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A woodcut depicting a bishop greeting the retinue of a traveling cardinal. The cardinal rides a horse with attendants holding a canopy above him while the remainder of his retinue stands before him and a bishop stands in a doorway. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a bishop greeting the retinue of a traveling cardinal. The cardinal rides a horse with attendants holding a canopy above him while the remainder of his retinue stands before him and a bishop stands in a doorway. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a synod gathering of a diocese. A bishop sits surrounded by priests as an archdeacon proclaims the faith from the pulpit. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting a synod gathering of a diocese. A bishop sits surrounded by priests as an archdeacon proclaims the faith from the pulpit. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting a bishop visiting a parish church. The bishop sits on a dias while the local congregation gathers around to hear why he has come. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused throughout the work.

A woodcut depicting a bishop visiting a parish church. The bishop sits on a dias while the local congregation gathers around to hear why he has come. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused throughout the work.

A woodcut depicting a synod gathering. A bishop sits in the center of a group of priests as an archdeacon reads prom the pulpit. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused several times throughout the work.

A woodcut depicting a synod gathering. A bishop sits in the center of a group of priests as an archdeacon reads prom the pulpit. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused several times throughout the work.

A woodcut depicting a traveling bishop and his retinue. The bishop rides a horse with hands held before him in prayer as attendants ride behind him and walk before him. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a traveling bishop and his retinue. The bishop rides a horse with hands held before him in prayer as attendants ride behind him and walk before him. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the traveling retinue of an empress or queen. The empress or queen sits side-saddle on a horse with attendents holding a canopy above her while a procession holding a cross go before her. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the traveling retinue of an empress or queen. The empress or queen sits side-saddle on a horse with attendents holding a canopy above her while a procession holding a cross go before her. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting a ruler, possibly a king, traveling with his retinue. The ruler rides a horse with attendants holding a canopy above him and a man bearing a sword riding ahead of him. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting a ruler, possibly a king, traveling with his retinue. The ruler rides a horse with attendants holding a canopy above him and a man bearing a sword riding ahead of him. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. The woodcut is reused throughout the work.

An architectural historiated woodcut border on the title page of Luther's German Catechism. The border consists of a decorative arch, topped with a pair of cherubs supporting a roundel with the Luther rose on the left and a crest with the Lamb of God on the right. At the bottom of the page, the scene of the Crucifixion is depicted with Jesus in the center, flanked by the two thieves, however as the bottom right corner of the page is torn away, the second thief is missing.

An architectural historiated woodcut border on the title page of Luther's German Catechism. The border consists of a decorative arch, topped with a pair of cherubs supporting a roundel with the Luther rose on the left and a crest with the Lamb of God on the right. At the bottom of the page, the scene of the Crucifixion is depicted with Jesus in the center, flanked by the two thieves, however as the bottom right corner of the page is torn away, the second thief is missing.

An architectural historiated woodcut border on the title page of the second printing of Philip Melanchthon's inagural address to the Wittenberg faculty. The border features the printer's device of Johann Froben, a shield with a caduceus, surrounded by a wreath. At the bottom is a scene of Salome requesting, and recieving, the head of John the Baptist.

An architectural historiated woodcut border on the title page of the second printing of Philip Melanchthon's inagural address to the Wittenberg faculty. The border features the printer's device of Johann Froben, a shield with a caduceus, surrounded by a wreath. At the bottom is a scene of Salome requesting, and recieving, the head of John the Baptist.

A woodcut depicting the Ark of the Covanent with its lid decorated with two cherubim, and the Altar of Incense with a chalice of burning incense placed on it.

A woodcut depicting the Ark of the Covanent with its lid decorated with two cherubim, and the Altar of Incense with a chalice of burning incense placed on it.

A woodcut full-body portrait of either Martin Luther or Michael Stifel dressed in the garb of an Augustinian monk and holding a book. Surrounding the monk is a separate woodcut border featuring cherubs and Wild Men in trees and the coat of arms of the Holy Roman Empire at the bottom.

A woodcut full-body portrait of either Martin Luther or Michael Stifel dressed in the garb of an Augustinian monk and holding a book. Surrounding the monk is a separate woodcut border featuring cherubs and Wild Men in trees and the coat of arms of the Holy Roman Empire at the bottom.

A woodcut depicting a monk having been raised to the rank of abbot. The new abbot sits across from the bishop wearing his new vestments and cope, and is examined. The scene is flanked by decorative scroll work featuring cherubs. This woodcut is reused all throughout the work.

A woodcut depicting a monk having been raised to the rank of abbot. The new abbot sits across from the bishop wearing his new vestments and cope, and is examined. The scene is flanked by decorative scroll work featuring cherubs. This woodcut is reused all throughout the work.

A woodcut depicting the bestowal of the pallium upon a new bishop. The bishop kneels before the presiding bishop who drapes the pallium over his chasuble. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the bestowal of the pallium upon a new bishop. The bishop kneels before the presiding bishop who drapes the pallium over his chasuble. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting a bishop blessing a new cross on a church altar. The scene is flanked by a pair of cherubs supporting fruit trees. This woodcut is reused throughout the work.

A woodcut depicting a bishop blessing a new cross on a church altar. The scene is flanked by a pair of cherubs supporting fruit trees. This woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The king kneels before a bishop who annoints his hands and arms with the oil of catechumens. The scene is flanked by a pair of cherubs holding rings and kneeling on helments. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The king kneels before a bishop who annoints his hands and arms with the oil of catechumens. The scene is flanked by a pair of cherubs holding rings and kneeling on helments. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The woodcut depicts the king kneeling before the bishop with head bowed as the bishop reaches out to place a crown upon the king's head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The woodcut depicts the king kneeling before the bishop with head bowed as the bishop reaches out to place a crown upon the king's head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The king, draped in a robe, kneels before a bishop who hands him a sword from the altar. The scene is flanked by a pair of cherubs standing on eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The king, draped in a robe, kneels before a bishop who hands him a sword from the altar. The scene is flanked by a pair of cherubs standing on eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before a bishop who annoints her hands and arms with the oil of catechumens. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before a bishop who annoints her hands and arms with the oil of catechumens. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before the bishop who reaches out to place a crown on her head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before the bishop who reaches out to place a crown on her head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels behind the king who petitions the bishop to bless and crown her. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels behind the king who petitions the bishop to bless and crown her. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before a bishop who is reciting a litany from a book of the Gospels held by an attendant. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before a bishop who is reciting a litany from a book of the Gospels held by an attendant. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the blessing of a soldier or knight. The armored soldier or knight kneels before a bishop, holding his sword before him as the bishop takes hold of the hilt. The scene is flanked by a pair of cherubs standing on eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the blessing of a soldier or knight. The armored soldier or knight kneels before a bishop, holding his sword before him as the bishop takes hold of the hilt. The scene is flanked by a pair of cherubs standing on eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting a group of putti (cherubs) parading with grapes and vines. The woodcut is accompanied by a verse from Philippians 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a group of putti (cherubs) parading with grapes and vines. The woodcut is accompanied by a verse from Philippians 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting the resurrection of Jesus Christ. Christ is depicted at the top center of the image, surrounded by cherubim. At the bottom right is Christ's open and empty tomb. On the bottom left, a group of cherubim are burying the body of a man, perhaps representing Christ's transformation from a physical body to a spiritual one.

