A woodcut depicting the blessing and coronation of a king. The king, in armor, kneels before the presiding bishop and lays his hands upon a book of the Gospels as four other bishops watch. The scene is flanked by oranmental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the blessing and coronation of a king. The king, in armor, kneels before the presiding bishop and lays his hands upon a book of the Gospels as four other bishops watch. The scene is flanked by oranmental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the blessing and coronation of a king. The king kneels prostrate before the altar while a bishop kneels beside him. The scene is flanked by ornamental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the blessing and coronation of a king. The king kneels prostrate before the altar while a bishop kneels beside him. The scene is flanked by ornamental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the blessing and coronation of a king. The king kneels before the bishop who slides the previously presented sword into the scabbard worn by the king. The scene is flanked by ornamental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the blessing and coronation of a king. The king kneels before the bishop who slides the previously presented sword into the scabbard worn by the king. The scene is flanked by ornamental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the pope blessing travelers. The pope sits upon a horse, attendants holding a canopy above him, and holds his hand out to bless a trio of travelers while three bishops on horses watch. The scene is flanked by ornamental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the pope blessing travelers. The pope sits upon a horse, attendants holding a canopy above him, and holds his hand out to bless a trio of travelers while three bishops on horses watch. The scene is flanked by ornamental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the coronation of a new pope. The pope sits on a dias as the papal crown is placed on his head and cardinals and bishops stand and watch. The scene is flanked by decorative scroll work featuring masks. This woodcut is reused throughout the work.
A woodcut depicting the coronation of a new pope. The pope sits on a dias as the papal crown is placed on his head and cardinals and bishops stand and watch. The scene is flanked by decorative scroll work featuring masks. This woodcut is reused throughout the work.
Igbo masks are made in many styles, and their distribution does not necessarily coincide with a matching set of beliefs concerning mask spirits. For example, the Okorosia masquerades of south-central Igboland share overall style features with the northern Igbo masks of the Nri-Awka area, such as the white-faced "Maiden-Spirit Mask" Agbogho mmuo but the belief in Okorosia water spirits is borrowed from the Niger Delta to the south where water spirits abound.
Igbo masks are made in many styles, and their distribution does not necessarily coincide with a matching set of beliefs concerning mask spirits. For example, the Okorosia masquerades of south-central Igboland share overall style features with the northern Igbo masks of the Nri-Awka area, such as the white-faced "Maiden-Spirit Mask" Agbogho mmuo but the belief in Okorosia water spirits is borrowed from the Niger Delta to the south where water spirits abound.
A woodcut depicting the pope, bisops, and cardinals dining at the Lateran Palace. The pope sits at his own table, with cardinals on his right, and bishops on his left. The scene is flanked by ornamental scroll work featuring masks. The woodcut is reused throughout the work.
A woodcut depicting the pope, bisops, and cardinals dining at the Lateran Palace. The pope sits at his own table, with cardinals on his right, and bishops on his left. The scene is flanked by ornamental scroll work featuring masks. The woodcut is reused throughout the work.
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