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An architectural plan of the sanctuary level of Cannon Chapel showing an alternative arrangement for seating.

An architectural plan of the sanctuary level of Cannon Chapel showing an alternative arrangement for seating.

An architectural plan of the balcony level of Cannon Chapel.

An architectural plan of the balcony level of Cannon Chapel.

A cross-section of Cannon Chapel as viewed from the Northern elevation.

A cross-section of Cannon Chapel as viewed from the Northern elevation.

An exterior sketch of Cannon Chapel depicting the bridge connecting it to Bishop Hall, with Pitts Theology Library (now Convocation Hall) in the background.

An exterior sketch of Cannon Chapel depicting the bridge connecting it to Bishop Hall, with Pitts Theology Library (now Convocation Hall) in the background.

An exterior sketch of Cannon Chapel facing East with Bishop Hall on the left and Pitts Theology Library (now Convocation Hall) on the right.

An exterior sketch of Cannon Chapel facing East with Bishop Hall on the left and Pitts Theology Library (now Convocation Hall) on the right.

An interior sketch of the Cannon Chapel sanctuary space showing the location of windows and the organ.

An interior sketch of the Cannon Chapel sanctuary space showing the location of windows and the organ.

An interior sketch of the Cannon Chapel sanctuary space (facing East?).

An interior sketch of the Cannon Chapel sanctuary space (facing East?).

An interior sketch of the Cannon Chapel sanctuary space showing various seating areas cordoned off with curtains.

An interior sketch of the Cannon Chapel sanctuary space showing various seating areas cordoned off with curtains.

An engraving depicting the papal monument of Clement VIII in the Borghese Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the papal monument of Clement VIII in the Borghese Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing east, with a view of the dome and the papal monument of Paul V.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing east, with a view of the dome and the papal monument of Paul V.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing north, with a view of the dome and through the entrance into the nave.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing north, with a view of the dome and through the entrance into the nave.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing west, with a view of the dome and the papal monument of Clement VIII.

An engraving depicting a cross-section of the Borghese Chapel in the Basilica di Santa Maria Maggiore, facing west, with a view of the dome and the papal monument of Clement VIII.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing east, with a view of the dome and the papal monument of Sixtus V.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing east, with a view of the dome and the papal monument of Sixtus V.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing north from the entrance to the nave, with a view of the dome and back wall.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing north from the entrance to the nave, with a view of the dome and back wall.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing south towards the entrance to the nave, with a view of the dome.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing south towards the entrance to the nave, with a view of the dome.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing west, with a view of the dome and the papal monument of Pius V.

An engraving depicting a cross-section of the Sistine Chapel in the Basilica di Santa Maria Maggiore, facing west, with a view of the dome and the papal monument of Pius V.

An architectural plan of the Eastern elevation of Cannon Chapel along with a cross-section of the building.

An architectural plan of the Eastern elevation of Cannon Chapel along with a cross-section of the building.

An architectural plan of the ground floor of Cannon Chapel.

An architectural plan of the ground floor of Cannon Chapel.

An engraving depicting the altar commisioned by Paul V to house the Salus Populi Romani, believed to be painted by Saint Luke. Above the altar is a depiction of Pope Liberius outlining the original foundations of the basilica.

An engraving depicting the altar commisioned by Paul V to house the Salus Populi Romani, believed to be painted by Saint Luke. Above the altar is a depiction of Pope Liberius outlining the original foundations of the basilica.

An engraving depicting the interior of the Sistine Chapel.

An engraving depicting the interior of the Sistine Chapel.

A letter from John Wesley to Robert Lindsay discussing the sail of a chapel and the feasibility of sending another preacher to Ireland.

A letter from John Wesley to Robert Lindsay discussing the sail of a chapel and the feasibility of sending another preacher to Ireland.

A letter from Sarah (Gwynne) Wesley to her daughter, Sarah, gently chiding her daughter for taking a fall down the stairs and suggesting using electrification to strengthen the strained ankle, expressing joy at her daughter's otherwise good health, relating a dinner with Miss Wells, describing a new preacher she heard deliver a sermon and took a liking to, providing updates on her sons, Charles and Samuel, asking her daughter to try and convince her husband to buy cloth for clothes in Bristol as it is cheaper there.