A woodcut depicting the resurrection of Jesus Christ. Christ is depicted at the top center of the image, surrounded by cherubim. At the bottom right is Christ's open and empty tomb. On the bottom left, a group of cherubim are burying the body of a man, perhaps representing Christ's transformation from a physical body to a spiritual one.

A woodcut depicting the coat of arm sof Johann "the Constant" (or "Steadfast"), Elector of Saxony, who was a supporter of Luther and his movement. The coat of arms features a pair of crossed swords at the center, surrounded by ten fields with varying iconography, including lions, eagles, and a rose. Three helmets with different crests sit above the coat of arms and the entire composition is surrounded by a host of cherubs and a pair of trees.

A woodcut depicting the coat of arm sof Johann "the Constant" (or "Steadfast"), Elector of Saxony, who was a supporter of Luther and his movement. The coat of arms features a pair of crossed swords at the center, surrounded by ten fields with varying iconography, including lions, eagles, and a rose. Three helmets with different crests sit above the coat of arms and the entire composition is surrounded by a host of cherubs and a pair of trees.

An engraving depicting the coffin of Pope Pius V. The side of the coffin features a relief of the Pope in repose and has a decorative lid featuring a crest reading, "CORPUS B. PII. V. PONT. MAX. EX ORD. FF. PRAED." surrounded by cherub heads, roses, and lilies.

An engraving depicting the coffin of Pope Pius V. The side of the coffin features a relief of the Pope in repose and has a decorative lid featuring a crest reading, "CORPUS B. PII. V. PONT. MAX. EX ORD. FF. PRAED." surrounded by cherub heads, roses, and lilies.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before the consecrating bishop, wearing a miter and holding a crosier, an altar beside them as the consecrating bishop offers a blessing. The scene is flanked by a pair of cherubs standing atop an eagle and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before the consecrating bishop, wearing a miter and holding a crosier, an altar beside them as the consecrating bishop offers a blessing. The scene is flanked by a pair of cherubs standing atop an eagle and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a bishop. The bishop elect kneels before a trio of consecrating bishops who lay their hands upon his head as an assistant places a book of the Gospels upon his shoulders. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a bishop. The bishop elect kneels before a trio of consecrating bishops who lay their hands upon his head as an assistant places a book of the Gospels upon his shoulders. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before a trio of consecrating bishops, holding out two tall candles as a pair of assistants carry in bread and wine for the Mass which concludes the consecration. The scene is flanked by decorative scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels before a trio of consecrating bishops, holding out two tall candles as a pair of assistants carry in bread and wine for the Mass which concludes the consecration. The scene is flanked by decorative scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels prostrate before the altar, while the consecrating bishop and his attendents kneel and recite a litany. The image is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the consecration of a new bishop. The bishop elect kneels prostrate before the altar, while the consecrating bishop and his attendents kneel and recite a litany. The image is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. The woodcut is reused throughout the work.

A set of three woodcuts depicting the coronation of a new pope (top), the proper method for the pope to travel, under a canopy with the bishops before him (center), and a scene of the pope blessing travelers (bottom). Each scene is flanked by a different pair of cherubs.

A set of three woodcuts depicting the coronation of a new pope (top), the proper method for the pope to travel, under a canopy with the bishops before him (center), and a scene of the pope blessing travelers (bottom). Each scene is flanked by a different pair of cherubs.

A decorative woodcut header featuring a pair of horn players flanking a cherub's head and an initial letter "Y" decorated with floral and fish designs.

A decorative woodcut header featuring a pair of horn players flanking a cherub's head and an initial letter "Y" decorated with floral and fish designs.

A decorative woodcut depicting a cherub surrounded by a globe, paper, a bust, books, an artist's palette, and plants.

A decorative woodcut depicting a cherub surrounded by a globe, paper, a bust, books, an artist's palette, and plants.

A woodcut depicting the dedication or consecration of a church. A bishop follows a procession of preists bearing a container of relics draped in ornate fabric to be placed inside the altar. The scene is flanked by a pair of cherubs standing atop eagles and bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop follows a procession of preists bearing a container of relics draped in ornate fabric to be placed inside the altar. The scene is flanked by a pair of cherubs standing atop eagles and bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, sprinkles holy water across an altar to bless it, using a hyssop branch. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, sprinkles holy water across an altar to bless it, using a hyssop branch. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, swings a censer across an altar, consecrating it with incense. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, swings a censer across an altar, consecrating it with incense. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

An engraved headpiece to the first, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a pair of cherubim holding a crown of thorns above an interwoven pair of initials ("SL") which sit above a laurel crown and crossed palm fronds. Above the scene is a banner with the Latin motto, "est lauros palmasque Super" (It [Crown of thorns] is above laurels and palms).

An engraved headpiece to the first, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a pair of cherubim holding a crown of thorns above an interwoven pair of initials ("SL") which sit above a laurel crown and crossed palm fronds. Above the scene is a banner with the Latin motto, "est lauros palmasque Super" (It [Crown of thorns] is above laurels and palms).

A woodcut depicting the rite of excommunication. The bishop sits surrounded by twelve priests in a public place, each with a lit candle in his hand, as he pronounces the anathema against the one to be excommunicated, after which all strike out their candles against the ground. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the rite of excommunication. The bishop sits surrounded by twelve priests in a public place, each with a lit candle in his hand, as he pronounces the anathema against the one to be excommunicated, after which all strike out their candles against the ground. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

An engraving depicting a portrait of Pierre de Foix topped with a galero and surrounded by a cherub holding an olive branch and leaning on a column above a multi-headed dragon that has been decapitated. There is an inscription at the bottom reading, "Il finit le Schisme et donna la paix au Siege de Rome."

An engraving depicting a portrait of Pierre de Foix topped with a galero and surrounded by a cherub holding an olive branch and leaning on a column above a multi-headed dragon that has been decapitated. There is an inscription at the bottom reading, "Il finit le Schisme et donna la paix au Siege de Rome."

A woodcut showing Holy Roman Emperor Henry II and Cunigunde of Luxembourg holding up a model of the Bamberg Cathedral (left) and the coat of arms of Georg Schenk von Limpurg (right).

A woodcut showing Holy Roman Emperor Henry II and Cunigunde of Luxembourg holding up a model of the Bamberg Cathedral (left) and the coat of arms of Georg Schenk von Limpurg (right).

