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An infant's bonnet with lace trim preported to have been Charles Wesley's.

An infant's bonnet with lace trim preported to have been Charles Wesley's.

A bust of John Wesley.

A bust of John Wesley.

A black cameo portrait of John Wesley in a frame with an oak leaf and acorn fastner.

A black cameo portrait of John Wesley in a frame with an oak leaf and acorn fastner.

A bust of John Wesley with the inscription, "The Rev. John Wesley, M.A., Fellow of Lincoln College Oxford, and founder of Methodism. He sat for this bust to the late Enoch Wood, Esq. Burslem 1781 and died in 1791 aged 88 years."

A bust of John Wesley with the inscription, "The Rev. John Wesley, M.A., Fellow of Lincoln College Oxford, and founder of Methodism. He sat for this bust to the late Enoch Wood, Esq. Burslem 1781 and died in 1791 aged 88 years."

A bust of John Wesley. Previously attributed to Louis-François Roubiliac.

A bust of John Wesley. Previously attributed to Louis-François Roubiliac.

A bust of John Wesley.

A bust of John Wesley.

A pin-back button featuring a portrait of John Wesley and the inscription "Bicentennial Savannah, GA., June, 1903."

A pin-back button featuring a portrait of John Wesley and the inscription "Bicentennial Savannah, GA., June, 1903."

The sleeve of a christening robe with decorative quilting, preported to have belonged to John Wesley.

The sleeve of a christening robe with decorative quilting, preported to have belonged to John Wesley.

A communion token from Anderston Church in Glasgow, Lanarkshire, Scotland. The token is rectangular with inscriptions on the obverse, "Anderston Church 1834 This Do in Remembrance of Me I.Cor.XI.24", and reverse, "2".

A communion token from Anderston Church in Glasgow, Lanarkshire, Scotland. The token is rectangular with inscriptions on the obverse, "Anderston Church 1834 This Do in Remembrance of Me I.Cor.XI.24", and reverse, "2".

A communion token from Canada. The token is rectangular in shape with an image of an altar with bread and a chalice on the obverse and an inscription on the reverse, "This Do in Remembrance of Me I.Cor.XI.24".

A communion token from Canada. The token is rectangular in shape with an image of an altar with bread and a chalice on the obverse and an inscription on the reverse, "This Do in Remembrance of Me I.Cor.XI.24".

A communion token from Duns, Berwickshire, Scotland. The token is square in shape with images of flowers and leaves and inscriptions on the obverse, "A C Dunse", and reverse, "Mr A D 1771".

A communion token from Duns, Berwickshire, Scotland. The token is square in shape with images of flowers and leaves and inscriptions on the obverse, "A C Dunse", and reverse, "Mr A D 1771".

A communion token from Fairmilehead in Edinburgh, Lothians, Scotland. The token is rectangular with inscriptions on the obverse, "Fairmilehead * 1938 *", and reverse, "I Cor. XI.25" with an image of a chalice.

A communion token from Fairmilehead in Edinburgh, Lothians, Scotland. The token is rectangular with inscriptions on the obverse, "Fairmilehead * 1938 *", and reverse, "I Cor. XI.25" with an image of a chalice.

A communion token from Old Macher, Aberdeenshire, Scotland. The token is square in shape with an inscription on the obverse, "O ABD", and an image of a loaf of bread.

A communion token from Old Macher, Aberdeenshire, Scotland. The token is square in shape with an inscription on the obverse, "O ABD", and an image of a loaf of bread.

A communion token from Sheuchan Free Church in Sheuchan, Wigtownshire, Scotland. The token is rectangular with inscriptions on the obverse, "Sheuchan 2 Free Church", and reverse, "This Do in Remembrance of Me".

A communion token from Sheuchan Free Church in Sheuchan, Wigtownshire, Scotland. The token is rectangular with inscriptions on the obverse, "Sheuchan 2 Free Church", and reverse, "This Do in Remembrance of Me".

A communion token from St. Leonard's Church in Perth, Perthshire, Scotland. The token is oval in shape with inscriptions on the obverse, "St Leonard's Church 2", and reverse, "Perth 1837".

A communion token from St. Leonard's Church in Perth, Perthshire, Scotland. The token is oval in shape with inscriptions on the obverse, "St Leonard's Church 2", and reverse, "Perth 1837".

