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A woodcut depicting Joel sharing his vision (left) and the fulfillment of that vision in the form of the Holy Spirit descending on the day of Pentecost (right).

A woodcut depicting Joel sharing his vision (left) and the fulfillment of that vision in the form of the Holy Spirit descending on the day of Pentecost (right).

The digital edition of an introduction to and translation of Johan Tetzel's "Vorlegung gemacht von Bruder Johan Tetzel Prediger Orde[n]s Ketzermeister : wyder eynen vormessen Sermon von tzwentzig irrige[n] Artickeln Bebstlichen Ablas vn[d] Gnade belange[n]de allen cristglaubige[n] Mensche[n] tzuwissen von Notten," originally published by Melchior Lotter in Leipzig, Germany, in 1518, including facsimile reproductions.

The digital edition of an introduction to and translation of Johan Tetzel's "Vorlegung gemacht von Bruder Johan Tetzel Prediger Orde[n]s Ketzermeister : wyder eynen vormessen Sermon von tzwentzig irrige[n] Artickeln Bebstlichen Ablas vn[d] Gnade belange[n]de allen cristglaubige[n] Mensche[n] tzuwissen von Notten," originally published by Melchior Lotter in Leipzig, Germany, in 1518, including facsimile reproductions.

A full-page, illuminated painting depicting John and his disciple.

A full-page, illuminated painting depicting John and his disciple.

An engraved portrait of John Wesley.

An engraved portrait of John Wesley.

A set of thirteen trading cards with scenes from the life and death of John Wesley. Images include monuments to John Wesley and "Mrs. Wesley," Charles Wesley's tomb, John Wesley's funeral, John Wesley on his deathbed, John Wesley lying in state, John Wesley preaching at the funeral of George Whitefield, portraits of the Wesley family, John Wesley meeting with Lady Huntingdon, John Wesley in Bristol, John Wesley in Wednesbury, etc.

A set of thirteen trading cards with scenes from the life and death of John Wesley. Images include monuments to John Wesley and "Mrs. Wesley," Charles Wesley's tomb, John Wesley's funeral, John Wesley on his deathbed, John Wesley lying in state, John Wesley preaching at the funeral of George Whitefield, portraits of the Wesley family, John Wesley meeting with Lady Huntingdon, John Wesley in Bristol, John Wesley in Wednesbury, etc.

A photograph of the Johnson Church building.

A photograph of the Johnson Church building.

A photograph of the Johnson Church building.

A photograph of the Johnson Church building.

A photograph of the Jone's Chapel Church building.

A photograph of the Jone's Chapel Church building.

Jones Chapel church building from across a parking lot, showing the church sign in front of the building.

Jones Chapel church building from across a parking lot, showing the church sign in front of the building.

Jones Chapel church sign, the text "United Methodist Church" painted over.

Jones Chapel church sign, the text "United Methodist Church" painted over.

Jones Chapel church sign, as seen at night.

Jones Chapel church sign, as seen at night.

A photograph of the Jones Chapel Church building.

A photograph of the Jones Chapel Church building.

A view across the Jordan River Valley towards the ancient Moab kingdom.

A view across the Jordan River Valley towards the ancient Moab kingdom.

An engraving depicting Joseph being brought before Pharaoh to interpret his dreams.

An engraving depicting Joseph being brought before Pharaoh to interpret his dreams.

A woodcut depicting Joseph beside Pharaoh's bedside (top) explaining the meaning of his dream of seven fat and seven lean cows, and seven good and seven lean stalks, represents seven years of feast and famine that will come to Egypt.

A woodcut depicting Joseph beside Pharaoh's bedside (top) explaining the meaning of his dream of seven fat and seven lean cows, and seven good and seven lean stalks, represents seven years of feast and famine that will come to Egypt.

A catalog designed to accompany the "Journey of Thomas Merton" exhibition.

A catalog designed to accompany the "Journey of Thomas Merton" exhibition.

A series of six engravings depicting a Catholic Jubilee year, during which faithful make prilgrimages to four basilicas in exchange for indulgences.

A series of six engravings depicting a Catholic Jubilee year, during which faithful make prilgrimages to four basilicas in exchange for indulgences.

A series of six engravings depicting pilgrims traveling to one of the seven basilicas that grants indulgence during a Jubilee year (top left). There the pilgrims climb the Scala Santa (Holy Stairs) on their knees (top right), and Roman prelates and barons wash their feet (left middle). The pope blesses the tables the pilgrims uses to eat with the Cardinals and the other prelates (right middle). The pope distributes rosaries, medallions, and Agnus Dei (a wax medallion imprinted with the Lamb of God) to the pilgrims as they kiss his feet (bottom left).

A series of six engravings depicting pilgrims traveling to one of the seven basilicas that grants indulgence during a Jubilee year (top left). There the pilgrims climb the Scala Santa (Holy Stairs) on their knees (top right), and Roman prelates and barons wash their feet (left middle). The pope blesses the tables the pilgrims uses to eat with the Cardinals and the other prelates (right middle). The pope distributes rosaries, medallions, and Agnus Dei (a wax medallion imprinted with the Lamb of God) to the pilgrims as they kiss his feet (bottom left).

A woodcut by Urs Graf depicting Judas receiving thirty pieces of silver for his betrayal of Christ. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.||This woodcut was acquired through the generous subvention of Mrs. Carol A. Jeschke, October 2020.

A woodcut by Urs Graf depicting Judas receiving thirty pieces of silver for his betrayal of Christ. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.||This woodcut was acquired through the generous subvention of Mrs. Carol A. Jeschke, October 2020.

A woodcut depicting the scene of Judgement day. The Trinity are depicted at the top of the image, presiding over the scene below where souls are guided either by angels past St. Peter into Heaven, or by a demon into the mouth of a great beast and Hell. A pair of banners unfurl from the Trinity towards the departing souls. The one above the souls entering Heaven reads "Cuius vult unseretur". The one avobe the souls entering Hell reads "Quem vult indurat".

A woodcut depicting the scene of Judgement day. The Trinity are depicted at the top of the image, presiding over the scene below where souls are guided either by angels past St. Peter into Heaven, or by a demon into the mouth of a great beast and Hell. A pair of banners unfurl from the Trinity towards the departing souls. The one above the souls entering Heaven reads "Cuius vult unseretur". The one avobe the souls entering Hell reads "Quem vult indurat".

A pair of engravings depicting an amphitheater where full Inquisition tribunals took place before royalty and Catholic officials during the Spanish Inquisition in Madrid (top) and a procession making to an Inquisition trial in Goa, led by Dominicans carrying the Inquisition standard (which bears the Latin motto “Misericordia et Justitia” [“Mercy and Justice”]), followed by the guards and accused criminals, and the Grand Inquisitor. Both engravings are labelled.

A pair of engravings depicting an amphitheater where full Inquisition tribunals took place before royalty and Catholic officials during the Spanish Inquisition in Madrid (top) and a procession making to an Inquisition trial in Goa, led by Dominicans carrying the Inquisition standard (which bears the Latin motto “Misericordia et Justitia” [“Mercy and Justice”]), followed by the guards and accused criminals, and the Grand Inquisitor. Both engravings are labelled.