A woodcut border to Luther's Ain Sermon vnd eingang in das Erst buoch Mosi, das ist, in das buoch der Schöpfung : darinn] gründtlich anzaygt wirdt, der Artickel des glaubens So wir sprechen, Ich glaub in Got vatter almechtigen, schöpffer hymel vnd erdtrichs printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Luther's Ain Sermon vnd eingang in das Erst buoch Mosi, das ist, in das buoch der Schöpfung : darinn] gründtlich anzaygt wirdt, der Artickel des glaubens So wir sprechen, Ich glaub in Got vatter almechtigen, schöpffer hymel vnd erdtrichs printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Luther's Ain Sermon von stercke vnnd zuo nemen des glaubens vn[d] der liebe : Aus der Epistel S. Pauli zun Eypesernn printed in 1525. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Luther's Ain Sermon von stercke vnnd zuo nemen des glaubens vn[d] der liebe : Aus der Epistel S. Pauli zun Eypesernn printed in 1525. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Ain schöner Dialogus wie ain Bawr mit aim Frawe[n] Brůder Münch redt : das er die Kutten von jm würfft, und dem Münch Arbayt zůgeben, lustbarlich und lieblich zů lesen will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Ain schöner Dialogus wie ain Bawr mit aim Frawe[n] Brůder Münch redt : das er die Kutten von jm würfft, und dem Münch Arbayt zůgeben, lustbarlich und lieblich zů lesen will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's An die Radherrn aller stedte deutsches lands : das sie Christliche schulen auffrichten vnd halten sollen printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a shield featuring a Luther rose (bottom).

A woodcut border to Luther's An die Radherrn aller stedte deutsches lands : das sie Christliche schulen auffrichten vnd halten sollen printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a shield featuring a Luther rose (bottom).

A woodcut border to Luther's An die Radtherren aller Stette teutsches lands : Das sy Christliche schuolen auffrichten vnd hallten sollen printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Luther's An die Radtherren aller Stette teutsches lands : Das sy Christliche schuolen auffrichten vnd hallten sollen printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

An engraved border for the title page of Paolo di Angelis' Basilicae s. Mariae Maioris di Urbe a Liberio Papa I usque ad Paulum V Pont. Max. descriptio et delinatio printed in 1621. The border consists of a single print with several scenes pertaining to the veneration of and maricles of the Virgin Mary. The top of the border depicts angels and cherubs flanking a depiction of the Virgin Mary with Christ. In the center of the engraving, below the title, is a scene of St. Gregory I the Great leading a crowd in worship as a depiction of Mary is brought forward.

An engraved border for the title page of Paolo di Angelis' Basilicae s. Mariae Maioris di Urbe a Liberio Papa I usque ad Paulum V Pont. Max. descriptio et delinatio printed in 1621. The border consists of a single print with several scenes pertaining to the veneration of and maricles of the Virgin Mary. The top of the border depicts angels and cherubs flanking a depiction of the Virgin Mary with Christ. In the center of the engraving, below the title, is a scene of St. Gregory I the Great leading a crowd in worship as a depiction of Mary is brought forward.

A woodcut border to Luther's Das Eltern die kinder zuo der Ehe nicht zwinge[n] noch hindern, : Vnd die kinder on der elltern willen sich nicht verloben solle[n] printed in 1524. The border consists of a single woodcut depicting cherubs with shields and one with a horn (top), a pair of cherubs holding up floral columns (sides), and a parade of cherubs playing instruments and pulling a cart (bottom).

A woodcut border to Luther's Das Eltern die kinder zuo der Ehe nicht zwinge[n] noch hindern, : Vnd die kinder on der elltern willen sich nicht verloben solle[n] printed in 1524. The border consists of a single woodcut depicting cherubs with shields and one with a horn (top), a pair of cherubs holding up floral columns (sides), and a parade of cherubs playing instruments and pulling a cart (bottom).

A woodcut border to Luther's Das ander teyl widder die hymlischen Propheten, vom Sacrament printed in 1525. The border consists of a single woodcut depicting a collection of cherubs with feathers or plants climbing on top of each other and filling a back on the back of a sleeping monk (sides and bottom) and a pair of cherubs flanking a shield with a man's head with a hood (top).

A woodcut border to Luther's Das ander teyl widder die hymlischen Propheten, vom Sacrament printed in 1525. The border consists of a single woodcut depicting a collection of cherubs with feathers or plants climbing on top of each other and filling a back on the back of a sleeping monk (sides and bottom) and a pair of cherubs flanking a shield with a man's head with a hood (top).

A woodcut border to Luther's Das der frey will nichts sey : Anntwort D. Martini Luther ann Erasmum Rotherdam printed in 1525. The border consists of a single woodcut depicting an architectural arch decorated with floral motifs, armor and shields, birds, and a pair of cherubs playing instruments.

A woodcut border to Luther's Das der frey will nichts sey : Anntwort D. Martini Luther ann Erasmum Rotherdam printed in 1525. The border consists of a single woodcut depicting an architectural arch decorated with floral motifs, armor and shields, birds, and a pair of cherubs playing instruments.

A woodcut border to Johan Bugenhagen's De coniugio episcoporum et diaconorum : ad venerandum doctorem VVolffgangum Reissenbusch monasterij Lichtembergensis Praeceptorem printed in 1525. The border is composed of one woodcut depicting a group of dancing cherubs (sides and bottom) and a group of cherubs playing instruments (top).

A woodcut border to Johan Bugenhagen's De coniugio episcoporum et diaconorum : ad venerandum doctorem VVolffgangum Reissenbusch monasterij Lichtembergensis Praeceptorem printed in 1525. The border is composed of one woodcut depicting a group of dancing cherubs (sides and bottom) and a group of cherubs playing instruments (top).

A woodcut border to Luther's Der hundert vnnd siben vnd zwaintzigest Psalm, aussgelegt, an die Christen zuo Rigen in Liffland. The border consists of a single woodcut depicting an architectural arch with a pair of animal masks (bottom), armed cherubs (top left and right), and a framed plaque (top).

A woodcut border to Luther's Der hundert vnnd siben vnd zwaintzigest Psalm, aussgelegt, an die Christen zuo Rigen in Liffland. The border consists of a single woodcut depicting an architectural arch with a pair of animal masks (bottom), armed cherubs (top left and right), and a framed plaque (top).

An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.

An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.

A woodcut border to Luther's Die Epistel S. Paul an die Galater will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Die Epistel S. Paul an die Galater will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A colored woodcut border to Luther's Die weysse der Messz, : vnnd geniesung des Hochwirdigen Sacraments, für die Christliche Gemayn verteütscht printed in 1524. The boarder is composed of a single woodcut depicting an architectural arch featuring four cherubs and greenery.

A colored woodcut border to Luther's Die weysse der Messz, : vnnd geniesung des Hochwirdigen Sacraments, für die Christliche Gemayn verteütscht printed in 1524. The boarder is composed of a single woodcut depicting an architectural arch featuring four cherubs and greenery.

A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Luther's Eyn Sermon von stercke vnnd zuonemen des glaubens vnnd der liebe : Aus der Epistel S. Pauli zuon Eypesernn printed in 1525. The border is composed of four separate woodcuts depicting three cherubs holding a plaque with the date of publication (top), a pair of architectural elements with two men standing between pairs of columns and topped with a female and male siren respectively (sides), and a man's torso with plant-like limbs (bottom).

