A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders; the recto contains a six-line historiated initial “S” depicting the head of Christ, the symbol of the “agnus dei” (lamb of God) in the margin, and two two-line decorated initials all in red and blue inks.
A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders; the recto contains a six-line historiated initial “S” depicting the head of Christ, the symbol of the “agnus dei” (lamb of God) in the margin, and two two-line decorated initials all in red and blue inks.
A vellum leaf from a Dutch Book of Hours which includes a fully illuminated and historiated border of red and blue inks and an eight-line historiated initial “0”.
A vellum leaf from a Dutch Book of Hours which includes a fully illuminated and historiated border of red and blue inks and an eight-line historiated initial “0”.
Summary: This book, which contains a dedication to Joannes Luyken de Jonge, the grandson of the author [in the form of a poem], contains 47 prints by Jan Luyken. Of the 47 prints, 46 are new; amongst these are 4 prints started by Luyken and finished by P. Sluiter (engravings for pages 77, 81, 85, and 87), who also made the title page. According to the final words of the printed title, this work was published after the death of the author. Probably is this his last work and because of illness, Luyken was prevented to finish the work completely.
Summary: This book, which contains a dedication to Joannes Luyken de Jonge, the grandson of the author [in the form of a poem], contains 47 prints by Jan Luyken. Of the 47 prints, 46 are new; amongst these are 4 prints started by Luyken and finished by P. Sluiter (engravings for pages 77, 81, 85, and 87), who also made the title page. According to the final words of the printed title, this work was published after the death of the author. Probably is this his last work and because of illness, Luyken was prevented to finish the work completely.
A postcard showing Sister Coote, next to the unnamed mother, holding the first baby born with surgical intervention as part of the "Mbuma-zending" medical. The photograph was taken a few months after the birth. The verso includes a description of the image and a request for donations to the Dutch Foundation "Mbuma-zending" which supports the mission work of the Free Presbyterian Church of Scotland in Rhodesia (modern Zimbabwe and Zambia).
A postcard showing Sister Coote, next to the unnamed mother, holding the first baby born with surgical intervention as part of the "Mbuma-zending" medical. The photograph was taken a few months after the birth. The verso includes a description of the image and a request for donations to the Dutch Foundation "Mbuma-zending" which supports the mission work of the Free Presbyterian Church of Scotland in Rhodesia (modern Zimbabwe and Zambia).
Used at Utrecht between 1470 and 1500, the North Dutch Book of Hours includes the "Hours of the Eternal Wisdom," by Gerard Groot (a member of the Brothers of the Common Life), Hours of the Virgin, and Penitential Psalms.
Used at Utrecht between 1470 and 1500, the North Dutch Book of Hours includes the "Hours of the Eternal Wisdom," by Gerard Groot (a member of the Brothers of the Common Life), Hours of the Virgin, and Penitential Psalms.
Portrait of Jacobus Elisa Johannes Capitein, the first black minister who was educated in the Netherlands, with his hand on the Bible. He was a minister at Fort Elmina, in his homeland, present-day Ghana. Below the portrait is a ten-line verse.
Portrait of Jacobus Elisa Johannes Capitein, the first black minister who was educated in the Netherlands, with his hand on the Bible. He was a minister at Fort Elmina, in his homeland, present-day Ghana. Below the portrait is a ten-line verse.
A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders, two- and five-line decorated initials, and an angel in the margin of the recto showing wounds on his hands and feet all in red and blue inks.
A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders, two- and five-line decorated initials, and an angel in the margin of the recto showing wounds on his hands and feet all in red and blue inks.
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