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An engraved headpiece to the third, ninth, and fifteenth books of Moyne's epic, "Saint Louys," depicting a pair of thorny vines growing into a crown around three lilies, flanked by an eagle (left) and a lion and snake (right), above which is a banner with the Latin motto, "sepitque tueturque" (it confines/surrounds and protects).

An engraved headpiece to the third, ninth, and fifteenth books of Moyne's epic, "Saint Louys," depicting a pair of thorny vines growing into a crown around three lilies, flanked by an eagle (left) and a lion and snake (right), above which is a banner with the Latin motto, "sepitque tueturque" (it confines/surrounds and protects).

An engraving depicting the execution of seven Anabaptists. The image shows the prisioners facing a man on a horse and (presumably) professing their faith whiel an executioner prepares to behead them.

An engraving depicting the execution of seven Anabaptists. The image shows the prisioners facing a man on a horse and (presumably) professing their faith whiel an executioner prepares to behead them.

An engraving depicting

An engraving depicting

An engraving depicting the shopkeeper, Simon, refusing to worship the crucifix. The image shows Simon (right) standing resolutely as other kneeling citizens try to encourage him to kneel before the passing procession of the crucifix.

An engraving depicting the shopkeeper, Simon, refusing to worship the crucifix. The image shows Simon (right) standing resolutely as other kneeling citizens try to encourage him to kneel before the passing procession of the crucifix.

An engraving depicting the execution of six men and two women. The image shows the victims bound to stakes and being burned as various clergymen watch.

An engraving depicting the execution of six men and two women. The image shows the victims bound to stakes and being burned as various clergymen watch.

An engraving depicting the papal monument of Sixtus V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the papal monument of Sixtus V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraved headpiece to the section "Traite' du poeme heroique" depicting a collection of instruments, including bagpipes, horns, trumpets, and an organ, above which is a banner reading "Spiritus est qui vivificat" (The spirit is that which brings life).

An engraved headpiece to the section "Traite' du poeme heroique" depicting a collection of instruments, including bagpipes, horns, trumpets, and an organ, above which is a banner reading "Spiritus est qui vivificat" (The spirit is that which brings life).

An engraving depicting St. Peter's Basilica and surrounding buildings and monuments, including the Papal Palace, the Sistine Chapel, the Vatican Obelisk, the Sacristy, and St. Peter's Square.

An engraving depicting St. Peter's Basilica and surrounding buildings and monuments, including the Papal Palace, the Sistine Chapel, the Vatican Obelisk, the Sacristy, and St. Peter's Square.

An engraving depicting Jesus leading the Apostles, with a hand on Peter's back, towards St. Peter's Basilica. Below the image is a passage from Matthew 16, "Super hanc petram aedificabo ecclesiam meam" (On this rock I will build my church).

An engraving depicting Jesus leading the Apostles, with a hand on Peter's back, towards St. Peter's Basilica. Below the image is a passage from Matthew 16, "Super hanc petram aedificabo ecclesiam meam" (On this rock I will build my church).

An engraving depicting the torture of Saints Tarachus, Probus, and Andronicus before their martyrdom. The image shows one of the saints standing before the governor Numerian Maximus, while implements of torture, including hot coals, appear in the foreground and background.

An engraving depicting the torture of Saints Tarachus, Probus, and Andronicus before their martyrdom. The image shows one of the saints standing before the governor Numerian Maximus, while implements of torture, including hot coals, appear in the foreground and background.

An engraving depicting the martyrdom of Saints Tarachus, Probus, and Andronicus. The image shows the three men lying in an arena, praying and appealing to heaven as they are surrounded by a lion and bear which refuse to attack them.

An engraving depicting the martyrdom of Saints Tarachus, Probus, and Andronicus. The image shows the three men lying in an arena, praying and appealing to heaven as they are surrounded by a lion and bear which refuse to attack them.

An engraving of the Column of the Virgin, which originally supported part of the Basilica of Constantine and was moved by Pope Paul V to the Piazza Santa Maria Maggiore across from the eastern face of the Basilica di Santa Maria Maggiore. Surrounding the depiction of the column iteslf are four panels showing the inscriptions that appear on each side of the column's base.

An engraving of the Column of the Virgin, which originally supported part of the Basilica of Constantine and was moved by Pope Paul V to the Piazza Santa Maria Maggiore across from the eastern face of the Basilica di Santa Maria Maggiore. Surrounding the depiction of the column iteslf are four panels showing the inscriptions that appear on each side of the column's base.

An engraving depicting a session of the Council of Trent with the label, "The Representation of the Fathers assembled in the Council of Trent: begun about the end of the year 1545. Concluded towards the end of 1563, under the Pontificate of Paul III, Julius III, Marcel II, Paul IV, and Pius IV. There were XXV Sessions, in which were present VII Cardinals, V whereof were the Popes LEgates, XVI Ambassadours from Kings, Princes & Republicks, CCL Patriarchs, Archbishops, Bishops, Abbots and Generals of Orders, All Divines and Doctours of the Civil and Canon Law."

An engraving depicting a session of the Council of Trent with the label, "The Representation of the Fathers assembled in the Council of Trent: begun about the end of the year 1545. Concluded towards the end of 1563, under the Pontificate of Paul III, Julius III, Marcel II, Paul IV, and Pius IV. There were XXV Sessions, in which were present VII Cardinals, V whereof were the Popes LEgates, XVI Ambassadours from Kings, Princes & Republicks, CCL Patriarchs, Archbishops, Bishops, Abbots and Generals of Orders, All Divines and Doctours of the Civil and Canon Law."

