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A view across the Plains of Esdraelon from Mount Gilboa towards Mount Carmel.

A view across the Plains of Esdraelon from Mount Gilboa towards Mount Carmel.

A view across the Plains of Esdraelon towards Nazareth.

A view across the Plains of Esdraelon towards Nazareth.

A view from Al-Salt (Salṭ) across the Jordan River Valley with Mount Carmel barely visible in the background.

A view from Al-Salt (Salṭ) across the Jordan River Valley with Mount Carmel barely visible in the background.

Mount Gerizim as seen from the side of Mount Ebal in the Samaria region.

Mount Gerizim as seen from the side of Mount Ebal in the Samaria region.

The city of Haifa as seen from the side of Mount Carmel.

The city of Haifa as seen from the side of Mount Carmel.

A woodcut border on the title page of Luther's defense of his thirteenth proposition on the power of the Pope printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.

A woodcut border on the title page of Luther's defense of his thirteenth proposition on the power of the Pope printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.

A woodcut border on the title page of Luther's In epistolam Pauli ad Galatas commentarius printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.

A woodcut border on the title page of Luther's In epistolam Pauli ad Galatas commentarius printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.

A woodcut border on the title page of Luther's In epistolam Pauli ad Galatas commentarius printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.

A woodcut border on the title page of Luther's In epistolam Pauli ad Galatas commentarius printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.

A woodcut border on the title page of the fifth printing of Luther's sermon on the sacrament of penance. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.

A woodcut border on the title page of the fifth printing of Luther's sermon on the sacrament of penance. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.

A view of Mount Hermon from across the Jordan River Valley.

A view of Mount Hermon from across the Jordan River Valley.

A view down to the Sea of Galilee from the Mount of Beatitudes.

A view down to the Sea of Galilee from the Mount of Beatitudes.

A view from Mount Tabor towards the Hill of Morah.

A view from Mount Tabor towards the Hill of Morah.

A view of the modern city of Jericho where it sits beneath the "Mount of Temptation" (Mount Quarantania).

A view of the modern city of Jericho where it sits beneath the "Mount of Temptation" (Mount Quarantania).

A view looking out across ruins from Jacob's Well toward Mount Gerizim.

A view looking out across ruins from Jacob's Well toward Mount Gerizim.

The snow-covered Mount Hermon (background) as seen looking south across the city of Rashaya.

The snow-covered Mount Hermon (background) as seen looking south across the city of Rashaya.

A view across the city of Athens looking northeast towards Mount Lycabettus from the Acropolis.

A view across the city of Athens looking northeast towards Mount Lycabettus from the Acropolis.

A view down to the Valley of Moses' Spring (Wadi Ayun Musa) from Mount Nebo in Jordan.

A view down to the Valley of Moses' Spring (Wadi Ayun Musa) from Mount Nebo in Jordan.

A view across the Plains of Esdraelon towards the Sea of Galilee.

A view across the Plains of Esdraelon towards the Sea of Galilee.

A woodcut depicting Noah's Ark (Der Kaste Noe) safe and afloat amidst the torential rains (center). At the bottom of the image there is a field of fallen trees and dead people and animals left behind by the receeding waters. in the top left of the image there is a dove carrying an olive branch, signalling the receeding of the waters.

A woodcut depicting Noah's Ark (Der Kaste Noe) safe and afloat amidst the torential rains (center). At the bottom of the image there is a field of fallen trees and dead people and animals left behind by the receeding waters. in the top left of the image there is a dove carrying an olive branch, signalling the receeding of the waters.

A view across Lake Hula (now the Hula Valley) toward Mount Hermon.

A view across Lake Hula (now the Hula Valley) toward Mount Hermon.

Snow-capped Mount Lebanon (background) as seen from across the village of Ehden looking east.

Snow-capped Mount Lebanon (background) as seen from across the village of Ehden looking east.