A communion token from the Asso[ciated] Con[gregation] in Horndean, Berwickshire, Scotland. The token is oval in shape with inscriptions on the obverse, "Asso. Con. Horndean", and reverse, "Mr. Wilm. Lee 1807".

A communion token from the Asso[ciated] Con[gregation] in Horndean, Berwickshire, Scotland. The token is oval in shape with inscriptions on the obverse, "Asso. Con. Horndean", and reverse, "Mr. Wilm. Lee 1807".

A communion token from the Four Parishes of Perth in Perth, Perthshire, Scotland. The token is oval in shape with inscriptions on the obverse, "Pro Rege Lege et Grege" with the Perth coat of arms, and reverse, "Four Parishes of Perth Erected 1807".

A communion token from the Four Parishes of Perth in Perth, Perthshire, Scotland. The token is oval in shape with inscriptions on the obverse, "Pro Rege Lege et Grege" with the Perth coat of arms, and reverse, "Four Parishes of Perth Erected 1807".

A communion token from the Free Church of Scotland. The token is oval in shape with inscriptions on the obverse, "Free Church of Scotland 1843", and reverse, "Let a Man Examine Himself I Cor.XI.28".

A communion token from the Free Church of Scotland. The token is oval in shape with inscriptions on the obverse, "Free Church of Scotland 1843", and reverse, "Let a Man Examine Himself I Cor.XI.28".

A communion token from the Free Church of Scotland located in Leigh, Victoria Australia. The token is oval shaped with inscriptions on the obverse, "Free Church of Scotland 1843", and reverse, "Let a Man Examine Himself I Cor.XI.28".

A communion token from the Free Church of Scotland located in Leigh, Victoria Australia. The token is oval shaped with inscriptions on the obverse, "Free Church of Scotland 1843", and reverse, "Let a Man Examine Himself I Cor.XI.28".

A communion token from the Free Church of Scotland in Monzie, Perthshire, Scotland. The token is oval in shape with inscriptions on the obverse, "Free Church of Scotland", and reverse, "Monzie 1843".

A communion token from the Free Church of Scotland in Monzie, Perthshire, Scotland. The token is oval in shape with inscriptions on the obverse, "Free Church of Scotland", and reverse, "Monzie 1843".

A communion token from the Free North Church Aberdeen Table in Aberdeen, Aberdeenshire, Scotland. The token is rectangular with inscriptions on the obverse, "Free North Church Aberdeen Table", and reverse, "This Do in Remembrance of Me".

A communion token from the Free North Church Aberdeen Table in Aberdeen, Aberdeenshire, Scotland. The token is rectangular with inscriptions on the obverse, "Free North Church Aberdeen Table", and reverse, "This Do in Remembrance of Me".

A communion token from the Free West Church in Aberdeen, Aberdeenshire, Scotlans. The token is rectangular with inscriptions on the obverse, "Free West Church AberdeenTable," and reverse, "This Do in Remembrance of Me". The date "1831" is written on the center of the obverse side of the token.

A communion token from the Free West Church in Aberdeen, Aberdeenshire, Scotlans. The token is rectangular with inscriptions on the obverse, "Free West Church AberdeenTable," and reverse, "This Do in Remembrance of Me". The date "1831" is written on the center of the obverse side of the token.

A communion token from the Melville Church in Fergus, Ontario, Canada. The token is rectangular in shape and has inscriptions on the obverse, "Melville Church Fergus C. W. 1846", and reverse, "Let a Man Examine Himself I Cor. XI 28".

A communion token from the Melville Church in Fergus, Ontario, Canada. The token is rectangular in shape and has inscriptions on the obverse, "Melville Church Fergus C. W. 1846", and reverse, "Let a Man Examine Himself I Cor. XI 28".

A communion token from the Parish of Torphins in Torphins, Aberdeenshire, Scotland. The tokan is oval in shape with inscriptions on the obverse, "Parish of Torphins 1876", and reverse, "This Do in Remembrance of Me".

A communion token from the Parish of Torphins in Torphins, Aberdeenshire, Scotland. The tokan is oval in shape with inscriptions on the obverse, "Parish of Torphins 1876", and reverse, "This Do in Remembrance of Me".

A communion token from the Presbyterian Church of Ireland. The token is oval shaped with inscriptions on the obverse, "Presbyterian Church in Ireland Communion Token", and reverse, "Do This in Remembrance of Me I. Cor.XI.24 But Let a Man Examine Himself".

