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A woodcut depicting Saint Jerome in prototypical fashion, kneeling before a crucifix and smiting himself on the chest with a stone. It also includes two of the other 'attributes' that typically occur in his portraits: the lion and the cardinal’s hat. The printer, Wolfgang Stöckel may have used it as a kind of printer's device, and some have characterized it as a loose copy of the work of Wolf Traut.

A woodcut depicting Saint Jerome in prototypical fashion, kneeling before a crucifix and smiting himself on the chest with a stone. It also includes two of the other 'attributes' that typically occur in his portraits: the lion and the cardinal’s hat. The printer, Wolfgang Stöckel may have used it as a kind of printer's device, and some have characterized it as a loose copy of the work of Wolf Traut.

A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Above and below the mark are the words "Allein Gott eer" (above) and "Aller Gewalt von Gott" (below).

A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Above and below the mark are the words "Allein Gott eer" (above) and "Aller Gewalt von Gott" (below).

A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Four lines of text in German, Latin, Hebrew, and Greek, surround the image: "Aller Gewalt von Gott" (top), ": מרשךרם חשפסך בנר אךם" (right), "Parcere Subiectis, & debellare Superbos" (bottom), "πἃδα ψυχη' έξουσί'αισ ύπερεχούδαισ ύποταδδε'ολω" (left).

A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Four lines of text in German, Latin, Hebrew, and Greek, surround the image: "Aller Gewalt von Gott" (top), ": מרשךרם חשפסך בנר אךם" (right), "Parcere Subiectis, & debellare Superbos" (bottom), "πἃδα ψυχη' έξουσί'αισ ύπερεχούδαισ ύποταδδε'ολω" (left).

Illuminated painting depicting the Presentation in the Temple. Mary stands on the left of the image, hands outstretched to Simeon on the right, who holds the infant Jesus. Joseph stands behind Mary holding their sacrifice of two doves, while the prophetess Anna stands behind Simeon.

Illuminated painting depicting the Presentation in the Temple. Mary stands on the left of the image, hands outstretched to Simeon on the right, who holds the infant Jesus. Joseph stands behind Mary holding their sacrifice of two doves, while the prophetess Anna stands behind Simeon.

A woodcut depicting a preist dressed in the vestments described in Exodus 28, including an elaborate ephod and/or breastpiece, a long robe decorated with pomegranates and bells, and a decorated turban.

A woodcut depicting a preist dressed in the vestments described in Exodus 28, including an elaborate ephod and/or breastpiece, a long robe decorated with pomegranates and bells, and a decorated turban.

An engraving depicting a group of priests, deacons, and other church officials in conversation.

An engraving depicting a group of priests, deacons, and other church officials in conversation.

A photograph of the Princeton Church building under construction.

A photograph of the Princeton Church building under construction.

A photograph of the Princeton Church building.

A photograph of the Princeton Church building.

A woodcut of the printer's device (or mark) of Johann Rhau-Grunenberg, featuring his initials, "IG," and a small hill decorated with a number of different plants. The printer's mark is placed just below the colophon.

A woodcut of the printer's device (or mark) of Johann Rhau-Grunenberg, featuring his initials, "IG," and a small hill decorated with a number of different plants. The printer's mark is placed just below the colophon.

A woodcut of Johann Schott's printer's device, depicting a pair of dogs fighting, each biting the other's back and the initials "RSM". This version includes additional rubrication to highlight the points where each dog is biting.

A woodcut of Johann Schott's printer's device, depicting a pair of dogs fighting, each biting the other's back and the initials "RSM". This version includes additional rubrication to highlight the points where each dog is biting.

A woodcut of Johann Schott's printer's device, depicting a pair of dogs fighting, each biting the other's back and the initials "RSM".

A woodcut of Johann Schott's printer's device, depicting a pair of dogs fighting, each biting the other's back and the initials "RSM".

A woodcut depicting the printer's device of Martin Landsberg. The mark consists of two shields, one with what could be a stylized ox or cow head and a star (left) and the second with a city by a river (right). Per Davies in "Devices of the Early Printers, Vol. 9, pg. 196, "The town represented is on mounds in the former; here water seems to be indicated. If the allusion was originally to "Land" and "Berg", it is therefore now lost."

A woodcut depicting the printer's device of Martin Landsberg. The mark consists of two shields, one with what could be a stylized ox or cow head and a star (left) and the second with a city by a river (right). Per Davies in "Devices of the Early Printers, Vol. 9, pg. 196, "The town represented is on mounds in the former; here water seems to be indicated. If the allusion was originally to "Land" and "Berg", it is therefore now lost."

A woodcut printer's device of Melchior Lotter featuring a crest depicting the Brazen Serpent wrapped around a cross.

A woodcut printer's device of Melchior Lotter featuring a crest depicting the Brazen Serpent wrapped around a cross.

A decorative woodcut placed above the colophon featuring the printer's mark of Johann Froben, a crest with a caduceus, being supported by cherubs beneath an architectural arch. Surrounding the woodcut are a number of marginalia as well as two sketches mimicking the central staff of the caduceus and one of the cherubs.

A decorative woodcut placed above the colophon featuring the printer's mark of Johann Froben, a crest with a caduceus, being supported by cherubs beneath an architectural arch. Surrounding the woodcut are a number of marginalia as well as two sketches mimicking the central staff of the caduceus and one of the cherubs.

A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.

A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.

An image of an early, Gutenberg style printing press with a pair of ink balls on top of the arranged type. Above the image is the inscription, "EX FVMO IN LVCEM," translated as "from smoke into light."

An image of an early, Gutenberg style printing press with a pair of ink balls on top of the arranged type. Above the image is the inscription, "EX FVMO IN LVCEM," translated as "from smoke into light."

A pair of woodcuts with captions depicting guards taking prisoners to Castel Sant'Angelo (while others are left alone) (top) and a depiction of the nightly patrol that occurs during the Conclave in Rome (bottom).

A pair of woodcuts with captions depicting guards taking prisoners to Castel Sant'Angelo (while others are left alone) (top) and a depiction of the nightly patrol that occurs during the Conclave in Rome (bottom).

The act of praying for the healthy and those near to God (the dead), illustrated and accompanied by scriptural references.

The act of praying for the healthy and those near to God (the dead), illustrated and accompanied by scriptural references.

A pair of engravings depicting the daily recitation of the Hoshanot during Sukkot (top) and a Jewish family sharing a meal in their sukkah during the Sukkot festival. The top engraving shows worshippers processing around the synagogue carrying the four Holy Species (palm frond, myrtle, willow branch, and citron) as they recite the Hoshanot. The bottom engraving shows a Jewish family sharing a meal in an elaborately decorated sukkah, with the sukkah of another family in the background.

A pair of engravings depicting the daily recitation of the Hoshanot during Sukkot (top) and a Jewish family sharing a meal in their sukkah during the Sukkot festival. The top engraving shows worshippers processing around the synagogue carrying the four Holy Species (palm frond, myrtle, willow branch, and citron) as they recite the Hoshanot. The bottom engraving shows a Jewish family sharing a meal in an elaborately decorated sukkah, with the sukkah of another family in the background.

A portrait of John Wesley done in profile. He holds a bible in his left hand, with his right raised as if to address an unseen audience.

A portrait of John Wesley done in profile. He holds a bible in his left hand, with his right raised as if to address an unseen audience.

An engraving depicting the apse of the Basilica di Santa Maria Maggiore, including the altar and the surrounding mosaics.

An engraving depicting the apse of the Basilica di Santa Maria Maggiore, including the altar and the surrounding mosaics.