Search

Summary: Publication by Matthias Flacius of correspondence between Pope Paul III and his legates and the courts of Emperor Charles V and King Henry of France. With this publication, Flacius had intended to expose deceptions by the Pope during the Council of Trent.

Summary: Publication by Matthias Flacius of correspondence between Pope Paul III and his legates and the courts of Emperor Charles V and King Henry of France. With this publication, Flacius had intended to expose deceptions by the Pope during the Council of Trent.

A woodcut depicting an angel sealing the 144,000 faithful as a group of angels hold off the Winds from damaging the Earth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting an angel sealing the 144,000 faithful as a group of angels hold off the Winds from damaging the Earth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

Summary: Part two of Luther's collected sermons on the historical Epistles and Gospels of the Church year. Bound with part one. Six volumes, in all, were issued, with the last appearing in 1527.

Summary: Part two of Luther's collected sermons on the historical Epistles and Gospels of the Church year. Bound with part one. Six volumes, in all, were issued, with the last appearing in 1527.

Summary: Urbanus Rhegius was an early follower of Luther, and active as preacher in both southern and northern Germany. His, "Seelenarznei," or, "Soul Medicine," follows in the wake of the medieval "Art of Dying" genre, but is also very much under the influence of Luther's, "Sermon von der Bereitung zum Sterben," or, "Sermon Concerning Preparation for Dying." The second part (Vom Glauben und guten Wercken) deals with the issue of faith and good works.

Summary: Urbanus Rhegius was an early follower of Luther, and active as preacher in both southern and northern Germany. His, "Seelenarznei," or, "Soul Medicine," follows in the wake of the medieval "Art of Dying" genre, but is also very much under the influence of Luther's, "Sermon von der Bereitung zum Sterben," or, "Sermon Concerning Preparation for Dying." The second part (Vom Glauben und guten Wercken) deals with the issue of faith and good works.

Summary: This is a Catholic pamphlet warning against Luther's errors. "Pastor Highmind" may be pseudonym or the name of a real Pastor von Hohensynn.

Summary: This is a Catholic pamphlet warning against Luther's errors. "Pastor Highmind" may be pseudonym or the name of a real Pastor von Hohensynn.

Summary: J. Cochaeus here portrays Luther as a seven headed monster like Cerebrus who guarded the gate to hell in Greek/Latin mythology. The picture on the title page is one of the most famous images to emerge from the anti-Luther polemics of the period. Each head has a caption and is explained in detail in the text. Doctor (of false doctrine), Martinus (faithless, unlike the saint whose name he bore) Lutherus (untrue to his Catholic family tradition)Ưetc.

Summary: J. Cochaeus here portrays Luther as a seven headed monster like Cerebrus who guarded the gate to hell in Greek/Latin mythology. The picture on the title page is one of the most famous images to emerge from the anti-Luther polemics of the period. Each head has a caption and is explained in detail in the text. Doctor (of false doctrine), Martinus (faithless, unlike the saint whose name he bore) Lutherus (untrue to his Catholic family tradition)Ưetc.

Summary: Response by King Henry VIII of England to Luther's attack on his book, "Assertio septem sacramentorum", on the seven sacraments of the Catholic Church. This printing was issued in Leipzig by Hieronymous Emser, early opponent of Luther, with a reply by his ruler, Duke George of Saxony, and dedicated by Emser to Johann von Schleinitz, bishop of Meissen.

Summary: Response by King Henry VIII of England to Luther's attack on his book, "Assertio septem sacramentorum", on the seven sacraments of the Catholic Church. This printing was issued in Leipzig by Hieronymous Emser, early opponent of Luther, with a reply by his ruler, Duke George of Saxony, and dedicated by Emser to Johann von Schleinitz, bishop of Meissen.

Summary: This sermon on penance was written and preached before Easter, 1518. It is a natural sequel to the sermon on Indulgences and grace, although this sermon was preached first. This is the seventh printing of the sermon.