A communion token from the Presbyterian Church of Ireland. The token is oval shaped with inscriptions on the obverse, "Presbyterian Church in Ireland Communion Token", and reverse, "Do This in Remembrance of Me I. Cor.XI.24 But Let a Man Examine Himself".

A communion token from the Reformed Presbyterian Church of Ireland. The token is oval shaped with inscriptions on the obverse, "Reformed Presbyterian Church Ireland Communion Token", and reverse, "Do This in Remembrance of Me I. Cor.XI.24 But Let a Man Examine Himself".

A communion token from the Reformed Presbyterian Church of Ireland. The token is oval shaped with inscriptions on the obverse, "Reformed Presbyterian Church Ireland Communion Token", and reverse, "Do This in Remembrance of Me I. Cor.XI.24 But Let a Man Examine Himself".

A communion token from the U. P. Congregation in Bishop Auckland, Durham, England. The token is circular with inscriptions on the obverse, "U. P. Congregation + Bishop Auckland + Revd. Thos. Boyd 1867", and reverse, "Ticket of Admission to the + Lord's Table + [cross] 1 Cor. XI.24."

A communion token from the U. P. Congregation in Bishop Auckland, Durham, England. The token is circular with inscriptions on the obverse, "U. P. Congregation + Bishop Auckland + Revd. Thos. Boyd 1867", and reverse, "Ticket of Admission to the + Lord's Table + [cross] 1 Cor. XI.24."

A ceramic teapot decorated with a portrait of John Wesley. The inscription reads "The Rev. John Wesley, M.A. aged 83, 1785" [sic] on the side with the portrait, and "Let your Conversation be as becometh the Gospel of CHRIST" on the reverse. The lid is decorated with a floral pattern. Repairs have been made to both the handle and lid.

A ceramic teapot decorated with a portrait of John Wesley. The inscription reads "The Rev. John Wesley, M.A. aged 83, 1785" [sic] on the side with the portrait, and "Let your Conversation be as becometh the Gospel of CHRIST" on the reverse. The lid is decorated with a floral pattern. Repairs have been made to both the handle and lid.

A cracked ceramic teapot decorated with a portrait of John Wesley after the Nathaniel Hone depiction. The inscription reads: "John Wesley, M.A. Fellow of Lincoln College Oxford" on the side with Wesley's portrait, and "Let your Conversation be as becometh the Gospel of CHRIST" on the reverse. The lid is decorated with angel faces framed by wings.

A cracked ceramic teapot decorated with a portrait of John Wesley after the Nathaniel Hone depiction. The inscription reads: "John Wesley, M.A. Fellow of Lincoln College Oxford" on the side with Wesley's portrait, and "Let your Conversation be as becometh the Gospel of CHRIST" on the reverse. The lid is decorated with angel faces framed by wings.

A piece of striped cloth which is proported to have been part of the draperies from John Wesley's bed. Included with the cloth in the physical collection is a note explaining the drapery.

A piece of striped cloth which is proported to have been part of the draperies from John Wesley's bed. Included with the cloth in the physical collection is a note explaining the drapery.

A headdress carved from wood and decorated with animal hair, bamboo, iron, and pigment.

A headdress carved from wood and decorated with animal hair, bamboo, iron, and pigment.

This is a type of headcrest mask found amongst the southern Ika, a western Igbo peoples residing on the left bank of the Niger River (Kwale region) and Isoko peoples residing further to the south. G.I. Jones photographed such masks in the 1930s. In performance they are embellished with feathers inserted into holes along the back of the figure and across the feline figure at the top of the mask. Jones documented their performance in the Ogonya Play in Ogume village, southern Ika.

This is a type of headcrest mask found amongst the southern Ika, a western Igbo peoples residing on the left bank of the Niger River (Kwale region) and Isoko peoples residing further to the south. G.I. Jones photographed such masks in the 1930s. In performance they are embellished with feathers inserted into holes along the back of the figure and across the feline figure at the top of the mask. Jones documented their performance in the Ogonya Play in Ogume village, southern Ika.

A mask made of wood, fiber, and pigment, portraying Mma ji.

A mask made of wood, fiber, and pigment, portraying Mma ji.

Igbo masks are made in many styles, and their distribution does not necessarily coincide with a matching set of beliefs concerning mask spirits. For example, the Okorosia masquerades of south-central Igboland share overall style features with the northern Igbo masks of the Nri-Awka area, such as the white-faced "Maiden-Spirit Mask" Agbogho mmuo but the belief in Okorosia water spirits is borrowed from the Niger Delta to the south where water spirits abound.