A woodcut border to Luther's Eyn Sermon von stercke vnnd zuonemen des glaubens vnnd der liebe : Aus der Epistel S. Pauli zuon Eypesernn printed in 1525. The border is composed of four separate woodcuts depicting three cherubs holding a plaque with the date of publication (top), a pair of architectural elements with two men standing between pairs of columns and topped with a female and male siren respectively (sides), and a man's torso with plant-like limbs (bottom).

A woodcut border to Ingolstadii XI. Aprilis anni praesentis [1524] publica disputatione printed in 1524. The border is composed of four woodcuts depicting a woman holding a sword beneath a pair of fish (left), a wild man leaning on a staff with cherubs above and below (right), a bird on a branch (top), and a pair of crawling men with their hecks bound together and being led with bits and reins by a group of cherubs (bottom).

A woodcut border to Ingolstadii XI. Aprilis anni praesentis [1524] publica disputatione printed in 1524. The border is composed of four woodcuts depicting a woman holding a sword beneath a pair of fish (left), a wild man leaning on a staff with cherubs above and below (right), a bird on a branch (top), and a pair of crawling men with their hecks bound together and being led with bits and reins by a group of cherubs (bottom).

A woodcut border to Johannes Faber's anti-Luther tract printed in 1523. The border consists of four woodcuts depicting a cherub with a bow and arrows atop a decorative column (right), a cherub with a ball atop a decorative column (left), a pair of bucrania flanking a shield with the chi-rho and "EC" on it (bottom), and a group of cherubs (top).

A woodcut border to Johannes Faber's anti-Luther tract printed in 1523. The border consists of four woodcuts depicting a cherub with a bow and arrows atop a decorative column (right), a cherub with a ball atop a decorative column (left), a pair of bucrania flanking a shield with the chi-rho and "EC" on it (bottom), and a group of cherubs (top).

A woodcut border to Luther's Acht sermon printed in 1523. The border is composed of a single woodcut depicting a pair of cherubs riding fish or dolphins flanking a face (top), floral ornamentation (sides), and a pair of cherubs accompanied by two sphinxes breastfeeding satyrs (bottom).

A woodcut border to Luther's Acht sermon printed in 1523. The border is composed of a single woodcut depicting a pair of cherubs riding fish or dolphins flanking a face (top), floral ornamentation (sides), and a pair of cherubs accompanied by two sphinxes breastfeeding satyrs (bottom).

A woodcut border to Luther's Ain Sermon uon der frucht vnd nutzbarkait des hayligen Sacraments printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Ain Sermon uon der frucht vnd nutzbarkait des hayligen Sacraments printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Christmas sermon printed in 1523. The border is composed of a single woodcut depicting a pair of armed cherubs (top), a cherub, bird, and monkey climbing a pair of grapevines (sides), and a pair of kneeling men flanking the printer's mark of Michel Buchfürer featuring a bull (bottom).

A woodcut border to Luther's Christmas sermon printed in 1523. The border is composed of a single woodcut depicting a pair of armed cherubs (top), a cherub, bird, and monkey climbing a pair of grapevines (sides), and a pair of kneeling men flanking the printer's mark of Michel Buchfürer featuring a bull (bottom).

A woodcut border to Luther's Das Ihesus Christus ain geborner Iude sey printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to Luther's Das Ihesus Christus ain geborner Iude sey printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to Luther's Das Jesus Christus ein geborner Jude sey printed in 1523. The border is composed of four woodcuts depicting a pair of cherubs flanking decorative scrollwork (top), floral patterns (sides), and decorative fish design (bottom).

A woodcut border to Luther's Das Jesus Christus ein geborner Jude sey printed in 1523. The border is composed of four woodcuts depicting a pair of cherubs flanking decorative scrollwork (top), floral patterns (sides), and decorative fish design (bottom).

A woodcut border to Luther's Dass Jesus Christus ein geborener Jude sei printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to Luther's Dass Jesus Christus ein geborener Jude sei printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to Luther's Eyn brieff an die Fürsten zu Sachsen von dem auffrurischen geyst printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Eyn brieff an die Fürsten zu Sachsen von dem auffrurischen geyst printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Eyn geschicht wie Got eyner Erbarn kloster Jungfrawe[n] ausgeholffen hat printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Eyn geschicht wie Got eyner Erbarn kloster Jungfrawe[n] ausgeholffen hat printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's German translation of the Old Testament printed in 1523. The border is composed of one woodcut depicting an architectural arch supported by four columns, a gathering of cherubs (top and sides), and a group of worshipers (?) around a crucified Christ (bottom).

A woodcut border to Luther's German translation of the Old Testament printed in 1523. The border is composed of one woodcut depicting an architectural arch supported by four columns, a gathering of cherubs (top and sides), and a group of worshipers (?) around a crucified Christ (bottom).

A woodcut border to Luther's German translation of the Baptismal rite printed in 1523. The border is composed of a single woodcut based on a design from the workshop of Lucas Cranach, the Elder, depicting a pair of decorative dragons (top), a nymph or Venus and a cherub (right), a satyr and a cherub (left), and a decoratibe scroll (bottom).

A woodcut border to Luther's German translation of the Baptismal rite printed in 1523. The border is composed of a single woodcut based on a design from the workshop of Lucas Cranach, the Elder, depicting a pair of decorative dragons (top), a nymph or Venus and a cherub (right), a satyr and a cherub (left), and a decoratibe scroll (bottom).

A woodcut border to Luther's Reason and Answer that Women may leave their Cloisters in a Godly manner printed in 1523. The border is composed of a single woodcut depicting a pair of cherubs riding fish or dolphins flanking a face (top), floral ornamentation (sides), and a pair of cherubs accompanied by two sphinxes breastfeeding satyrs (bottom).

A woodcut border to Luther's Reason and Answer that Women may leave their Cloisters in a Godly manner printed in 1523. The border is composed of a single woodcut depicting a pair of cherubs riding fish or dolphins flanking a face (top), floral ornamentation (sides), and a pair of cherubs accompanied by two sphinxes breastfeeding satyrs (bottom).

A woodcut border to Luther's Widder das blind vnd toll verdamnis der siebenzehen artickel von der elenden schendlichen vniuersitet zu Ingolstat ausgangen printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Widder das blind vnd toll verdamnis der siebenzehen artickel von der elenden schendlichen vniuersitet zu Ingolstat ausgangen printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Wider den neuen Abgott und alten Teufel printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Luther's Wider den neuen Abgott und alten Teufel printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to a German translation of Luther's letter to Duke Charles III of Savoy printed in 1524. The border consists of a single woodcut depicting an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).

A woodcut border to a German translation of Luther's letter to Duke Charles III of Savoy printed in 1524. The border consists of a single woodcut depicting an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).

A woodcut border to Luther's sermon on Matthew 5:20 printed in 1523. The border is composed of four woodcuts depicting floral columns with bird motifs (sides), floral motifs (top), and two cherubs holding a blank crest (bottom).

A woodcut border to Luther's sermon on Matthew 5:20 printed in 1523. The border is composed of four woodcuts depicting floral columns with bird motifs (sides), floral motifs (top), and two cherubs holding a blank crest (bottom).

