit circuncisus Iesus / Luce puer, tenero accipiens in corpore vulnus, / Ad normam veteris legis, ritumque receptum, / Isacidis multos observatumque per annos."
    Still image

    The Circumcision

    Goltzius, Hendrik, 1558-1617
    The scene of Christ's circumcision described in Luke 2:21 (after the style of Albrecht Dürer). The text beneath the image engraved by C. Schonaeus reads: "Cernis ut octava sit circuncisus Iesus / Luce puer, tenero accipiens in corpore vulnus, / Ad normam veteris legis, ritumque receptum, / Isacidis multos observatumque per annos."
    Subject - Time Period
    Sixteenth century
    Date Created
    1594
    Collection
    Hendrik Goltzius, Life of the Virgin engravings collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    The scene of Christ's circumcision described in Luke 2:21 (after the style of Albrecht Dürer). The text beneath the image engraved by C. Schonaeus reads: "Cernis ut octava sit circuncisus Iesus / Luce puer, tenero accipiens in corpore vulnus, / Ad normam veteris legis, ritumque receptum, / Isacidis multos observatumque per annos."
  • An engraving of the Column of the Virgin, which originally supported part of the Basilica of Constantine and was moved by Pope Paul V to the Piazza Santa Maria Maggiore across from the eastern face of the Basilica di Santa Maria Maggiore. Surrounding the depiction of the column iteslf are four panels showing the inscriptions that appear on each side of the column's base.
    Still image

    The Column of the Virgin

    An engraving of the Column of the Virgin, which originally supported part of the Basilica of Constantine and was moved by Pope Paul V to the Piazza Santa Maria Maggiore across from the eastern face of the Basilica di Santa Maria Maggiore. Surrounding the depiction of the column iteslf are four panels showing the inscriptions that appear on each side of the column's base.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1621
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving of the Column of the Virgin, which originally supported part of the Basilica of Constantine and was moved by Pope Paul V to the Piazza Santa Maria Maggiore across from the eastern face of the Basilica di Santa Maria Maggiore. Surrounding the depiction of the column iteslf are four panels showing the inscriptions that appear on each side of the column's base.
  • A woodcut of Christ crucified with the Virgin Mary (left) and John the Evangelist (right). A skull sits at the base of the cross and the inscription INRI appears above it.
    Still image

    The Crucifixion of Jesus Christ

    A woodcut of Christ crucified with the Virgin Mary (left) and John the Evangelist (right). A skull sits at the base of the cross and the inscription INRI appears above it.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut of Christ crucified with the Virgin Mary (left) and John the Evangelist (right). A skull sits at the base of the cross and the inscription INRI appears above it.
  • The scene described in Luke 1:39-45 where Mary visits Elizabeth in Judah (in the style of Parmigianino). Text beneath the image engraved by Franco Estius: "Plena Deo virgo, coelesti Pnenmate foeta, / Cognatum Helisaben montana per aspera visit; / Exultat sterilis saecunda, exultat et infans / Iam tunc in gravidae genitricis ventre Prophetes."
    Still image

    The Visitation

    Goltzius, Hendrik, 1558-1617
    The scene described in Luke 1:39-45 where Mary visits Elizabeth in Judah (in the style of Parmigianino). Text beneath the image engraved by Franco Estius: "Plena Deo virgo, coelesti Pnenmate foeta, / Cognatum Helisaben montana per aspera visit; / Exultat sterilis saecunda, exultat et infans / Iam tunc in gravidae genitricis ventre Prophetes."
    Subject - Time Period
    Sixteenth century
    Date Created
    1593
    Collection
    Hendrik Goltzius, Life of the Virgin engravings collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    The scene described in Luke 1:39-45 where Mary visits Elizabeth in Judah (in the style of Parmigianino). Text beneath the image engraved by Franco Estius: "Plena Deo virgo, coelesti Pnenmate foeta, / Cognatum Helisaben montana per aspera visit; / Exultat sterilis saecunda, exultat et infans / Iam tunc in gravidae genitricis ventre Prophetes."
  • A woodcut depicting the crucifixion of Jesus Christ, including a crowd of onlookers surrounding the Virgin Mary.
    Still image

    The crucifixion of Christ

    A woodcut depicting the crucifixion of Jesus Christ, including a crowd of onlookers surrounding the Virgin Mary.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1522
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut depicting the crucifixion of Jesus Christ, including a crowd of onlookers surrounding the Virgin Mary.
  • A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.
    Still image

    The crucifixion of Christ

    Burgkmair, Hans, 1473-1531
    A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1522
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.
  • Summary: The Franciscan Augustine of Alveldt wrote this polemical tract in response to Luther's pamphlet "Widder den newen Abgott und alten Teuffel" which criticized the recent canonization of Bishop Benno of Mainz.
    Text

    Wyder den Wittenbergischen Abtgot Martin Luther

    Alveldt, Augustin von, active 16th century
    Summary: The Franciscan Augustine of Alveldt wrote this polemical tract in response to Luther's pamphlet "Widder den newen Abgott und alten Teuffel" which criticized the recent canonization of Bishop Benno of Mainz.
    Subject - Time Period
    Sixteenth century
    Date Created
    1524
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    Summary: The Franciscan Augustine of Alveldt wrote this polemical tract in response to Luther's pamphlet "Widder den newen Abgott und alten Teuffel" which criticized the recent canonization of Bishop Benno of Mainz.
  • Summary: This collection includes ten sermons from 1522 and two from 1523. Two are indicated from an earlier collection. This collection is a step toward the completion of a postil for saints' festival days.
    Text

    XII. Predig

    Luther, Martin, 1483-1546
    Summary: This collection includes ten sermons from 1522 and two from 1523. Two are indicated from an earlier collection. This collection is a step toward the completion of a postil for saints' festival days.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1523
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    Summary: This collection includes ten sermons from 1522 and two from 1523. Two are indicated from an earlier collection. This collection is a step toward the completion of a postil for saints' festival days.
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