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An engraving depicting the Altar of All Saints which contains minor relics of various saints.

An engraving depicting the Altar of All Saints which contains minor relics of various saints.

A woodcut depicting the bronze laver for priestly washing (top), the altar of burnt offering made of acacia wood with four horns on its four corners (center), and the bronze implements for tending the altar (bottom).

A woodcut depicting the bronze laver for priestly washing (top), the altar of burnt offering made of acacia wood with four horns on its four corners (center), and the bronze implements for tending the altar (bottom).

An architectural plan of the sanctuary level of Cannon Chapel showing an alternative arrangement for seating.

An architectural plan of the sanctuary level of Cannon Chapel showing an alternative arrangement for seating.

An engraving depicting a scene from the tenth book of the epic poem, Saint Louys, in which, following the destruction of the poisoned armor gifted to Saint Louis by the Sultan's representatives, the hermit and widow of Aymon de Bourbon, Alégonde, is consulted to interpret the sign, and informs the prelates that only a member of the House of Bourbon can battle the dragon blocking the crusaders path.

An engraving depicting a scene from the tenth book of the epic poem, Saint Louys, in which, following the destruction of the poisoned armor gifted to Saint Louis by the Sultan's representatives, the hermit and widow of Aymon de Bourbon, Alégonde, is consulted to interpret the sign, and informs the prelates that only a member of the House of Bourbon can battle the dragon blocking the crusaders path.

This record contains 1 image of Ambrose Christian.

This record contains 1 image of Ambrose Christian.

A group of men shares a meal of lamb and rice.

A group of men shares a meal of lamb and rice.

An interior view of a building in Damascus showing a room where a portion of the floor has been raised for "honored" guests.

An interior view of a building in Damascus showing a room where a portion of the floor has been raised for "honored" guests.

A view of the town of Anathoth (ʻAnātā) from the foot of Mount Scopus.

A view of the town of Anathoth (ʻAnātā) from the foot of Mount Scopus.

The "Fountain of the Virgin" in Nazareth, where Mary came for water.

The "Fountain of the Virgin" in Nazareth, where Mary came for water.

The ancient citadel set out into the Mediterranean Sea in the city of Sidon.

The ancient citadel set out into the Mediterranean Sea in the city of Sidon.

Inside the Garden of Gesthemane, a monk inspects some of the plants, and ancient olive tree in the background.

Inside the Garden of Gesthemane, a monk inspects some of the plants, and ancient olive tree in the background.

A view down into the Pool of Hezekiah with the Church of the Holy Sepulchre in the background.

A view down into the Pool of Hezekiah with the Church of the Holy Sepulchre in the background.

The ruins of the ancient city of Samaria, the capital of the norhern Kingdom of Israel.

The ruins of the ancient city of Samaria, the capital of the norhern Kingdom of Israel.

An ancient oak tree which grows outside of Hebron, traditionally known as "Abraham's Oak."

An ancient oak tree which grows outside of Hebron, traditionally known as "Abraham's Oak."

Summary: Third edition of Alciatus in France, "with new woodcuts superior to those of the 'Augsburg' editions" (Landwehr). The emblems are attributed to Mercure Jollat. "It is the Paris edition which set the standard for the popular field of emblem literature (Mortimer, French, no. 13, p. 13). Alciatus was not happy with the two earlier Augsburg editions; but the expanded Wechel edition which appeared in Paris in 1534 with entirely new woodcuts by Jollat set a new standard.

Summary: Third edition of Alciatus in France, "with new woodcuts superior to those of the 'Augsburg' editions" (Landwehr). The emblems are attributed to Mercure Jollat. "It is the Paris edition which set the standard for the popular field of emblem literature (Mortimer, French, no. 13, p. 13). Alciatus was not happy with the two earlier Augsburg editions; but the expanded Wechel edition which appeared in Paris in 1534 with entirely new woodcuts by Jollat set a new standard.

A photograph of the Andrew Methodist Church building.

A photograph of the Andrew Methodist Church building.

This record contains 1 image of Andrews Chapel Methodist.

This record contains 1 image of Andrews Chapel Methodist.

This record contains 6 images of Andrews Chapel Methodist.

This record contains 6 images of Andrews Chapel Methodist.

An engraving depicting the arrest of Andries Langedul. The image shows Langedul seated on a porch witha Bible open on his lap, the open door behind him showing his family inside the house, as a man accompanied by guards approaches him from the street.

An engraving depicting the arrest of Andries Langedul. The image shows Langedul seated on a porch witha Bible open on his lap, the open door behind him showing his family inside the house, as a man accompanied by guards approaches him from the street.

An engraving depicting the execution of Anne Hendricks. The image shows Hendricks, bound to a ladder, being lifted towards a bonfire as a crowd watches.

An engraving depicting the execution of Anne Hendricks. The image shows Hendricks, bound to a ladder, being lifted towards a bonfire as a crowd watches.

An engraving depicting the execution of Anne Ians. The image shows Anne being led away as she reaches back to deliver her final testament of faith to her son.

An engraving depicting the execution of Anne Ians. The image shows Anne being led away as she reaches back to deliver her final testament of faith to her son.