A woodcut border to Mattias Blochinger's response to Dominicus Beyer's preaching. The border consists of four separate woodcuts depicting a pair of cherubs dueling (bottom), decorative plant motif (left), a Wild Man or a Green Man (top), and a cherub playing either a violin or viola (right).

A woodcut border to Mattias Blochinger's response to Dominicus Beyer's preaching. The border consists of four separate woodcuts depicting a pair of cherubs dueling (bottom), decorative plant motif (left), a Wild Man or a Green Man (top), and a cherub playing either a violin or viola (right).

A woodcut border to the New deudsch Psalter printed in 1528. The border consists of a single woodcut depicting a bird flanked by decorative elements (top), a pair of cherub heads with plant motifs (sides), and God or Jesus Christ holding a globus cruciger and flanked by cherubs (bottom).

A woodcut border to the New deudsch Psalter printed in 1528. The border consists of a single woodcut depicting a bird flanked by decorative elements (top), a pair of cherub heads with plant motifs (sides), and God or Jesus Christ holding a globus cruciger and flanked by cherubs (bottom).

A historiated woodcut border of The vvhole Psalter translated into English metre, which contayneth an hundreth and fifty Psalmes. The border features a pair of cherups playing horns, geese, griffins, lions, and a woman's face.

A historiated woodcut border of The vvhole Psalter translated into English metre, which contayneth an hundreth and fifty Psalmes. The border features a pair of cherups playing horns, geese, griffins, lions, and a woman's face.

A colored woodcut border to Luther's Uon kauffsshandlung vnd Wucher printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A colored woodcut border to Luther's Uon kauffsshandlung vnd Wucher printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Vier trostliche Psalmen, an die Königin zu Hungern printed in 1527. The border is comprised of a single woodcut depicting an architectural border supported by four columns with cherubs leaning on them (sides) and cherubs holding shields (top corners).

A woodcut border to Luther's Vier trostliche Psalmen, an die Königin zu Hungern printed in 1527. The border is comprised of a single woodcut depicting an architectural border supported by four columns with cherubs leaning on them (sides) and cherubs holding shields (top corners).

A woodcut border to Luther's Vom Hochwirdigisten Sacrament des zarte[n] fronleichnams Christi. : Vnnd widerlegung ettlicher Argument, so jn ainem newlich aussgegange[n] irrigen vn[d] verfüerischen [sic] büechlin [sic] widers opffer [der] Mess gemacht sind printed in 1525. The border consists of five woodcuts depicting cheurbs with a collection of birds, snails, and bugs (sides), a pair of cherubs holding a shield (top), a parade of cherubs, one riding a bear and playing a horn while another leads a pair of dogs (bottom), and a schene of the Last Supper (middle).

A woodcut border to Luther's Vom Hochwirdigisten Sacrament des zarte[n] fronleichnams Christi. : Vnnd widerlegung ettlicher Argument, so jn ainem newlich aussgegange[n] irrigen vn[d] verfüerischen [sic] büechlin [sic] widers opffer [der] Mess gemacht sind printed in 1525. The border consists of five woodcuts depicting cheurbs with a collection of birds, snails, and bugs (sides), a pair of cherubs holding a shield (top), a parade of cherubs, one riding a bear and playing a horn while another leads a pair of dogs (bottom), and a schene of the Last Supper (middle).

A woodcut border to Luther's De instituendis ministris ecclesiae printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's De instituendis ministris ecclesiae printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Vonn dem grewel der stillmesse, so man den Canon nennet printed in 1525. The border is comprised of a single woodcut depicting an architectural arch featuring a pair of Corinthian columns, six cherubs, a shield, and floral decoration.

A woodcut border to Luther's Vonn dem grewel der stillmesse, so man den Canon nennet printed in 1525. The border is comprised of a single woodcut depicting an architectural arch featuring a pair of Corinthian columns, six cherubs, a shield, and floral decoration.

A woodcut border to Augustin von Alveldt's Widder Luthers trostung ann die Christen zu Hall : vber er Georgen yhres Predigers todt, szo viel die entpfahung des hochwirdigen Sacraments belangt printed in 1528. The border consists of a single wood cut depicting a pair of columns, one with bulls heads (sides), a pair of cherubs holding the coat of arms of Dresden (bottom), and an arch decorated with floral designs (top).

A woodcut border to Augustin von Alveldt's Widder Luthers trostung ann die Christen zu Hall : vber er Georgen yhres Predigers todt, szo viel die entpfahung des hochwirdigen Sacraments belangt printed in 1528. The border consists of a single wood cut depicting a pair of columns, one with bulls heads (sides), a pair of cherubs holding the coat of arms of Dresden (bottom), and an arch decorated with floral designs (top).

A woodcut border to Urbanus Rhegius's Wider den newen Taufforden : notwendige Warnung an alle Christgleubigen printed in 1527. The border is composed of a single woodcut depicting a series of cherubs, some playing instruments (sides and bottom) and a man flanked by floral decorations (top).

A woodcut border to Urbanus Rhegius's Wider den newen Taufforden : notwendige Warnung an alle Christgleubigen printed in 1527. The border is composed of a single woodcut depicting a series of cherubs, some playing instruments (sides and bottom) and a man flanked by floral decorations (top).

A woodcut border to Wolfgang Capito's Was man halten, vnnd Antwurtten soll, von der spaltung zwischen Martin Luther, vnnd Andres Carolstadt printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Wolfgang Capito's Was man halten, vnnd Antwurtten soll, von der spaltung zwischen Martin Luther, vnnd Andres Carolstadt printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Zwei kaiserliche uneinige und widerwärtige Gebote den Luther betreffend printed in 1524. The border is composed of four separate woodcuts depicting three cherubs holding a plaque with the date of publication (top), a pair of architectural elements with two men standing between pairs of columns and topped with a female and male siren respectively (sides), and a man's torso with plant-like limbs (bottom).

A woodcut border to Zwei kaiserliche uneinige und widerwärtige Gebote den Luther betreffend printed in 1524. The border is composed of four separate woodcuts depicting three cherubs holding a plaque with the date of publication (top), a pair of architectural elements with two men standing between pairs of columns and topped with a female and male siren respectively (sides), and a man's torso with plant-like limbs (bottom).

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts a forest filled with deer, lions, horses, a unicorn, and a pair of cherubs holding rabbits and a shield (bottom). At the top of the woodcut, a dove with a branch in its mouth sits above a pair of decorative dragons above a frame surrounding the title.

A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts a forest filled with deer, lions, horses, a unicorn, and a pair of cherubs holding rabbits and a shield (bottom). At the top of the woodcut, a dove with a branch in its mouth sits above a pair of decorative dragons above a frame surrounding the title.

A woodcut border to a selection of Ambrosius Catharinus' criticisms of Luther printed in 1524. The border is composed of a single woodcut and depicts floral decorations, cherubs, and bucrania (top and sides), as well as a pair of cherubs flanking a pair of pegasi (bottom).

