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A woodcut border to Luther's Vom Hochwirdigisten Sacrament des zarte[n] fronleichnams Christi. : Vnnd widerlegung ettlicher Argument, so jn ainem newlich aussgegange[n] irrigen vn[d] verfüerischen [sic] büechlin [sic] widers opffer [der] Mess gemacht sind printed in 1525. The border consists of five woodcuts depicting cheurbs with a collection of birds, snails, and bugs (sides), a pair of cherubs holding a shield (top), a parade of cherubs, one riding a bear and playing a horn while another leads a pair of dogs (bottom), and a schene of the Last Supper (middle).

A woodcut border to Luther's Vom Hochwirdigisten Sacrament des zarte[n] fronleichnams Christi. : Vnnd widerlegung ettlicher Argument, so jn ainem newlich aussgegange[n] irrigen vn[d] verfüerischen [sic] büechlin [sic] widers opffer [der] Mess gemacht sind printed in 1525. The border consists of five woodcuts depicting cheurbs with a collection of birds, snails, and bugs (sides), a pair of cherubs holding a shield (top), a parade of cherubs, one riding a bear and playing a horn while another leads a pair of dogs (bottom), and a schene of the Last Supper (middle).

A woodcut border to Mensing's Von dem Testament Christi vnsers Herren vnd Seligmachers : Dem Hochlöblichen Adell ym landt zu Sachsen, sampt alle[n] Christglewbigen, Deutscher Nation, tzugutt geschriben vnd auszgangen, beweret mit Götlicher schrifft, tröstlich zu lesen printed in 1526. The border is composed of four woodcuts depicting the symbols of the four Gospels (corners), Apostle Peter (top), Apostle Paul (bottom), and the four "Great Western Fathers" of the church, Pope Gregory I, Saint Jerome, Saint Ambrose, and Saint Augustine (sides).

A woodcut border to Mensing's Von dem Testament Christi vnsers Herren vnd Seligmachers : Dem Hochlöblichen Adell ym landt zu Sachsen, sampt alle[n] Christglewbigen, Deutscher Nation, tzugutt geschriben vnd auszgangen, beweret mit Götlicher schrifft, tröstlich zu lesen printed in 1526. The border is composed of four woodcuts depicting the symbols of the four Gospels (corners), Apostle Peter (top), Apostle Paul (bottom), and the four "Great Western Fathers" of the church, Pope Gregory I, Saint Jerome, Saint Ambrose, and Saint Augustine (sides).

A woodcut border to Luther's De instituendis ministris ecclesiae printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's De instituendis ministris ecclesiae printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Vonn dem grewel der stillmesse, so man den Canon nennet printed in 1525. The border is comprised of a single woodcut depicting an architectural arch featuring a pair of Corinthian columns, six cherubs, a shield, and floral decoration.

A woodcut border to Luther's Vonn dem grewel der stillmesse, so man den Canon nennet printed in 1525. The border is comprised of a single woodcut depicting an architectural arch featuring a pair of Corinthian columns, six cherubs, a shield, and floral decoration.

A woodcut border to Augustin von Alveldt's Widder Luthers trostung ann die Christen zu Hall : vber er Georgen yhres Predigers todt, szo viel die entpfahung des hochwirdigen Sacraments belangt printed in 1528. The border consists of a single wood cut depicting a pair of columns, one with bulls heads (sides), a pair of cherubs holding the coat of arms of Dresden (bottom), and an arch decorated with floral designs (top).

A woodcut border to Augustin von Alveldt's Widder Luthers trostung ann die Christen zu Hall : vber er Georgen yhres Predigers todt, szo viel die entpfahung des hochwirdigen Sacraments belangt printed in 1528. The border consists of a single wood cut depicting a pair of columns, one with bulls heads (sides), a pair of cherubs holding the coat of arms of Dresden (bottom), and an arch decorated with floral designs (top).

A woodcut border to Urbanus Rhegius's Wider den newen Taufforden : notwendige Warnung an alle Christgleubigen printed in 1527. The border is composed of a single woodcut depicting a series of cherubs, some playing instruments (sides and bottom) and a man flanked by floral decorations (top).

