Artist Statement: "In the background of the painting appears the 1938 edition of the Korean Bible--especially, Romans 1:17 ("the righteous will live by faith"). The cross of Jesus Christ stands in the middle between Martin Luther [(1483-1546)] on the left and Philipp Melanchton [sic][(1497-1560)] on the right. The cross and the three persons beneath it--John the Baptist, Chranach [sic], and Luther-- originally appeared in the alter painting entitled Law and Grace.
Artist Statement: "In the background of the painting appears the 1938 edition of the Korean Bible--especially, Romans 1:17 ("the righteous will live by faith"). The cross of Jesus Christ stands in the middle between Martin Luther [(1483-1546)] on the left and Philipp Melanchton [sic][(1497-1560)] on the right. The cross and the three persons beneath it--John the Baptist, Chranach [sic], and Luther-- originally appeared in the alter painting entitled Law and Grace.
Artist Statement: "Seongsan Bridge appears over the River Han. Across the bridge stands Lotte World Tower, a 123-floor skyscraper that officially opened in 2017. A cross is floating on the river. Martin Luther, while reminding us of his speech at the Diet of Worms, stands just next to Jesus, pointing to him. Several people surrounding them are watching the event of Jesus' crucufixion. All of them are figures borrowed from Yun-Bok Shin's genre paintings. There are also other figures borrowed from Hong-Do Kim's paintings.
Artist Statement: "Seongsan Bridge appears over the River Han. Across the bridge stands Lotte World Tower, a 123-floor skyscraper that officially opened in 2017. A cross is floating on the river. Martin Luther, while reminding us of his speech at the Diet of Worms, stands just next to Jesus, pointing to him. Several people surrounding them are watching the event of Jesus' crucufixion. All of them are figures borrowed from Yun-Bok Shin's genre paintings. There are also other figures borrowed from Hong-Do Kim's paintings.
Artist Statement: "The title of this work, <MES>, means that all the people looking at Jesus are all my various aspect. So I named me as <MES> in plural. In the background of the painting appears the painting <SSireum: Korean wrestling> by Kim Hong-Do (artist of the late Joseon dynasty). All of them are figures borrowed from this painting. In the middle of this work, I borrowed the Crucifixion from <Grünewald's Isenheim Altarpiece 1515>, Matthias Grünewald is a 16th century German painter.
Artist Statement: "The title of this work, <MES>, means that all the people looking at Jesus are all my various aspect. So I named me as <MES> in plural. In the background of the painting appears the painting <SSireum: Korean wrestling> by Kim Hong-Do (artist of the late Joseon dynasty). All of them are figures borrowed from this painting. In the middle of this work, I borrowed the Crucifixion from <Grünewald's Isenheim Altarpiece 1515>, Matthias Grünewald is a 16th century German painter.
Drawing on scenes of gathering and shared meals in the Bible, specifically the wedding in Cana, Jesus feeding the five thousand, and the Last Supper, this linocut depicts a group of men, women, and children gathered and sharing food and drink. At the center of this gathering is a large ornamental ewer.
Drawing on scenes of gathering and shared meals in the Bible, specifically the wedding in Cana, Jesus feeding the five thousand, and the Last Supper, this linocut depicts a group of men, women, and children gathered and sharing food and drink. At the center of this gathering is a large ornamental ewer.
Evoking the scene of Jesus' baptism, this linocut work depicts a man holding a shell above a boy who kneels beside a river. Two men and a woman look on as a dove descends from the curling clouds gathered over the mountainous background.
Evoking the scene of Jesus' baptism, this linocut work depicts a man holding a shell above a boy who kneels beside a river. Two men and a woman look on as a dove descends from the curling clouds gathered over the mountainous background.
![Artist Statement: "In the background of the painting appears the 1938 edition of the Korean Bible--especially, Romans 1:17 ("the righteous will live by faith"). The cross of Jesus Christ stands in the middle between Martin Luther [(1483-1546)] on the left and Philipp Melanchton [sic][(1497-1560)] on the right. The cross and the three persons beneath it--John the Baptist, Chranach [sic], and Luther-- originally appeared in the alter painting entitled Law and Grace. It is supposed that Lucas Cranach [the Elder (1472-1553)] drew the first draft of the painting and then his son Lucas Cranach the Younger ([1515]-1586) completed it in 1555. Interestingly, a Korean woman next to them is overhearing the gospel. The building beneath Luther is Jangdaehyeon Church, where the revival movement of the Korean church startedin 1907. Meanwhile, the other building beneath Melanchton [sic] is Wittenberg Castle Church. Luther is portrayed as translating the Bible on the right of the bottom. On the left of the bottom the image of children studying in a Korean traditional schoolhouse was borrowed from Hong-do Kim's Seondang, as if they were studying the Bible. This painting portrays the historical process in which the gospel that Luther rediscovered was appreciated by native Koreans." (from the guide for Min's exhibition, "500 jähriges Reformationsjubiläum, Korea," which ran from July 5-10, 2017, at the Gasthaus Ökumene in Wittenberg and from July 12-August 1, 2017 at the Kreuzkirche Alte Bibliothek in Dresden)](https://s3.us-west-2.amazonaws.com/omekacloud-main/large/2024-04-12_MIN_I003/2024-04-12_MIN_I003.jpg)
Still image![Artist Statement: "Seongsan Bridge appears over the River Han. Across the bridge stands Lotte World Tower, a 123-floor skyscraper that officially opened in 2017. A cross is floating on the river. Martin Luther, while reminding us of his speech at the Diet of Worms, stands just next to Jesus, pointing to him. Several people surrounding them are watching the event of Jesus' crucufixion. All of them are figures borrowed from Yun-Bok Shin's genre paintings. There are also other figures borrowed from Hong-Do Kim's paintings. The blacksmith in Daejanggan (A Blacksmith's Worshop [sic]) is portrayed as nailing Jesus' hand on the cross; the bow in Whalsogi (Archery) is targeted at Jesus' heart; the indiscreet, crying childin Seodang (A Schoolhouse) is described as mourning over the crucifixion of Jesus; the man who hides himself and steals a glance in BBaleteo (A Washing Place) appears next to the crying child; thos who were enjoying boating and drinking in Deon-yudo (Painting of Boating) are represented as a group of people who are indifferent to, or have nothing to do with, the event of the cross." (from the guide for Min's exhibition, "500 jähriges Reformationsjubiläum, Korea," which ran from July 5-10, 2017, at the Gasthaus Ökumene in Wittenberg and from July 12-August 1, 2017 at the Kreuzkirche Alte Bibliothek in Dresden)](https://s3.us-west-2.amazonaws.com/omekacloud-main/large/2024-04-12_MIN_I004/2024-04-12_MIN_I004.jpg)
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