A woodcut border to a selection of Ambrosius Catharinus' criticisms of Luther printed in 1524. The border is composed of a single woodcut and depicts floral decorations, cherubs, and bucrania (top and sides), as well as a pair of cherubs flanking a pair of pegasi (bottom).

A woodcut border to a set of eight Luther sermons printed in 1523. The border is composed of four woodcuts depicting a cherub playing a violin atop a plant (right), a woman below a pair of fish (left), and various ornamental and floral designs (top and bottom).

A woodcut border to a set of eight Luther sermons printed in 1523. The border is composed of four woodcuts depicting a cherub playing a violin atop a plant (right), a woman below a pair of fish (left), and various ornamental and floral designs (top and bottom).

A historiated woodcut border of the title page of Condemnatio Doctrinalis libror[um] Martini Lutheri featuring floral decorations, cherubs, fruits, cornucopias, baskets, and greenmen.

A historiated woodcut border of the title page of Condemnatio Doctrinalis libror[um] Martini Lutheri featuring floral decorations, cherubs, fruits, cornucopias, baskets, and greenmen.

A woodcut border on the title page of Gallus Korn's personal narrative of leaving his monastic community after joining the Protestants. The border is comprised of a single woodcut depicting a Wild Man and Woman flanking a blank crest (bottom), a bagpipe player (right), a cherub and another figure (left), and a group of cherubs fighting a dragon (top).

A woodcut border on the title page of Gallus Korn's personal narrative of leaving his monastic community after joining the Protestants. The border is comprised of a single woodcut depicting a Wild Man and Woman flanking a blank crest (bottom), a bagpipe player (right), a cherub and another figure (left), and a group of cherubs fighting a dragon (top).

A historiated woodcut border of Institutio principis Christiani : saluberrimis referta praeceptis. The border features cherubs, columns, male and female figures merged with the floral designs, as well as a pair of rabbits.

A historiated woodcut border of Institutio principis Christiani : saluberrimis referta praeceptis. The border features cherubs, columns, male and female figures merged with the floral designs, as well as a pair of rabbits.

A woodcut border on the title page of Luther's Ain Sermon Secundum Matheum printed in 1522. The border is composed of a single woodcut and depicts an architectural arch or nice decorated with plant motifs. Within the border and below the title, a cherub is depicted holding the Electoral Arms of Saxony (left) and the Ducal Arms of Saxony (right).

A woodcut border on the title page of Luther's Ain Sermon Secundum Matheum printed in 1522. The border is composed of a single woodcut and depicts an architectural arch or nice decorated with plant motifs. Within the border and below the title, a cherub is depicted holding the Electoral Arms of Saxony (left) and the Ducal Arms of Saxony (right).

A woodcut border on the title page of Luther's Christlicher Beweisung von dem Jungsten Tag printed in 1522. The border is composed of five woodcuts arranged around the title. The bottom of the border is made up of two decorative woodcuts, one featuring a bird amongst foliage (possibly a woodcut usually used for either the left or right side of a title page border, considering the orienation of the bird) and a more architectural decorative image. The left and right sides feature two similar pieces featuring blank crests, plinths and foliage.

A woodcut border on the title page of Luther's Christlicher Beweisung von dem Jungsten Tag printed in 1522. The border is composed of five woodcuts arranged around the title. The bottom of the border is made up of two decorative woodcuts, one featuring a bird amongst foliage (possibly a woodcut usually used for either the left or right side of a title page border, considering the orienation of the bird) and a more architectural decorative image. The left and right sides feature two similar pieces featuring blank crests, plinths and foliage.

A woodcut border on the title page of Luther's De captivitate babylonica ecclesiae printed in 1520. The border is comprised of a single woodcut. At the bottom, there is a crest with the Brazen Serpent coiled around a cross with two men pulling it from either side. On the sides, there are two plinths, cherubs, and riders atop a pair of centaur-like figures. At the top, there is another crest featuring two towers and a striped shield.

A woodcut border on the title page of Luther's De captivitate babylonica ecclesiae printed in 1520. The border is comprised of a single woodcut. At the bottom, there is a crest with the Brazen Serpent coiled around a cross with two men pulling it from either side. On the sides, there are two plinths, cherubs, and riders atop a pair of centaur-like figures. At the top, there is another crest featuring two towers and a striped shield.

A woodcut border on the title page of Luther's Uon Menschenn Lere zu meyden printed in 1522. The border consists of a single woodcut depicting two birds flanking a plinth (top), a man wearing a hat and playing a flute with a bee at his shoulder (right), two cherubs holding up a blank crest (bottom), and a humanoid fiure with a pig or cow's head holding a rosary (right).

A woodcut border on the title page of Luther's Uon Menschenn Lere zu meyden printed in 1522. The border consists of a single woodcut depicting two birds flanking a plinth (top), a man wearing a hat and playing a flute with a bee at his shoulder (right), two cherubs holding up a blank crest (bottom), and a humanoid fiure with a pig or cow's head holding a rosary (right).

A woodcut border on the title page of Luther's De votis monasticis judicium printed in 1522. The border is printed as a single woodcut and depicts an archway with cherubs playing the drum and flute (top), and cherubs holding the Electoral Arms of Saxony (left) and the Ducal Arms of Saxony (right).

A woodcut border on the title page of Luther's De votis monasticis judicium printed in 1522. The border is printed as a single woodcut and depicts an archway with cherubs playing the drum and flute (top), and cherubs holding the Electoral Arms of Saxony (left) and the Ducal Arms of Saxony (right).

A woodcut border on the title page of Luther's Sermon Am Pfingstmontag das Evangelium. Joan. iij printed in 1522. The border consists of a single woodcut and depicts an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).

A woodcut border on the title page of Luther's Sermon Am Pfingstmontag das Evangelium. Joan. iij printed in 1522. The border consists of a single woodcut and depicts an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).

A woodcut border on the title page to Luther's Sermon von dem ehelichen Stand printed in 1519. The border depicts a series of cherubs, including two carrying another on a ram's pelt litter while it plays a horn and carries a standard.

A woodcut border on the title page to Luther's Sermon von dem ehelichen Stand printed in 1519. The border depicts a series of cherubs, including two carrying another on a ram's pelt litter while it plays a horn and carries a standard.

A woodcut border on the title page of Luther's Uon Menschenn Lere zu meyden printed in 1522. The border consists of a single woodcut depicting two birds flanking a plinth (top), a man wearing a hat and playing a flute with a bee at his shoulder (right), two cherubs holding up a blank crest (bottom), and a humanoid fiure with a pig or cow's head holding a rosary (right).

A woodcut border on the title page of Luther's Uon Menschenn Lere zu meyden printed in 1522. The border consists of a single woodcut depicting two birds flanking a plinth (top), a man wearing a hat and playing a flute with a bee at his shoulder (right), two cherubs holding up a blank crest (bottom), and a humanoid fiure with a pig or cow's head holding a rosary (right).

