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A woodcut depicting the releasing of four angels bound to the Euphrates to lead an army of lion-mounted warriors to destroy a third of the world's population. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting the releasing of four angels bound to the Euphrates to lead an army of lion-mounted warriors to destroy a third of the world's population. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting a skeleton (= Death) dueling a soldier on a battlefields as another skeleton plays a drum in the background. The woodcut is accompanied by a verse from Luke 11 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) dueling a soldier on a battlefields as another skeleton plays a drum in the background. The woodcut is accompanied by a verse from Luke 11 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a series of disasters, including the sun and moon changing, stars falling, and earthquakes. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting a series of disasters, including the sun and moon changing, stars falling, and earthquakes. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting Saint John the Apostle measuring the temple of God as two witnesses named by an angel face a snarling beast. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting Saint John the Apostle measuring the temple of God as two witnesses named by an angel face a snarling beast. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting Moses receiving the Ten Commandments from God (upper right) as the the people of Israel worship the Golden Calf (lower left). On the right, Mount Sinai and Mount Horeb are labeled, as well as the figures of Moses and Joshua.

A woodcut depicting Moses receiving the Ten Commandments from God (upper right) as the the people of Israel worship the Golden Calf (lower left). On the right, Mount Sinai and Mount Horeb are labeled, as well as the figures of Moses and Joshua.

A woodcut depicting a congregation gathered around a crucified Christ to hear the preaching of the Christian faith, thereby representing the Third Commandment (in the Lutheran tradition), "Remember the sabbath day, to keep it holy."

A woodcut depicting a congregation gathered around a crucified Christ to hear the preaching of the Christian faith, thereby representing the Third Commandment (in the Lutheran tradition), "Remember the sabbath day, to keep it holy."

A woodcut depicting two beasts, the first with seven crowned heads and ten horns rising from the sea, and the second in the shape of a lamb with two horns which is accompanied by flames raining from the skies. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting two beasts, the first with seven crowned heads and ten horns rising from the sea, and the second in the shape of a lamb with two horns which is accompanied by flames raining from the skies. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting a skeleton (= Death) leading a procession with a vicar holding the host in a monstrance. The skeleton rings a bell in his left hand and holds a lantern in his right, while holding an hourglass underneath his arm. The woodcut is accompanied by a verse from Wisdom of Solomon 7 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) leading a procession with a vicar holding the host in a monstrance. The skeleton rings a bell in his left hand and holds a lantern in his right, while holding an hourglass underneath his arm. The woodcut is accompanied by a verse from Wisdom of Solomon 7 translated into French (top) and then reformatted into verse (bottom).

The scene described in Luke 1:39-45 where Mary visits Elizabeth in Judah (in the style of Parmigianino). Text beneath the image engraved by Franco Estius: "Plena Deo virgo, coelesti Pnenmate foeta, / Cognatum Helisaben montana per aspera visit; / Exultat sterilis saecunda, exultat et infans / Iam tunc in gravidae genitricis ventre Prophetes."

The scene described in Luke 1:39-45 where Mary visits Elizabeth in Judah (in the style of Parmigianino). Text beneath the image engraved by Franco Estius: "Plena Deo virgo, coelesti Pnenmate foeta, / Cognatum Helisaben montana per aspera visit; / Exultat sterilis saecunda, exultat et infans / Iam tunc in gravidae genitricis ventre Prophetes."

A woodcut depicting two skeletons (= Death) destroy a wagon full of wine barrels while the waggoner looks on in distress. The woodcut is accompanied by a verse from 1 Samuel 9 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting two skeletons (= Death) destroy a wagon full of wine barrels while the waggoner looks on in distress. The woodcut is accompanied by a verse from 1 Samuel 9 translated into French (top) and then reformatted into verse (bottom).

The Whore of Babylon riding atop a seven-headed beast and holding a chalice aloft. She is depicted wearing the papal crown.

The Whore of Babylon riding atop a seven-headed beast and holding a chalice aloft. She is depicted wearing the papal crown.

A woodcut depicting the Whore (Harlot) of Babylon atop the red dragon, a golden cup in hand and a Papal crown upon her head. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting the Whore (Harlot) of Babylon atop the red dragon, a golden cup in hand and a Papal crown upon her head. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting a woman crowned in stars facing down a dragon with ten horns and seven crowns while above her a child is carried to the throne of God by angels. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting a woman crowned in stars facing down a dragon with ten horns and seven crowns while above her a child is carried to the throne of God by angels. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting a skeleton (= Death) taking a child from their home as their mother is in the process of preparing a meal and another child cries after them. An hourglass, the reminder of human mortality, rests on the floor. The woodcut is accompanied by a verse from Job 14 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) taking a child from their home as their mother is in the process of preparing a meal and another child cries after them. An hourglass, the reminder of human mortality, rests on the floor. The woodcut is accompanied by a verse from Job 14 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting the crucifixion of Jesus Christ, including a crowd of onlookers surrounding the Virgin Mary.

A woodcut depicting the crucifixion of Jesus Christ, including a crowd of onlookers surrounding the Virgin Mary.

A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.

A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.

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Summary: "A defence of the true and old authority of Christ's church. An oration of Cœlius, the second Curio, for the true and ancient authority of Christ his church, against Antony Florebell of Mutiny ... Translated out of Latin into English by Ihon Philpott": p.[319]-432.

Summary: "A defence of the true and old authority of Christ's church. An oration of Cœlius, the second Curio, for the true and ancient authority of Christ his church, against Antony Florebell of Mutiny ... Translated out of Latin into English by Ihon Philpott": p.[319]-432.