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A woodcut depicting the souls of martyrs laid out beneath an altar (bottom left), being lifted up by angels (mid left), and being dressed in white robes (right). The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting the souls of martyrs laid out beneath an altar (bottom left), being lifted up by angels (mid left), and being dressed in white robes (right). The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A catalog designed to accompany the "The Materiality of Devotion" exhibition.

A catalog designed to accompany the "The Materiality of Devotion" exhibition.

A woodcut depicting a skeleton (= Death) pulling on the coat of a merchant selling his wares on a wharf. The woodcut is accompanied by a verse from Proverbs 21 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) pulling on the coat of a merchant selling his wares on a wharf. The woodcut is accompanied by a verse from Proverbs 21 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a monk fleeing from a skeleton (= Death). In the lower left corner, an hourglass sits on the ground as a representation of mortality. The woodcut is accompanied by a verse from Psalms 106 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a monk fleeing from a skeleton (= Death). In the lower left corner, an hourglass sits on the ground as a representation of mortality. The woodcut is accompanied by a verse from Psalms 106 translated into French (top) and then reformatted into verse (bottom).

A view of the mountain where the biblical city of Megiddo stood.

A view of the mountain where the biblical city of Megiddo stood.

A pair of woodcuts depicting a man kneeling beside a woman (left) and a two men in a building while a third sits at a table possibly counting money or grain (right), representing the Ninth and Tenth Commandments (in the Lutheran tradition), "Thou shalt not covet thy neighbor's wife, or his slaves, or his animals, or anything of thy neighbor."

A pair of woodcuts depicting a man kneeling beside a woman (left) and a two men in a building while a third sits at a table possibly counting money or grain (right), representing the Ninth and Tenth Commandments (in the Lutheran tradition), "Thou shalt not covet thy neighbor's wife, or his slaves, or his animals, or anything of thy neighbor."

A woodcut depicting a nobleman fighting with a skeleton which represents Death. Behind the nobleman is an hourglass representing human mortality. The woodcut is accompanied by a verse from Psalms 88 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a nobleman fighting with a skeleton which represents Death. Behind the nobleman is an hourglass representing human mortality. The woodcut is accompanied by a verse from Psalms 88 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) beating a drum in front of a noble lady and her admirer. An hourglass, the reminder of human mortality, is in the bottom right corner. The woodcut is accompanied by a verse from Ruth 1 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) beating a drum in front of a noble lady and her admirer. An hourglass, the reminder of human mortality, is in the bottom right corner. The woodcut is accompanied by a verse from Ruth 1 translated into French (top) and then reformatted into verse (bottom).

A photograph of the North Rome building before 1940.

A photograph of the North Rome building before 1940.

A woodcut depicting a nun kneeling at an altar to pray as a skeleton (= Death) puts out the candles. The nun is distracted from her prayers by a young man sitting on the bed playing a lute. The woodcut is accompanied by a verse from Proverbs 14 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a nun kneeling at an altar to pray as a skeleton (= Death) puts out the candles. The nun is distracted from her prayers by a young man sitting on the bed playing a lute. The woodcut is accompanied by a verse from Proverbs 14 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) leading an old man by the hand into an open grave, while playing an instrument. An hourglass, the reminder of human mortality, is behind them. The woodcut is accompanied by a verse from Job 17 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) leading an old man by the hand into an open grave, while playing an instrument. An hourglass, the reminder of human mortality, is behind them. The woodcut is accompanied by a verse from Job 17 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting two skeletons, representing death, dancing around an old woman. A broken hourglass, representing time, sits on the ground in the lower left-hand corner. The woodcut is accompanied by a verse from Ecclesiastes 30 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting two skeletons, representing death, dancing around an old woman. A broken hourglass, representing time, sits on the ground in the lower left-hand corner. The woodcut is accompanied by a verse from Ecclesiastes 30 translated into French (top) and then reformatted into verse (bottom).

The remains of the Olympeion, or the Temple of Olympian Zeus, looking northwest towards the Acropolis (background), and the Parthenon.

The remains of the Olympeion, or the Temple of Olympian Zeus, looking northwest towards the Acropolis (background), and the Parthenon.

A series of six engravings depicting elements of the process of ordaining nuns. The bishop gives the nuns their rings (top left), the bishop crowns the nuns with wreaths (top right), the reading of the anathema (middle left), nuns present their candles (middle right), the bishop celebrates communion with the nuns (bottom left) and the bishop gives the nuns their breviaries (bottom right).

A series of six engravings depicting elements of the process of ordaining nuns. The bishop gives the nuns their rings (top left), the bishop crowns the nuns with wreaths (top right), the reading of the anathema (middle left), nuns present their candles (middle right), the bishop celebrates communion with the nuns (bottom left) and the bishop gives the nuns their breviaries (bottom right).

A series of six engravings depicting elements of the process of ordaining a Roman Catholic bishop, including his presentation (top left), his oath (top right), his bowing before the altar (middle left) anointing (middle right), the anointing of his hands, (bottom left), and the bestowal of his crosier (bottom right).

A series of six engravings depicting elements of the process of ordaining a Roman Catholic bishop, including his presentation (top left), his oath (top right), his bowing before the altar (middle left) anointing (middle right), the anointing of his hands, (bottom left), and the bestowal of his crosier (bottom right).

A series of six engravings depicting elements of the process of ordaining a Roman Catholic bishop: including the bestowal of his ring (top left), bestowal of a book of the gospels (top right), presenting the torches, the bread and the wine (middle left), dressing in his miter (middle right), receiving his crosier (bottom left), and dressing in his pallium (lower right).

A series of six engravings depicting elements of the process of ordaining a Roman Catholic bishop: including the bestowal of his ring (top left), bestowal of a book of the gospels (top right), presenting the torches, the bread and the wine (middle left), dressing in his miter (middle right), receiving his crosier (bottom left), and dressing in his pallium (lower right).

A series of six engravings depicting Elements of the processes of ordaining abbots, abbesses, and nuns: the abbot receiving his ecclesiastical habit (top left), the laying on of hands (top right), the abbess receiving her veil (middle left), nuns being consecrated (middle right), blessing the habits of the nuns (bottom left), and nuns receiving their veils (bottom right).

A series of six engravings depicting Elements of the processes of ordaining abbots, abbesses, and nuns: the abbot receiving his ecclesiastical habit (top left), the laying on of hands (top right), the abbess receiving her veil (middle left), nuns being consecrated (middle right), blessing the habits of the nuns (bottom left), and nuns receiving their veils (bottom right).

The Partheon as seen looking southeast. The Parthenon sits atop the Athenian Acropolis and was dedicated to Athena Parthenos.

The Partheon as seen looking southeast. The Parthenon sits atop the Athenian Acropolis and was dedicated to Athena Parthenos.

Samaritans celebrating Passover at the sumit of Mount Gerizim.

Samaritans celebrating Passover at the sumit of Mount Gerizim.

A woodcut depicting a skeleton (= Death) tugging at a fleeing peddler. A lion stands at the feet of the peddler, looking away. The woodcut is accompanied by a verse from Matthew 11 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) tugging at a fleeing peddler. A lion stands at the feet of the peddler, looking away. The woodcut is accompanied by a verse from Matthew 11 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) visiting a physician and holding out a flask, while holding the hand of an old man with a cane. The woodcut is accompanied by a verse from Luke 4 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) visiting a physician and holding out a flask, while holding the hand of an old man with a cane. The woodcut is accompanied by a verse from Luke 4 translated into French (top) and then reformatted into verse (bottom).