A woodcut border on the title page of Luther's Von Menschenlehre zu meiden printed in 1522. The border is compromised of a single woodcut featuring an architectural arch or niche decorated with foliage and roses and topped with a cherub head.

A woodcut border on the title page of Luther's Von Menschenlehre zu meiden printed in 1522. The border is compromised of a single woodcut featuring an architectural arch or niche decorated with foliage and roses and topped with a cherub head.

A woodcut border on the title page to Luther's Von Menschenlehre zu meiden printed in 1522. The border depicts a series of cherubs, including two carrying another on a ram's pelt litter while it plays a horn and carries a standard.

A woodcut border on the title page to Luther's Von Menschenlehre zu meiden printed in 1522. The border depicts a series of cherubs, including two carrying another on a ram's pelt litter while it plays a horn and carries a standard.

A woodcut border on the title page of Luther's Von der Beicht, ob die der Papst Macht have zu gebieten printed in 1522. The border is composed of four woodcuts designed to create a single, cohesive design of decorative plants and a pair of cherubs.

A woodcut border on the title page of Luther's Von der Beicht, ob die der Papst Macht have zu gebieten printed in 1522. The border is composed of four woodcuts designed to create a single, cohesive design of decorative plants and a pair of cherubs.

A woodcut border on the title page of Luther's sermon on John 3 and God's love. The border is composed of a single woodcut and depicts a group of cherubs climbing trees and holding up a blank crest.

A woodcut border on the title page of Luther's sermon on John 3 and God's love. The border is composed of a single woodcut and depicts a group of cherubs climbing trees and holding up a blank crest.

A woodcut border on the title page of Wolfgang Wulffer's pamphlet against Luther, calling him a "false prophet." The border is composed of a single woodcut depicting cherubs (top and sides), dragons (top left and right), and a man reclining while wearing a hood with pointed ears (bottom).

A woodcut border on the title page of Wolfgang Wulffer's pamphlet against Luther, calling him a "false prophet." The border is composed of a single woodcut depicting cherubs (top and sides), dragons (top left and right), and a man reclining while wearing a hood with pointed ears (bottom).

A woodcut border on the title page of Johann Eck's pamphlet in support of Hieronymus Emser printed in 1519. The entire border is created using four different woodcuts on each side. The bottom woodcut features a pair of cherubs holding up the coat of arms of Chemintz (possibly a reversed coat of arms of Leipzig). The left hand woodcut includes a cherub holding up a decorative stand upon which is a man battling a boar. The right hand woodcut includes a bent over cherub supporting a decorative stand on top of which stands a drummer.

A woodcut border on the title page of Johann Eck's pamphlet in support of Hieronymus Emser printed in 1519. The entire border is created using four different woodcuts on each side. The bottom woodcut features a pair of cherubs holding up the coat of arms of Chemintz (possibly a reversed coat of arms of Leipzig). The left hand woodcut includes a cherub holding up a decorative stand upon which is a man battling a boar. The right hand woodcut includes a bent over cherub supporting a decorative stand on top of which stands a drummer.

A woodcut border on the title page of Johann Lange's Oratio published in 1519. The border is comprised of one complete woodcut and depicts a group of angels playing music as the Virgin Mary, Jesus, and several other saints watch. Additional scenes of cherubs picking fruit and climbing trees appear in the left and right border sections.

A woodcut border on the title page of Johann Lange's Oratio published in 1519. The border is comprised of one complete woodcut and depicts a group of angels playing music as the Virgin Mary, Jesus, and several other saints watch. Additional scenes of cherubs picking fruit and climbing trees appear in the left and right border sections.

A woodcut depicting the celebration of Holy Saturday. A bishop presides as a deacon lights one candle from three and sings, “Lumen Christi” (“the light of Christ”), to which all reply,”Deo gratis” (“thanks be to God”). The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the celebration of Holy Saturday. A bishop presides as a deacon lights one candle from three and sings, “Lumen Christi” (“the light of Christ”), to which all reply,”Deo gratis” (“thanks be to God”). The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting a group of putti (cherubs) displaying the spoils of battle (armor). The woodcut is accompanied by a verse from Isaiah 53 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a group of putti (cherubs) displaying the spoils of battle (armor). The woodcut is accompanied by a verse from Isaiah 53 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a putto (cherub) holding a shield and an arrow symbolizing the prohibition given to the Israelites to not go up on the Holy Mountain, or Mount Sinai. The woodcut is accompanied by a verse from Exodus 19 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a putto (cherub) holding a shield and an arrow symbolizing the prohibition given to the Israelites to not go up on the Holy Mountain, or Mount Sinai. The woodcut is accompanied by a verse from Exodus 19 translated into French (top) and then reformatted into verse (bottom).

The title page of Histoire générale des cérémonies, moeurs, et coutumes religieuses de tous les peuples du monde, featurnig an engraving depicting, clockwise from the top, Christianity represented by angels surrounding the Bible, bearing the Latin phrase “biblia sacra concilia et traditiones” and a woman holding a communion chalice, Buddhism by two men praying (bottom right), Islam by one man reading the Qu’ran to his suffering companion, and Judaism by a woman reading the Old Testament, as a blindfolded woman with bat wings holds a lantern for her (left).

The title page of Histoire générale des cérémonies, moeurs, et coutumes religieuses de tous les peuples du monde, featurnig an engraving depicting, clockwise from the top, Christianity represented by angels surrounding the Bible, bearing the Latin phrase “biblia sacra concilia et traditiones” and a woman holding a communion chalice, Buddhism by two men praying (bottom right), Islam by one man reading the Qu’ran to his suffering companion, and Judaism by a woman reading the Old Testament, as a blindfolded woman with bat wings holds a lantern for her (left).

The title page of Saint Louys, ou, La sainte couronne reconquise : poeme heroique, featuring an engraving depicting the printer's device of Augustin Courbe. The printer's device features a pair of cherubs flanking a medallion with a palm tree and the motto "CVRVATA RESVRGO."

The title page of Saint Louys, ou, La sainte couronne reconquise : poeme heroique, featuring an engraving depicting the printer's device of Augustin Courbe. The printer's device features a pair of cherubs flanking a medallion with a palm tree and the motto "CVRVATA RESVRGO."

A woodcut initial letter "U" depicting Moses praying before God in Heaven, who is holding a globus cruciger. Moses is here depicted with horns, which was common before the Renaissance. The shape of the "U" includes two cherubs atop pillars and a bound bird.

A woodcut initial letter "U" depicting Moses praying before God in Heaven, who is holding a globus cruciger. Moses is here depicted with horns, which was common before the Renaissance. The shape of the "U" includes two cherubs atop pillars and a bound bird.

An engraving depicting a portrait of Jean Gerson placed above a pen and ink well, a galero, a dog, a book, and a crest featuring a cherub, stars, and moon.

An engraving depicting a portrait of Jean Gerson placed above a pen and ink well, a galero, a dog, a book, and a crest featuring a cherub, stars, and moon.

