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6 items
Subject History and criticism
  • The digital edition of lecture on Elisabeth Creutziger in relation to the Magdeburg Enchiridion (1536) and the broader theology of the Reformation, delivered at the seventh annual fall concert celebrating the Richard C. Kessler Reformation Collection in the Pitts Theology Library at the Candler School of Theology, Emory University, October 18, 1994.
    Text

    Elisabeth Creutziger, the Magdeburg Enchiridion, 1536 and Reformation Theology

    Leaver, Robin A.
    The digital edition of lecture on Elisabeth Creutziger in relation to the Magdeburg Enchiridion (1536) and the broader theology of the Reformation, delivered at the seventh annual fall concert celebrating the Richard C. Kessler Reformation Collection in the Pitts Theology Library at the Candler School of Theology, Emory University, October 18, 1994.
    Date Issued or Published
    1994
    2020
    Collection
    Pitts Digital Publications
    Copyright
    IN COPYRIGHT
    The digital edition of lecture on Elisabeth Creutziger in relation to the Magdeburg Enchiridion (1536) and the broader theology of the Reformation, delivered at the seventh annual fall concert celebrating the Richard C. Kessler Reformation Collection in the Pitts Theology Library at the Candler School of Theology, Emory University, October 18, 1994.
  • The digital edition of a lecture on the relationship between Luther, Bach, and early Reformation chorale music, delivered at the eighth annual fall concert celebrating the Richard C. Kessler Reformation Collection in the Pitts Theology Library at the Candler School of Theology, Emory University on October 17, 1995.
    Text

    Luther, Bach, and the Early Reformation Chorale

    Marshall, Robert Lewis
    The digital edition of a lecture on the relationship between Luther, Bach, and early Reformation chorale music, delivered at the eighth annual fall concert celebrating the Richard C. Kessler Reformation Collection in the Pitts Theology Library at the Candler School of Theology, Emory University on October 17, 1995.
    Date Issued or Published
    1995
    2020
    Collection
    Pitts Digital Publications
    Copyright
    IN COPYRIGHT
    The digital edition of a lecture on the relationship between Luther, Bach, and early Reformation chorale music, delivered at the eighth annual fall concert celebrating the Richard C. Kessler Reformation Collection in the Pitts Theology Library at the Candler School of Theology, Emory University on October 17, 1995.
  • Baker perceives the Harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-determination and in so doing gave forth a distinctive form of expression that still echoes in a broad spectrum of 20th-century Afro-American arts.
    Text

    Modernism and the Harlem renaissance

    Baker, Houston A.
    Baker perceives the Harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-determination and in so doing gave forth a distinctive form of expression that still echoes in a broad spectrum of 20th-century Afro-American arts.
    Date Issued or Published
    1987
    Copyright
    IN COPYRIGHT
    Baker perceives the Harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-determination and in so doing gave forth a distinctive form of expression that still echoes in a broad spectrum of 20th-century Afro-American arts.
  • Summary: Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black performance's role in realising African-American aspirations for autonomy and authority. Artists covered include: John Coltrane, Ntozake Shange, Ed Bullins, Amiri Baraka, Adrienne Kennedy, and Michael Harper.
    Text

    Performing blackness : enactments of African-American modernism

    Benston, Kimberly W.
    Summary: Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black performance's role in realising African-American aspirations for autonomy and authority. Artists covered include: John Coltrane, Ntozake Shange, Ed Bullins, Amiri Baraka, Adrienne Kennedy, and Michael Harper.
    Date Issued or Published
    2000
    Copyright
    IN COPYRIGHT
    Summary: Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black performance's role in realising African-American aspirations for autonomy and authority. Artists covered include: John Coltrane, Ntozake Shange, Ed Bullins, Amiri Baraka, Adrienne Kennedy, and Michael Harper.
  • In Playing the Changes, Craig Hansen Werner presents a polyrhythmic approach to the continuities and discontinuities of the American literary tradition. He focuses on the relationship between two superficially distinct traditions: European (post)modernism and African American culture in both literary and musical forms. A primary contribution of Playing the Changes is its exploration of different "phrasings" of issues important to highly conscious African American artists from the late nineteenth century (Charles Chesnutt's The Conjure Woman) to the 1990s (Toni Morrison's Jazz). A final sequence highlights the centrality of black music to African American writing, arguing that recognizing blues, gospel, and jazz as theoretically suggestive cultural practices rather than specific musical forms points to what is most distinctive in twentieth-century African American writing: its ability to subvert attempts to limit its engagement with psychological, historical, political, or aesthetic realities.
    Text

    Playing the changes : from Afro-modernism to the jazz impulse

    Werner, Craig Hansen, 1952-
    In Playing the Changes, Craig Hansen Werner presents a polyrhythmic approach to the continuities and discontinuities of the American literary tradition. He focuses on the relationship between two superficially distinct traditions: European (post)modernism and African American culture in both literary and musical forms.
    Date Issued or Published
    1994
    Copyright
    IN COPYRIGHT
    In Playing the Changes, Craig Hansen Werner presents a polyrhythmic approach to the continuities and discontinuities of the American literary tradition. He focuses on the relationship between two superficially distinct traditions: European (post)modernism and African American culture in both literary and musical forms.
  • Summary: Uncovers the strategies early African American writers used both to create an African American identity and to make their visions and stories accessible to white readers. Beginning with Phillis Wheatley and John Marrant, who created popular literature by using formulas like that of the Puritan narrative, and ending with the subversive work of Harriet Jacobs and Elizabeth Keckley, Zafar argues that black writers tried every literary strategy--from mimicry and masking to invisibility--as a means of promoting empathy and as a way of transcending the attitudes of mainstream America. By the end of Reconstruction, black authors had paved the way for a distinctive African American literature.
    Text

    We wear the mask : African Americans write American literature, 1760-1870

    Zafar, Rafia
    Summary: Uncovers the strategies early African American writers used both to create an African American identity and to make their visions and stories accessible to white readers. Beginning with Phillis Wheatley and John Marrant, who created popular literature by using formulas like that of the Puritan narrative, and ending with the subversive work of Harriet Jacobs and Elizabeth Keckley, Zafar argues that black writers tried every literary strategy--from mimicry and masking to invisibility--as a means of promoting empathy and as a way of transcending the attitudes of mainstream America.
    Date Issued or Published
    1997
    Copyright
    IN COPYRIGHT
    Summary: Uncovers the strategies early African American writers used both to create an African American identity and to make their visions and stories accessible to white readers. Beginning with Phillis Wheatley and John Marrant, who created popular literature by using formulas like that of the Puritan narrative, and ending with the subversive work of Harriet Jacobs and Elizabeth Keckley, Zafar argues that black writers tried every literary strategy--from mimicry and masking to invisibility--as a means of promoting empathy and as a way of transcending the attitudes of mainstream America.
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