An engraving depicting a scene from the fifteenth book of the epic poem, Saint Louys, in which Alfasel (bottom right), who had accidentally wounded Zahide (bottom left) with a poisoned arrow while aiming for Lisamante, commits suicide. Meanwhile, Zahide is taken prisioner while in the background, the battle between the crusaders and the Saracens continues.

An engraving depicting a scene from the fifteenth book of the epic poem, Saint Louys, in which Alfasel (bottom right), who had accidentally wounded Zahide (bottom left) with a poisoned arrow while aiming for Lisamante, commits suicide. Meanwhile, Zahide is taken prisioner while in the background, the battle between the crusaders and the Saracens continues.

An engraving depicting a scene from the sixth book of the epic poem, Saint Louys, in which Sultan Mélédin (left), who had been preparing to sacrifice his daughter, Zahide (left, kneeling), watches as his son, Prince Muratan (center), stabs himself so that he can be sacrificed in his sister's place. The ene takes place on an altar beside the Nile river, where the Sultan and his children are joined by Mirème, the sorcerer, and a young woman holding a plate (possibly Almasonte, who later saves Zahide when she and her brother fall in the river).

An engraving depicting a scene from the sixth book of the epic poem, Saint Louys, in which Sultan Mélédin (left), who had been preparing to sacrifice his daughter, Zahide (left, kneeling), watches as his son, Prince Muratan (center), stabs himself so that he can be sacrificed in his sister's place. The ene takes place on an altar beside the Nile river, where the Sultan and his children are joined by Mirème, the sorcerer, and a young woman holding a plate (possibly Almasonte, who later saves Zahide when she and her brother fall in the river).

An engraving depicting a scene from the eleventh book of the epic poem, Saint Louys, in which, while in disguse as crusaders, Mélédor and Alzir infiltrate the French camp to rescue Almasonte and Zahide, who they then unknowingly duel, resulting in Zahide killing Mélédor (bottom right), and Alzir killing Almasonte and then committing suicide (center left).

An engraving depicting a scene from the eleventh book of the epic poem, Saint Louys, in which, while in disguse as crusaders, Mélédor and Alzir infiltrate the French camp to rescue Almasonte and Zahide, who they then unknowingly duel, resulting in Zahide killing Mélédor (bottom right), and Alzir killing Almasonte and then committing suicide (center left).

An engraving depicting a scene from the fourth book of the epic poem, Saint Louys, in which a pair of extravagently dressed figures appear riding an elephant, above which hangs a globe or disc representing the Heavens, with the fire of the sun encircling it as a cherub (representing modest love) sits atop it.

An engraving depicting a scene from the fourth book of the epic poem, Saint Louys, in which a pair of extravagently dressed figures appear riding an elephant, above which hangs a globe or disc representing the Heavens, with the fire of the sun encircling it as a cherub (representing modest love) sits atop it.

An engraving of the Esquiline Obelisk, sometimes known as the Liberian Obelisk, which originally stood as a pair with the Quirinal Obelisk on the Campus Martius in front of the Mausoleum of Augustus and was later moved by Pope Sixtus V to the PIazza dell'Esquilino near the western facade of the Basilica di Santa Maria Maggiore. Surrounding the depiction of the column iteslf are three panels showing the inscriptions that appear on each side of the column's base, while the fourth is incorporated into the image of the obelisk itself.

An engraving of the Esquiline Obelisk, sometimes known as the Liberian Obelisk, which originally stood as a pair with the Quirinal Obelisk on the Campus Martius in front of the Mausoleum of Augustus and was later moved by Pope Sixtus V to the PIazza dell'Esquilino near the western facade of the Basilica di Santa Maria Maggiore. Surrounding the depiction of the column iteslf are three panels showing the inscriptions that appear on each side of the column's base, while the fourth is incorporated into the image of the obelisk itself.

An engraving depicting a scene from the fourteenth book of the epic poem, Saint Louys, in which the body of the martyred Robert d'Artois, the brother of Saint Louis who fell in battle during the siege of Mansourah, is laid to rest in a tomb decorated with scenes of battle by a group of angels.

An engraving depicting a scene from the fourteenth book of the epic poem, Saint Louys, in which the body of the martyred Robert d'Artois, the brother of Saint Louis who fell in battle during the siege of Mansourah, is laid to rest in a tomb decorated with scenes of battle by a group of angels.

Summary: A satire.

Summary: A satire.

An engraving depicting a scene of the pope (possibly Pope Gregory XIII) enthroned and surrounded by bishops and cardinals, a dove perched on the back of his throne. Surrounding this scene is a series of portraits of saints and biblical figures, including (from top left down, around, and up): Saint Augustine, Saint John, Saint Matthew, Saint Luke, Saint Mark, Saint Paul, Pope Gregory I (Saint), Saint Ambrose, Jeremiah, Isaiah, David, Job, Moses, and Saint Jerome.

An engraving depicting a scene of the pope (possibly Pope Gregory XIII) enthroned and surrounded by bishops and cardinals, a dove perched on the back of his throne. Surrounding this scene is a series of portraits of saints and biblical figures, including (from top left down, around, and up): Saint Augustine, Saint John, Saint Matthew, Saint Luke, Saint Mark, Saint Paul, Pope Gregory I (Saint), Saint Ambrose, Jeremiah, Isaiah, David, Job, Moses, and Saint Jerome.