A woodcut depicting the rite of laying on of hands. The bishop places his hands on the head of the ordainee, who kneels before him, holding vestments folded over his arms. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting the rite of laying on of hands. The bishop places his hands on the head of the ordainee, who kneels before him, holding vestments folded over his arms. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting a group of putti (cherubs) returning from a hunt. The woodcut is accompanied by a verse from Lamentations 5 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a group of putti (cherubs) returning from a hunt. The woodcut is accompanied by a verse from Lamentations 5 translated into French (top) and then reformatted into verse (bottom).

An engraving depicting detailed representations of the four sides of the Obelisk of Domitian, which had been moved by Pope Innocent X from the Via Appia to his family home, the Palazzo Pamphilj. Between the four sides, there is a small representation of the obelisk with a decorative ribbon proclaiming it the "Obelisus Pamphilius" (bottom), a cherub holding a pair of medallions with a portrait of Innocent X (left) and the obelisk (right) (middle), and an angel lying on a cloud supporting Innocent X's coat of arms.

An engraving depicting detailed representations of the four sides of the Obelisk of Domitian, which had been moved by Pope Innocent X from the Via Appia to his family home, the Palazzo Pamphilj. Between the four sides, there is a small representation of the obelisk with a decorative ribbon proclaiming it the "Obelisus Pamphilius" (bottom), a cherub holding a pair of medallions with a portrait of Innocent X (left) and the obelisk (right) (middle), and an angel lying on a cloud supporting Innocent X's coat of arms.

A woodcut depicting the ordination of sub-deacons. A bishop sits on a dias offering a chalice to an ordinee as the bishop's assistants bring forward additional vessels used in the ordination process. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused throughout the work.

A woodcut depicting the ordination of sub-deacons. A bishop sits on a dias offering a chalice to an ordinee as the bishop's assistants bring forward additional vessels used in the ordination process. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused throughout the work.

An engraved ornamental tailpiece appearing at the end of the introductory section. The engraving depicts a platform with the inscription "Finis" above which hangs a bell and drapery. Holding the drapery and bell up is a decorative boarder featuring a pair of cherubs, a censer, a stole, an open book (likely a Bible), and other Catholic ritual items.

An engraved ornamental tailpiece appearing at the end of the introductory section. The engraving depicts a platform with the inscription "Finis" above which hangs a bell and drapery. Holding the drapery and bell up is a decorative boarder featuring a pair of cherubs, a censer, a stole, an open book (likely a Bible), and other Catholic ritual items.

An ornamental woodcut depicting a pair of capped figures riding hippocampi and holding shields, flanking a cherub's head.

An ornamental woodcut depicting a pair of capped figures riding hippocampi and holding shields, flanking a cherub's head.

An ornamental woodcut depicting a pair of cherubs amongst some vines. The cherub on the left is riding a stick horse and holding an item similar to a pinwheel. On the right of the image, there is an arm holding an arrow which might be part of another cherub.

An ornamental woodcut depicting a pair of cherubs amongst some vines. The cherub on the left is riding a stick horse and holding an item similar to a pinwheel. On the right of the image, there is an arm holding an arrow which might be part of another cherub.

Engraved title vignette, and other engravings.

Engraved title vignette, and other engravings.

A woodcut depicting the pope travelling with a retinue of bishops. The pope rides a horse with attendents holding a canopy above his head while four bishops ride before him. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the pope travelling with a retinue of bishops. The pope rides a horse with attendents holding a canopy above his head while four bishops ride before him. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A decorative woodcut placed above the colophon featuring the printer's mark of Johann Froben, a crest with a caduceus, being supported by cherubs beneath an architectural arch. Surrounding the woodcut are a number of marginalia as well as two sketches mimicking the central staff of the caduceus and one of the cherubs.

A decorative woodcut placed above the colophon featuring the printer's mark of Johann Froben, a crest with a caduceus, being supported by cherubs beneath an architectural arch. Surrounding the woodcut are a number of marginalia as well as two sketches mimicking the central staff of the caduceus and one of the cherubs.

A woodcut depicting the public expulsion of penitents from the community of the church on Ash Wednesday. The penitents, wearing hair shirts and carrying candles, are led out of the church by a bishop and his retinue. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the public expulsion of penitents from the community of the church on Ash Wednesday. The penitents, wearing hair shirts and carrying candles, are led out of the church by a bishop and his retinue. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

An engraved headpiece to the sixth, twelfth, and eighteenth books of Moyne's epic, "Saint Louys," depicting interwoven initials (SL) within a glowing crown of thorns, flanked by four cherubs, with a banner below featuring the Latin motto, "qua radiat pupugit" (that which shines, prunctured).

An engraved headpiece to the sixth, twelfth, and eighteenth books of Moyne's epic, "Saint Louys," depicting interwoven initials (SL) within a glowing crown of thorns, flanked by four cherubs, with a banner below featuring the Latin motto, "qua radiat pupugit" (that which shines, prunctured).

A woodcut depicting funeral rites performed upon the death of a bishop. The body of the deceased bishop is laid on an ornate bier while five presiding bishops stand at each corner of the bier and at the head, offering prayers. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting funeral rites performed upon the death of a bishop. The body of the deceased bishop is laid on an ornate bier while five presiding bishops stand at each corner of the bier and at the head, offering prayers. The scene is flanked by a pair of cherubs holding rings and kneeling atop helmets. The woodcut is reused throughout the work.

A woodcut depicting one of the inner curtains of the Tabernacle, decorated with cherubim in blue, purple, and scarlet yarn and displayed in the Tabernacle courtyard.

A woodcut depicting one of the inner curtains of the Tabernacle, decorated with cherubim in blue, purple, and scarlet yarn and displayed in the Tabernacle courtyard.

An engraving depicting a scene from the fourth book of the epic poem, Saint Louys, in which a pair of extravagently dressed figures appear riding an elephant, above which hangs a globe or disc representing the Heavens, with the fire of the sun encircling it as a cherub (representing modest love) sits atop it.

An engraving depicting a scene from the fourth book of the epic poem, Saint Louys, in which a pair of extravagently dressed figures appear riding an elephant, above which hangs a globe or disc representing the Heavens, with the fire of the sun encircling it as a cherub (representing modest love) sits atop it.

An engraving depicting a scene of the pope (possibly Pope Gregory XIII) enthroned and surrounded by bishops and cardinals, a dove perched on the back of his throne. Surrounding this scene is a series of portraits of saints and biblical figures, including (from top left down, around, and up): Saint Augustine, Saint John, Saint Matthew, Saint Luke, Saint Mark, Saint Paul, Pope Gregory I (Saint), Saint Ambrose, Jeremiah, Isaiah, David, Job, Moses, and Saint Jerome.

An engraving depicting a scene of the pope (possibly Pope Gregory XIII) enthroned and surrounded by bishops and cardinals, a dove perched on the back of his throne. Surrounding this scene is a series of portraits of saints and biblical figures, including (from top left down, around, and up): Saint Augustine, Saint John, Saint Matthew, Saint Luke, Saint Mark, Saint Paul, Pope Gregory I (Saint), Saint Ambrose, Jeremiah, Isaiah, David, Job, Moses, and Saint Jerome.