A woodcut border to Urbanus Rhegius's Wider den newen Taufforden : notwendige Warnung an alle Christgleubigen printed in 1527. The border is composed of a single woodcut depicting a series of cherubs, some playing instruments (sides and bottom) and a man flanked by floral decorations (top).

A woodcut border to Wolfgang Capito's Was man halten, vnnd Antwurtten soll, von der spaltung zwischen Martin Luther, vnnd Andres Carolstadt printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Wolfgang Capito's Was man halten, vnnd Antwurtten soll, von der spaltung zwischen Martin Luther, vnnd Andres Carolstadt printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Zwei kaiserliche uneinige und widerwärtige Gebote den Luther betreffend printed in 1524. The border is composed of four separate woodcuts depicting three cherubs holding a plaque with the date of publication (top), a pair of architectural elements with two men standing between pairs of columns and topped with a female and male siren respectively (sides), and a man's torso with plant-like limbs (bottom).

A woodcut border to Zwei kaiserliche uneinige und widerwärtige Gebote den Luther betreffend printed in 1524. The border is composed of four separate woodcuts depicting three cherubs holding a plaque with the date of publication (top), a pair of architectural elements with two men standing between pairs of columns and topped with a female and male siren respectively (sides), and a man's torso with plant-like limbs (bottom).

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts a forest filled with deer, lions, horses, a unicorn, and a pair of cherubs holding rabbits and a shield (bottom). At the top of the woodcut, a dove with a branch in its mouth sits above a pair of decorative dragons above a frame surrounding the title.

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts a forest filled with deer, lions, horses, a unicorn, and a pair of cherubs holding rabbits and a shield (bottom). At the top of the woodcut, a dove with a branch in its mouth sits above a pair of decorative dragons above a frame surrounding the title.

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts four scenes: two well dressed men appearing to be appealing to God (right), Jesus preaching to a group while behind him is a fourest full of sheep and chickens (bottom), pilgrims or worshipers climbing a path towards a church (left), and shadowy figures surrounding a kneeling man in a cloak (top).

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts four scenes: two well dressed men appearing to be appealing to God (right), Jesus preaching to a group while behind him is a fourest full of sheep and chickens (bottom), pilgrims or worshipers climbing a path towards a church (left), and shadowy figures surrounding a kneeling man in a cloak (top).

A woodcut border to a selection of Ambrosius Catharinus' criticisms of Luther printed in 1524. The border is composed of a single woodcut and depicts floral decorations, cherubs, and bucrania (top and sides), as well as a pair of cherubs flanking a pair of pegasi (bottom).

A woodcut border to a selection of Ambrosius Catharinus' criticisms of Luther printed in 1524. The border is composed of a single woodcut and depicts floral decorations, cherubs, and bucrania (top and sides), as well as a pair of cherubs flanking a pair of pegasi (bottom).

A woodcut border to a set of eight Luther sermons printed in 1523. The border is composed of four woodcuts depicting a cherub playing a violin atop a plant (right), a woman below a pair of fish (left), and various ornamental and floral designs (top and bottom).

A woodcut border to a set of eight Luther sermons printed in 1523. The border is composed of four woodcuts depicting a cherub playing a violin atop a plant (right), a woman below a pair of fish (left), and various ornamental and floral designs (top and bottom).

An historiated page containing a decorative head piece, a miniature painting of an eagle holding a book, and the symbols of John depicted in zoomorphic script.

An historiated page containing a decorative head piece, a miniature painting of an eagle holding a book, and the symbols of John depicted in zoomorphic script.

An historiated containing a decorative head piece, a miniature painting of a winged ox or bull carrying a book, and the symbols of Luke depicted in zoomorphic script.

An historiated containing a decorative head piece, a miniature painting of a winged ox or bull carrying a book, and the symbols of Luke depicted in zoomorphic script.

An historiated page containing a decorative head piece, a miniature painting of two lions holding books, and the symbols of Mark depicted in zoomorphic script.