Igbo masks are made in many styles, and their distribution does not necessarily coincide with a matching set of beliefs concerning mask spirits. For example, the Okorosia masquerades of south-central Igboland share overall style features with the northern Igbo masks of the Nri-Awka area, such as the white-faced "Maiden-Spirit Mask" Agbogho mmuo but the belief in Okorosia water spirits is borrowed from the Niger Delta to the south where water spirits abound.

Masks from the Cameroon Grassfields were owned by either the men's regulatory society (Kwifoyn) that shared power with the king (Fon), or by lineage groups authorized by the Kwifoyn to perform. Although all masked dancers in the Grassfields are male, they may represent either male or female characters. This mask represents Ngoin, the royal wife and a symbol of womanhood. The mask can be identified by the royal headdress that has an almond or oval-shaped protruberance at the top and a wavy or zigzag hairline. Ngoin dances with short, restrained steps to mark her royal presence.

Masks from the Cameroon Grassfields were owned by either the men's regulatory society (Kwifoyn) that shared power with the king (Fon), or by lineage groups authorized by the Kwifoyn to perform. Although all masked dancers in the Grassfields are male, they may represent either male or female characters. This mask represents Ngoin, the royal wife and a symbol of womanhood. The mask can be identified by the royal headdress that has an almond or oval-shaped protruberance at the top and a wavy or zigzag hairline. Ngoin dances with short, restrained steps to mark her royal presence.

A set of forty-two simple glass communion cups.

A set of forty-two simple glass communion cups.

A wooden gavel, labeled as having been used by Methodist Bishop Holland Nimmons McTyeire.

A wooden gavel, labeled as having been used by Methodist Bishop Holland Nimmons McTyeire.

A framed cameo portrait of John Wesley in profile, labed "247."

A framed cameo portrait of John Wesley in profile, labed "247."

A framed cameo portrait of John Wesley in profile.

A framed cameo portrait of John Wesley in profile.

A gold medallion featuring a portrait of the Methodist theologian John William Fletcher in profile. The medallion is framed with a brief biography on the back.

A gold medallion featuring a portrait of the Methodist theologian John William Fletcher in profile. The medallion is framed with a brief biography on the back.

A carved plaque portrait of John Wesley in profile.

A carved plaque portrait of John Wesley in profile.

A headdress carved from wood and decorated with pigment.

A headdress carved from wood and decorated with pigment.

This mask, called Sowo (pl. Sowei) or Bondo, is a type commissioned and worn by female members of the Gola, Temne, and Mende Sande societies in Sierra Leone and Liberia. The Sande society is responsible for the instruction of young girls into adulthood. This process occurs in the forest under the guidance of senior Sande members and Sowo or Bondo nature spirits. Once they have learned basic female values and trained for marriage, domestic life, and religious, economic, and political pursuits, the girls are integrated back into the village as women.

This mask, called Sowo (pl. Sowei) or Bondo, is a type commissioned and worn by female members of the Gola, Temne, and Mende Sande societies in Sierra Leone and Liberia. The Sande society is responsible for the instruction of young girls into adulthood. This process occurs in the forest under the guidance of senior Sande members and Sowo or Bondo nature spirits. Once they have learned basic female values and trained for marriage, domestic life, and religious, economic, and political pursuits, the girls are integrated back into the village as women.

A cameo portrait of John Wesley in profile. It is identical to 95-001-007.

A cameo portrait of John Wesley in profile. It is identical to 95-001-007.

A cameo portrait of John Wesley in profile mounted on an olive green, velvet backing. Excepting the backing, it is identical to 95-001-006.

A cameo portrait of John Wesley in profile mounted on an olive green, velvet backing. Excepting the backing, it is identical to 95-001-006.

The Dogon migrated to present-day Mali beginning in the fifteenth century, settling along the Bandiagara escarpment. The harsh, remote terrain of central Mali protected the Dogon and shaped their culture. The Kanaga mask honors the dead and connects them to the living, in much the same way as the long cliff on which they live connects the earth and sky, and the vertical strip of the mask connects the two horizontal bands.

