A woodcut depicting a monk having been raised to the rank of abbot. The new abbot sits across from the bishop wearing his new vestments and cope, and is examined. The scene is flanked by decorative scroll work featuring cherubs. This woodcut is reused all throughout the work.
A woodcut depicting a monk having been raised to the rank of abbot. The new abbot sits across from the bishop wearing his new vestments and cope, and is examined. The scene is flanked by decorative scroll work featuring cherubs. This woodcut is reused all throughout the work.
A woodcut depicting the bestowal of the pallium upon a new bishop. The bishop kneels before the presiding bishop who drapes the pallium over his chasuble. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.
A woodcut depicting the bestowal of the pallium upon a new bishop. The bishop kneels before the presiding bishop who drapes the pallium over his chasuble. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.
A series of six engravings depicting a variety of Catholic blessings, including: blessing of priestly robes (top left), blessing of the cross (top right), adoration of the cross (middle left), blessing of the sun (middle right) blessing of a soldier (bottom left), and blessing of a flag (bottom right).
A series of six engravings depicting a variety of Catholic blessings, including: blessing of priestly robes (top left), blessing of the cross (top right), adoration of the cross (middle left), blessing of the sun (middle right) blessing of a soldier (bottom left), and blessing of a flag (bottom right).
A series of four engravings depicting aspects of religious rituals and practices from ancient Mediterranean cultures, including Greek, Roman, and Egyptian. The engraving on the top right depicts a supplicant praying before a temple of Pomona, the Latin and Roman goddess of fruit trees, gardens, and orchards, who is depicted to the supplicant's left.
A series of four engravings depicting aspects of religious rituals and practices from ancient Mediterranean cultures, including Greek, Roman, and Egyptian. The engraving on the top right depicts a supplicant praying before a temple of Pomona, the Latin and Roman goddess of fruit trees, gardens, and orchards, who is depicted to the supplicant's left.
An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.
An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.
An engraving depicting elements of Jewish ritual garments, including a Jewish prayer shawl with tassels (top), phylacteries (small black leather boxes including verses from the Torah), and a Jew wearing both for worship (bottom right).
An engraving depicting elements of Jewish ritual garments, including a Jewish prayer shawl with tassels (top), phylacteries (small black leather boxes including verses from the Torah), and a Jew wearing both for worship (bottom right).
A woodcut depicting the rite of laying on of hands. The bishop places his hands on the head of the ordainee, who kneels before him, holding vestments folded over his arms. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.
A woodcut depicting the rite of laying on of hands. The bishop places his hands on the head of the ordainee, who kneels before him, holding vestments folded over his arms. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.
An engraved ornamental tailpiece appearing at the end of the introductory section. The engraving depicts a platform with the inscription "Finis" above which hangs a bell and drapery. Holding the drapery and bell up is a decorative boarder featuring a pair of cherubs, a censer, a stole, an open book (likely a Bible), and other Catholic ritual items.
An engraved ornamental tailpiece appearing at the end of the introductory section. The engraving depicts a platform with the inscription "Finis" above which hangs a bell and drapery. Holding the drapery and bell up is a decorative boarder featuring a pair of cherubs, a censer, a stole, an open book (likely a Bible), and other Catholic ritual items.
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