Altdorfer, Erhard, approximately 1480-approximately 1570
The title page of Martin Luther's Low German translation of the Bible featuring a collection of biblical scenes and symbols based on Lucas Cranach the Elder's painting, "Law and Gospel" (or "Sin and Redemption"). On the left of the image are scenes representing Law/Sin, including: a dead tree, Moses receiving the Ten Commandments, Adam and Eve, the brazen serpent, and a corpse lying atop a tomb.
The title page of Martin Luther's Low German translation of the Bible featuring a collection of biblical scenes and symbols based on Lucas Cranach the Elder's painting, "Law and Gospel" (or "Sin and Redemption"). On the left of the image are scenes representing Law/Sin, including: a dead tree, Moses receiving the Ten Commandments, Adam and Eve, the brazen serpent, and a corpse lying atop a tomb.
A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance.
A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance.
A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance.
A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance.
A woodcut initial letter "U" depicting Moses praying before God in Heaven, who is holding a globus cruciger. Moses is here depicted with horns, which was common before the Renaissance. The shape of the "U" includes two cherubs atop pillars and a bound bird.
A woodcut initial letter "U" depicting Moses praying before God in Heaven, who is holding a globus cruciger. Moses is here depicted with horns, which was common before the Renaissance. The shape of the "U" includes two cherubs atop pillars and a bound bird.
An engraving depicting Moses kneeling beside the Red Sea and reaching out his hand so that the waters could comeback over the Egyptians along with their chariots and horsemen. The men dressed in armor and on horseback depict the Egyptians, and the men standing behind Moses depict the Israelites.
An engraving depicting Moses kneeling beside the Red Sea and reaching out his hand so that the waters could comeback over the Egyptians along with their chariots and horsemen. The men dressed in armor and on horseback depict the Egyptians, and the men standing behind Moses depict the Israelites.
In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses's life from the day he is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation into the heroic rebel leader, the Great Emancipator.
In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses's life from the day he is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation into the heroic rebel leader, the Great Emancipator.
An engraving depicting a scene of the pope (possibly Pope Gregory XIII) enthroned and surrounded by bishops and cardinals, a dove perched on the back of his throne. Surrounding this scene is a series of portraits of saints and biblical figures, including (from top left down, around, and up): Saint Augustine, Saint John, Saint Matthew, Saint Luke, Saint Mark, Saint Paul, Pope Gregory I (Saint), Saint Ambrose, Jeremiah, Isaiah, David, Job, Moses, and Saint Jerome.
An engraving depicting a scene of the pope (possibly Pope Gregory XIII) enthroned and surrounded by bishops and cardinals, a dove perched on the back of his throne. Surrounding this scene is a series of portraits of saints and biblical figures, including (from top left down, around, and up): Saint Augustine, Saint John, Saint Matthew, Saint Luke, Saint Mark, Saint Paul, Pope Gregory I (Saint), Saint Ambrose, Jeremiah, Isaiah, David, Job, Moses, and Saint Jerome.
A woodcut depicting Moses receiving the Ten Commandments from God (upper right) as the the people of Israel worship the Golden Calf (lower left). On the right, Mount Sinai and Mount Horeb are labeled, as well as the figures of Moses and Joshua.
A woodcut depicting Moses receiving the Ten Commandments from God (upper right) as the the people of Israel worship the Golden Calf (lower left). On the right, Mount Sinai and Mount Horeb are labeled, as well as the figures of Moses and Joshua.
A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.
A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.
Still image
Still image
Still image
Still image
Still image
Text
Still image
Still image
Still image
Still image