The Dogon migrated to present-day Mali beginning in the fifteenth century, settling along the Bandiagara escarpment. The harsh, remote terrain of central Mali protected the Dogon and shaped their culture. The Kanaga mask honors the dead and connects them to the living, in much the same way as the long cliff on which they live connects the earth and sky, and the vertical strip of the mask connects the two horizontal bands.

Through bold color and aggressive imagery, predatory animal references, horns, and strange tubular eyes this mask is a visually intimidating presence that harnesses the power of spirits from the wilderness as instruments of proprietary control in the realm of the town or village. Their visual affect was only heightened during performance. This Wé mask presents a bewildering accumulation of animal references: a fringe of aluminum-silver pseudo-leopard teeth, wild boar tusks, and pointed ears.

Through bold color and aggressive imagery, predatory animal references, horns, and strange tubular eyes this mask is a visually intimidating presence that harnesses the power of spirits from the wilderness as instruments of proprietary control in the realm of the town or village. Their visual affect was only heightened during performance. This Wé mask presents a bewildering accumulation of animal references: a fringe of aluminum-silver pseudo-leopard teeth, wild boar tusks, and pointed ears.

Small delicately carved face masks with pert noses and childlike facial features representing male and female spirits (elu) appear in village masquerades among Ogoni peoples living between the Niger Delta and Cross Rivers of southern Nigeria. Many of these face masks are cut across the mouth allowing the wearer to articulate the jaw as the spirit speaks through him. The open mouth reveals narrow teeth, usually made of cane.

Small delicately carved face masks with pert noses and childlike facial features representing male and female spirits (elu) appear in village masquerades among Ogoni peoples living between the Niger Delta and Cross Rivers of southern Nigeria. Many of these face masks are cut across the mouth allowing the wearer to articulate the jaw as the spirit speaks through him. The open mouth reveals narrow teeth, usually made of cane.

A medallion celebrating the Methodist Episcopal Church, South and the Organization of American Methodism's centenary with portraits of bishops George Foster Pierce and Francis Ashbury Pratt, one on each side.

A medallion celebrating the Methodist Episcopal Church, South and the Organization of American Methodism's centenary with portraits of bishops George Foster Pierce and Francis Ashbury Pratt, one on each side.

A medallion celebrating the centenary of Wesleyan Methodism. One side shows a portrait of John Wesley with the dates of his birth and death. The reverse shows the Centenary Hall and Mission House in London over the motto "The world is my parish."

A medallion celebrating the centenary of Wesleyan Methodism. One side shows a portrait of John Wesley with the dates of his birth and death. The reverse shows the Centenary Hall and Mission House in London over the motto "The world is my parish."

Mug inscribed "Celebration of the Centenary of Wesleyan Methodism Oct 28th, 1839" and "Rev. John Wesley Founder of Methodism Born June 17th 1703, Died Mar 2nd 1791" with images of Centenary Hall and John Wesley after J. Barry. Repaired.

Mug inscribed "Celebration of the Centenary of Wesleyan Methodism Oct 28th, 1839" and "Rev. John Wesley Founder of Methodism Born June 17th 1703, Died Mar 2nd 1791" with images of Centenary Hall and John Wesley after J. Barry. Repaired.

A white, ceramic mug decorated on one side with a portrait of John Wesley and on the other with a view of the New Kingswood School, Lansdown, Bath. The interior of the mug is also decorated near the rim with a ribbon and vine design.

A white, ceramic mug decorated on one side with a portrait of John Wesley and on the other with a view of the New Kingswood School, Lansdown, Bath. The interior of the mug is also decorated near the rim with a ribbon and vine design.

A medal featuring a portrait of John Wesley in profile.

A medal featuring a portrait of John Wesley in profile.

A plaque featuring a portrait of John Wesley in profile.

A plaque featuring a portrait of John Wesley in profile.

A plaque featuring a portrait of John Wesley in profile.

A plaque featuring a portrait of John Wesley in profile.

A plaque featuring a portrait of John Wesley in profile.

A plaque featuring a portrait of John Wesley in profile.

A labeled piece of Wesley's Oak on St. Simon's Island in Georgia where both John and Charles Wesley were preported to have preached.

A labeled piece of Wesley's Oak on St. Simon's Island in Georgia where both John and Charles Wesley were preported to have preached.

A framed plaster cameo portrait of John Wesley in profile with a label on the back reading, "given to me by Rev. G. T. Rowe... modeled from a cloak fastener given to them by Rev. R. Green 1898." There is an additional note by R. Thursfield Smith on the back.

