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An woodcut depicting the conclave of Pope Urban VIII. A group of cardinals sits around a table with the pope at the center, flanked by C. di Fiorenza, Francisco di Barbarini, and Antonio di Barbarini. On the bottom right corner of the table is a roll of paper that reads, "Tutto sta male" ("everything is bad").

An woodcut depicting the conclave of Pope Urban VIII. A group of cardinals sits around a table with the pope at the center, flanked by C. di Fiorenza, Francisco di Barbarini, and Antonio di Barbarini. On the bottom right corner of the table is a roll of paper that reads, "Tutto sta male" ("everything is bad").

This record contains 6 images of Concord Methodist.

This record contains 6 images of Concord Methodist.

This record contains 3 images of Concord Methodist.

This record contains 3 images of Concord Methodist.

This record contains 21 images of Concord Primitive Baptist.

This record contains 21 images of Concord Primitive Baptist.

This record contains 22 images of Concord Primitive Baptist.

This record contains 22 images of Concord Primitive Baptist.

A photograph of the Concord Methodist Church building located in Athens-Elberton, Georgia.

A photograph of the Concord Methodist Church building located in Athens-Elberton, Georgia.

A photograph of the Concord Methodist Church building.

A photograph of the Concord Methodist Church building.

An engraved headpiece to the second, eighth, and fourteenth books of Moyne's epic, "Saint Louys," depicting a pair of thorny vines growing into a crown around three lilies, flanked by a pair of heads blowing air, below which is a banner with the Latin motto, "Concutient non excutient." (They will shake/stike violently [but] they will not shake off/cast out).

An engraved headpiece to the second, eighth, and fourteenth books of Moyne's epic, "Saint Louys," depicting a pair of thorny vines growing into a crown around three lilies, flanked by a pair of heads blowing air, below which is a banner with the Latin motto, "Concutient non excutient." (They will shake/stike violently [but] they will not shake off/cast out).

A series of four engravings depicting four people sentenced to be burnt at the stake by the Inquisition. The man and young woman at the top of the page confessed and thus avoided their punishment, while the woman and man on the bottom have yet to confess.

A series of four engravings depicting four people sentenced to be burnt at the stake by the Inquisition. The man and young woman at the top of the page confessed and thus avoided their punishment, while the woman and man on the bottom have yet to confess.

This record contains 8 images of Conn's Creek Baptist.

This record contains 8 images of Conn's Creek Baptist.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before a trio of consecrating bishops, hands held out and annointed with holy oil while a book of the Gospels is held open behind him. The scene is flanked with decorative scroll work featuring pelicans and snails. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before a trio of consecrating bishops, hands held out and annointed with holy oil while a book of the Gospels is held open behind him. The scene is flanked with decorative scroll work featuring pelicans and snails. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before the consecrating bishop, wearing a miter and holding a crosier, an altar beside them as the consecrating bishop offers a blessing. The scene is flanked by a pair of cherubs standing atop an eagle and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before the consecrating bishop, wearing a miter and holding a crosier, an altar beside them as the consecrating bishop offers a blessing. The scene is flanked by a pair of cherubs standing atop an eagle and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before a trio of consecrating bishops, hands bound with linen as he is offered a book of the gospels. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before a trio of consecrating bishops, hands bound with linen as he is offered a book of the gospels. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a bishop. The bishop elect kneels before a trio of consecrating bishops who lay their hands upon his head as an assistant places a book of the Gospels upon his shoulders. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a bishop. The bishop elect kneels before a trio of consecrating bishops who lay their hands upon his head as an assistant places a book of the Gospels upon his shoulders. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before a trio of consecrating bishops, holding out two tall candles as a pair of assistants carry in bread and wine for the Mass which concludes the consecration. The scene is flanked by decorative scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before a trio of consecrating bishops, holding out two tall candles as a pair of assistants carry in bread and wine for the Mass which concludes the consecration. The scene is flanked by decorative scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels prostrate before the altar, while the consecrating bishop and his attendents kneel and recite a litany. The image is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels prostrate before the altar, while the consecrating bishop and his attendents kneel and recite a litany. The image is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a bishop. The bishop elect kneels before a trio of consecrating bishops, one of whom marks the bishop elect's forehead with the sign of the cross in holy oil. The scene is flanked by ornamental scroll work featuring pelicans and snails. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a bishop. The bishop elect kneels before a trio of consecrating bishops, one of whom marks the bishop elect's forehead with the sign of the cross in holy oil. The scene is flanked by ornamental scroll work featuring pelicans and snails. The woodcut is reused throughout the work.

A series of six engravings depicting the steps of consecration for new items within a church, including a cross, a bell and a statue.

A series of six engravings depicting the steps of consecration for new items within a church, including a cross, a bell and a statue.

A series of six engravings depicting the process of blessing an altar. The scenes include (top left), a bishop following behind a subdeacon spreading ash on the ground writing the Latin and Greek alphabets in a cross shape (top left), a bishop anointing the altar (middle left) and the floor (middle right) with holy water, a procession bringng relics into the church (bottom left), and a bishop placing the relics inside the altar (bottom right).

A series of six engravings depicting the process of blessing an altar. The scenes include (top left), a bishop following behind a subdeacon spreading ash on the ground writing the Latin and Greek alphabets in a cross shape (top left), a bishop anointing the altar (middle left) and the floor (middle right) with holy water, a procession bringng relics into the church (bottom left), and a bishop placing the relics inside the altar (bottom right).

A series of six engravings depicting the process of consecrating the interior of a church with holy oil. The scenes show a bishop anointing and consecrating parts of a church, known as chrism, including crosses on the walls, the trappings of the altar, and the altar itself.

A series of six engravings depicting the process of consecrating the interior of a church with holy oil. The scenes show a bishop anointing and consecrating parts of a church, known as chrism, including crosses on the walls, the trappings of the altar, and the altar itself.

The act of consoling the afflicted, illustrated and accompanied by scriptural references.

The act of consoling the afflicted, illustrated and accompanied by scriptural references.