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A photograph of the Saint James Toccoa Church building.

A photograph of the Saint James Toccoa Church building.

An engraving depicting a scene from the seventh book of the epic poem, Saint Louys, in which the Saracen forces attack the crusaders by boat from the flooded Nile. In the center of the scene, Saint Louis fights the Saracen, Olgen.

An engraving depicting a scene from the seventh book of the epic poem, Saint Louys, in which the Saracen forces attack the crusaders by boat from the flooded Nile. In the center of the scene, Saint Louis fights the Saracen, Olgen.

An engraving depicting a scene from the eighteenth book of the epic poem, Saint Louys, in which God destroys a false Crown of Thorns which would have caused plague and bestows the true Crown of Thorns on Saint Louis.

An engraving depicting a scene from the eighteenth book of the epic poem, Saint Louys, in which God destroys a false Crown of Thorns which would have caused plague and bestows the true Crown of Thorns on Saint Louis.

An engraving depicting a scene from the first book of the epic poem, Saint Louys, in which Saint Louis (seated, right) meets with the Saracen representatives, Mélédor (center) and Garaman (bottom left), on behalf of Sultan Mélédin. Beside Louis is an angel wielding a sword, who appears to dissuade Mélédor from attempting to assassinate Louis, as he had planned. In the bottom left foreground, Garaman lays out a set of poisoned armor indended as a gift for Louis.

An engraving depicting a scene from the first book of the epic poem, Saint Louys, in which Saint Louis (seated, right) meets with the Saracen representatives, Mélédor (center) and Garaman (bottom left), on behalf of Sultan Mélédin. Beside Louis is an angel wielding a sword, who appears to dissuade Mélédor from attempting to assassinate Louis, as he had planned. In the bottom left foreground, Garaman lays out a set of poisoned armor indended as a gift for Louis.

An engraving depicting a scene from the ninth book of the epic poem, Saint Louys, in which the Archangel Michael forces the Nile to recede from where it had flooded, leaving the path clear for the crusaders. In the back ground, a fleet of ships can be seen, referencing a later event in the same book where Archambaut de Bourbon engages in a naval battle with Almasonte.

An engraving depicting a scene from the ninth book of the epic poem, Saint Louys, in which the Archangel Michael forces the Nile to recede from where it had flooded, leaving the path clear for the crusaders. In the back ground, a fleet of ships can be seen, referencing a later event in the same book where Archambaut de Bourbon engages in a naval battle with Almasonte.

A photograph of the Saint Paul Church building.

A photograph of the Saint Paul Church building.

A photograph of a Saint Stephen Church building.

A photograph of a Saint Stephen Church building.

A photograph of the Saint Stephen Church building.

A photograph of the Saint Stephen Church building.

A woodcut of a creature labeled as "Salamandra" (Salamander), which is described as preferring to live in fire and can be found on a mountain in the land of Chinchital in the New World.

A woodcut of a creature labeled as "Salamandra" (Salamander), which is described as preferring to live in fire and can be found on a mountain in the land of Chinchital in the New World.

A photograph of the Salem Church building.

A photograph of the Salem Church building.

A photograph of the Salem Church building.

A photograph of the Salem Church building.

A photograph of a Sam Jones Memorial Church building.

A photograph of a Sam Jones Memorial Church building.

A map showing the corresponding locations where stereoscopic images were taken of Samaria Region.

A map showing the corresponding locations where stereoscopic images were taken of Samaria Region.

Columns remaining in the ruins of the Temple of Augustus, built by Herod the Great, including the altar.

Columns remaining in the ruins of the Temple of Augustus, built by Herod the Great, including the altar.

A woman sitting on a donkey beneath an ancient archway, a city visible on a hill behind her.

A woman sitting on a donkey beneath an ancient archway, a city visible on a hill behind her.

A Samaritan rabbi showing a traditional Torah scroll in its case.

A Samaritan rabbi showing a traditional Torah scroll in its case.

An architectural plan of the sanctuary level of Cannon Chapel showing an example seating arrangement.

An architectural plan of the sanctuary level of Cannon Chapel showing an example seating arrangement.

A woodcut depiction of Saint Jerome seated at his desk with two books before him, one with Greek letters and another with Latin, representing his work translating the Bible. Jerome has turned from the books to remove a thorn from the paw of a lion, a popular story from the saint's life.

A woodcut depiction of Saint Jerome seated at his desk with two books before him, one with Greek letters and another with Latin, representing his work translating the Bible. Jerome has turned from the books to remove a thorn from the paw of a lion, a popular story from the saint's life.

A pair of engravings depicting the Scala Sancta at St. John Lateran and statues of the Dioscuri with horses which were moved to the Piazza del Quirinale, both of which were a part of Pope Sixtus V's urban reform program.

A pair of engravings depicting the Scala Sancta at St. John Lateran and statues of the Dioscuri with horses which were moved to the Piazza del Quirinale, both of which were a part of Pope Sixtus V's urban reform program.

A view of the Valley of Elah (Ella Valley), the biblical site of the battle between David and Goliath.

A view of the Valley of Elah (Ella Valley), the biblical site of the battle between David and Goliath.

A view of the valley in which Jonathan won his victory at Michmash.

A view of the valley in which Jonathan won his victory at Michmash.