A framed plaster cameo portrait of John Wesley in profile with a label on the back reading, "given to me by Rev. G. T. Rowe... modeled from a cloak fastener given to them by Rev. R. Green 1898." There is an additional note by R. Thursfield Smith on the back.

Six simple glass communion cups used by the chaplains at Emory University during World War I.

Six simple glass communion cups used by the chaplains at Emory University during World War I.

Small jug with image of John Wesley and Centenary Hall.

Small jug with image of John Wesley and Centenary Hall.

Small teacup and saucer with image of Epworth Church, undated (nineteenth century).

Small teacup and saucer with image of Epworth Church, undated (nineteenth century).

Staffordshire bowl with printed image of John Wesley and Centenary Hall.

Staffordshire bowl with printed image of John Wesley and Centenary Hall.

A bust of Revd. George Whitefield stamped on the reverse with the inscription "The Revd. George Whitefield, died Sept. 30, 1770, aged 56."

A bust of Revd. George Whitefield stamped on the reverse with the inscription "The Revd. George Whitefield, died Sept. 30, 1770, aged 56."

A painted ceramic figurine of John Wesley holding a bible.

A painted ceramic figurine of John Wesley holding a bible.

A painted bust of John Wesley on a faux-marble base. The bust has been repaired. Identical to 95-001-036 and similar to 95-001-030.

A painted bust of John Wesley on a faux-marble base. The bust has been repaired. Identical to 95-001-036 and similar to 95-001-030.

A painted bust of John Wesley on a faux-marble base. Similar to 95-001-029 and 95-001-036.

A painted bust of John Wesley on a faux-marble base. Similar to 95-001-029 and 95-001-036.

A painted ceramic bust of John Wesley.

A painted ceramic bust of John Wesley.

Staffordshire plate with printed image of John Wesley and Centenary Hall.

Staffordshire plate with printed image of John Wesley and Centenary Hall.

Staffordshire teacup inscribed "John Wesley, M.A. Born..." and "Centenary Hall and Mission House, London".

Staffordshire teacup inscribed "John Wesley, M.A. Born..." and "Centenary Hall and Mission House, London".

A metal piece, possibly a pendant, featuring a portrait of John Wesley in profile. Below Wesley's portrait, there is illegible writing where object was cut.

A metal piece, possibly a pendant, featuring a portrait of John Wesley in profile. Below Wesley's portrait, there is illegible writing where object was cut.

A terra cotta cameo portrait of John Wesley in profile, framed with an oakleaf and acorn fastener. A label on the back reads, "Given to me by Rev. G. Stemper Rowe 1898, modeled by his son Leeds, terra cotta."

A terra cotta cameo portrait of John Wesley in profile, framed with an oakleaf and acorn fastener. A label on the back reads, "Given to me by Rev. G. Stemper Rowe 1898, modeled by his son Leeds, terra cotta."

A wooden gavel, labeled as "Number 1" and preported to have been used by a Methodist Bishop Wilson.

A wooden gavel, labeled as "Number 1" and preported to have been used by a Methodist Bishop Wilson.

A wooden gavel, labeled as "Number 2" and preported to have been used by a Methodist Bishop Wilson.

A wooden gavel, labeled as "Number 2" and preported to have been used by a Methodist Bishop Wilson.

A decorative metal watch fob.

A decorative metal watch fob.

A watch fob made from resin or stone and metal, proportedly owned by Bishop Francis Asbury Pratt.

A watch fob made from resin or stone and metal, proportedly owned by Bishop Francis Asbury Pratt.

A watch fob marked "Wedgwood."

A watch fob marked "Wedgwood."

A cameo portrait of John Wesley in profile.

A cameo portrait of John Wesley in profile.

A framed cameo portrait of John Wesley in profile featuring a decorative vine motif border.

A framed cameo portrait of John Wesley in profile featuring a decorative vine motif border.

A medallion featuring a portrait of John Wesley in profile, framed by a decorative floral border with cherubs holding a crown above Wesley's head.

A medallion featuring a portrait of John Wesley in profile, framed by a decorative floral border with cherubs holding a crown above Wesley's head.

A white cameo portrait of John Wesley in profile, framed in a gilded shadow box.

A white cameo portrait of John Wesley in profile, framed in a gilded shadow box.

A white cameo portrait of John Wesley in profile with a rose and clover fastener.

A white cameo portrait of John Wesley in profile with a rose and clover fastener.