A letter from Sarah (Gwynne) Wesley to her daughter, Sarah, gently chiding her daughter for taking a fall down the stairs and suggesting using electrification to strengthen the strained ankle, expressing joy at her daughter's otherwise good health, relating a dinner with Miss Wells, describing a new preacher she heard deliver a sermon and took a liking to, providing updates on her sons, Charles and Samuel, asking her daughter to try and convince her husband to buy cloth for clothes in Bristol as it is cheaper there.

A letter from Sarah Wesley to her mother, Sarah (Gwynne) Wesley, apologizing for the letter's delay, giving and update on her health, asking if she should invite Charlotte Price to dinner, and giving an update on her brothers and explaining their lack of letters.

A letter from Sarah Wesley to her mother, Sarah (Gwynne) Wesley, apologizing for the letter's delay, giving and update on her health, asking if she should invite Charlotte Price to dinner, and giving an update on her brothers and explaining their lack of letters.

An engraving depicting the papal monument of Pius V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the papal monument of Pius V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the western wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

A letter from Morrell and Lois Robinson through the Board of Mission to their friends and loved ones providing a report on their missionary work and the general state of the region of Cuba where they are working. They describe the work of the pediatric clinic, report on the Mayari, Felton, Arroyo Blanco, Oriente, and Nicaro congregational areas, and provide updates on their personal lives and that of their family.

A letter from Morrell and Lois Robinson through the Board of Mission to their friends and loved ones providing a report on their missionary work and the general state of the region of Cuba where they are working. They describe the work of the pediatric clinic, report on the Mayari, Felton, Arroyo Blanco, Oriente, and Nicaro congregational areas, and provide updates on their personal lives and that of their family.

An architectural plan of the Northern and Western elevations of Cannon Chapel.

An architectural plan of the Northern and Western elevations of Cannon Chapel.

An engraving depicting the papal monument of Paul V in the Borghese Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the papal monument of Paul V in the Borghese Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraved floorplan of the Sistine Chapel in the Basilica di Santa Maria Maggiore.

An engraved floorplan of the Sistine Chapel in the Basilica di Santa Maria Maggiore.

An engraving depicting the entrance to the Borghese Chapel from the nave in the Basilica di Santa Maria Maggiore. Through the doorway, the altar of the Salus Populi Romani is visible.

An engraving depicting the entrance to the Borghese Chapel from the nave in the Basilica di Santa Maria Maggiore. Through the doorway, the altar of the Salus Populi Romani is visible.

An engraved floorplan of the Borghese Chapel and adjoining rooms in the Basilica di Santa Maria Maggiore.

An engraved floorplan of the Borghese Chapel and adjoining rooms in the Basilica di Santa Maria Maggiore.

An engraving depicting the Sacramental altar in the Sistine Chapel in the Basilica di Santa Maria Maggiore.

An engraving depicting the Sacramental altar in the Sistine Chapel in the Basilica di Santa Maria Maggiore.

An architectural plan of the sanctuary level of Cannon Chapel showing an example seating arrangement.

An architectural plan of the sanctuary level of Cannon Chapel showing an example seating arrangement.

An architectural plan of the Cannon Chapel site showing the exterior designs and it's placement in relation to Pitts Theology Library (now Convocation Hall) and Bishop Hall.

An architectural plan of the Cannon Chapel site showing the exterior designs and it's placement in relation to Pitts Theology Library (now Convocation Hall) and Bishop Hall.

An engraving depicting the papal monument of Sixtus V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

An engraving depicting the papal monument of Sixtus V in the Sistine Chapel in the Basilica di Santa Maria Maggiore. The monument sits on the eastern wall of the chapel and includes a statue of the pope as well as depictions of his life and works.

A nineteenth-century lithograph depicting John Wesley preaching at the City Road Chapel in London, addressing the 446 preachers in his connection. The lithograph was produced in the studio of William S. Pendleton (1795-1879) in Boston. Many of the individuals featured in the print are clearly identifiable by their printed engravings from the late eighteenth and early nineteenth centuries. One can quickly identify the familiar faces of Charles Wesley (1707-1788), John William Fletcher (1729-1785), Joseph Benson (1749-1821), and others.

A nineteenth-century lithograph depicting John Wesley preaching at the City Road Chapel in London, addressing the 446 preachers in his connection. The lithograph was produced in the studio of William S. Pendleton (1795-1879) in Boston. Many of the individuals featured in the print are clearly identifiable by their printed engravings from the late eighteenth and early nineteenth centuries. One can quickly identify the familiar faces of Charles Wesley (1707-1788), John William Fletcher (1729-1785), Joseph Benson (1749-1821), and others.