An historiated page containing a decorative head piece, a miniature painting of two lions holding books, and the symbols of Mark depicted in zoomorphic script.

Historiated page containing a decorative head piece, a miniature painting depicting an angel holding a book, and the symbols of Matthew depicted in zoomorphic script.

Historiated page containing a decorative head piece, a miniature painting depicting an angel holding a book, and the symbols of Matthew depicted in zoomorphic script.

The title page of Ulrich Zwingli's Ad Carolum Romanorum imperatorem Germaniae comitia Augustae celebrantem, fidei Huldrychi Zuinglij ratio featuring a portrait of Holy Roman Emperor Charles V, holding a scepter and with the chain with the ram of the Order of the Goldent Fleece around his neck.

The title page of Ulrich Zwingli's Ad Carolum Romanorum imperatorem Germaniae comitia Augustae celebrantem, fidei Huldrychi Zuinglij ratio featuring a portrait of Holy Roman Emperor Charles V, holding a scepter and with the chain with the ram of the Order of the Goldent Fleece around his neck.

The title page of Michael Denis' Annalium typographicorum v. cl. Michaelis Maittaire supplementum featuring an image of a crowned woman sitting on a block bearing the two-headed eagle of the Holy Roman Empire as she arranges a board of movable type. A printing press sits to the woman's left, a line of drying pages in the background, and a child (possibly a cherub) sitting at a small table to her right.

The title page of Michael Denis' Annalium typographicorum v. cl. Michaelis Maittaire supplementum featuring an image of a crowned woman sitting on a block bearing the two-headed eagle of the Holy Roman Empire as she arranges a board of movable type. A printing press sits to the woman's left, a line of drying pages in the background, and a child (possibly a cherub) sitting at a small table to her right.

The title page of Sebastian Münster's Arukh ha-shorashot = Dictionarium Hebraicum : nunc primum aeditum & typis excusum : Adiectis Chaldaicis uocabulis non parum multis featuring the printer's mark of Johann Froben, a pair of hands supporting a caduceus.

The title page of Sebastian Münster's Arukh ha-shorashot = Dictionarium Hebraicum : nunc primum aeditum & typis excusum : Adiectis Chaldaicis uocabulis non parum multis featuring the printer's mark of Johann Froben, a pair of hands supporting a caduceus.

The title page of Martin Luther's Auff des bocks zu Leypczick Antwort featuring several scenes, including: two men operating a printing press (bottom left), a man wearing worn clothes and carrying two flaggons and a cup with bees flying arouns his head (center left), an owl being harrassed by smaller birds (top right), an eagle (top center), a bear attacking a cow (top right), a dog attacking a deer (top-center right), a wolf attacking a sheep (bottom-center right), a man with a pole and a satchel (bottom right), and a heron standing beside Johann Rhau-Grunenberg's monogram "IG

The title page of Martin Luther's Auff des bocks zu Leypczick Antwort featuring several scenes, including: two men operating a printing press (bottom left), a man wearing worn clothes and carrying two flaggons and a cup with bees flying arouns his head (center left), an owl being harrassed by smaller birds (top right), an eagle (top center), a bear attacking a cow (top right), a dog attacking a deer (top-center right), a wolf attacking a sheep (bottom-center right), a man with a pole and a satchel (bottom right), and a heron standing beside Johann Rhau-Grunenberg's monogram "IG

The title page of Robert Barnes' Bapsttrew Hadriani iiij. vnd Alexanders iii. gegen Keyser Friderichen Barbarossa geübt : Aus der Historia zusamen gezogen nützlich zu lesen featuring a woodcut of Pope Alexander III confronting the Holy Roman Emperor, Frederick I.

The title page of Robert Barnes' Bapsttrew Hadriani iiij. vnd Alexanders iii. gegen Keyser Friderichen Barbarossa geübt : Aus der Historia zusamen gezogen nützlich zu lesen featuring a woodcut of Pope Alexander III confronting the Holy Roman Emperor, Frederick I.