Summary: This sermon on penance was written and preached before Easter, 1518. It is a natural sequel to the sermon on Indulgences and grace, although this sermon was preached first. This is the seventh printing of the sermon.

Summary: Sermon preached November 1, 1523, on Matthew 18:23-35 (the parable of the forgiven debtor who was unforgiving).

Summary: Sermon preached November 1, 1523, on Matthew 18:23-35 (the parable of the forgiven debtor who was unforgiving).

Summary: This volume consists of translations from J. Cochaeus' Latin work "Septiceps Lutherus. It is cast in dialogue form and discusses eight topics of religion, showing how Luther had departed from Catholic truth in these areas. The title page woodcut was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

Summary: This volume consists of translations from J. Cochaeus' Latin work "Septiceps Lutherus. It is cast in dialogue form and discusses eight topics of religion, showing how Luther had departed from Catholic truth in these areas. The title page woodcut was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

Sketch of Martin Luther, based on a 1546 woodcut portrait of Luther by Lucas Cranach.

Sketch of Martin Luther, based on a 1546 woodcut portrait of Luther by Lucas Cranach.

Sketch of Pope Sixtus V (pope 1585-1590)

Sketch of Pope Sixtus V (pope 1585-1590)

A woodcut depicting souls suffering in the fires of Hell.

A woodcut depicting souls suffering in the fires of Hell.

Summary: Missal for the diocese of Bamberg, printed at the request of Bishop Georg Schenk von Limpurg (1470-1522).

Summary: Missal for the diocese of Bamberg, printed at the request of Bishop Georg Schenk von Limpurg (1470-1522).

Summary: First edition of Ulrich Pinder's Passion narrative richly illustrated with 77 woodcut images (39 full page). Pinder was medical doctor, who had served as the court physician of the Elector Frederick the Wise of Saxony. After 1493 he was the town physician for the city of Nuremberg, where he also wrote several medical tracts and published a variety of books with the printer Friedrich Peypus. For this work, Pinder employed the services of the engravers Hans Schaufelein, who contributed 39 woodcuts, and Hans Baldung Grien, who contributed 21 woodcuts.

Summary: First edition of Ulrich Pinder's Passion narrative richly illustrated with 77 woodcut images (39 full page). Pinder was medical doctor, who had served as the court physician of the Elector Frederick the Wise of Saxony. After 1493 he was the town physician for the city of Nuremberg, where he also wrote several medical tracts and published a variety of books with the printer Friedrich Peypus. For this work, Pinder employed the services of the engravers Hans Schaufelein, who contributed 39 woodcuts, and Hans Baldung Grien, who contributed 21 woodcuts.

Summary: "Star of the Clergy" is an anonymous handbook on pastoral care. This manual was widely printed and copied. Lotter, the Leipzig printer who produced this edition, also published Luther's first work.

Summary: "Star of the Clergy" is an anonymous handbook on pastoral care. This manual was widely printed and copied. Lotter, the Leipzig printer who produced this edition, also published Luther's first work.

A woodcut depicting the full layout of the Tabernacle court, including the altar of burnt offerings, the bronze laver, and the inner tent with the table, lampstand, altar of incense, and the Ark of the Covanent.

A woodcut depicting the full layout of the Tabernacle court, including the altar of burnt offerings, the bronze laver, and the inner tent with the table, lampstand, altar of incense, and the Ark of the Covanent.

A woodcut depicting the acacia wood frames with silver bases for the tabernacle.

A woodcut depicting the acacia wood frames with silver bases for the tabernacle.

A woodcut depicting one of the inner curtains of the Tabernacle, decorated with cherubim in blue, purple, and scarlet yarn and displayed in the Tabernacle courtyard.

A woodcut depicting one of the inner curtains of the Tabernacle, decorated with cherubim in blue, purple, and scarlet yarn and displayed in the Tabernacle courtyard.

Summary: This is Luther's reinstatement of the Litany of "All Saints", containing both the musical notation and German text of the antiphons.

Summary: This is Luther's reinstatement of the Litany of "All Saints", containing both the musical notation and German text of the antiphons.