Richard C. Kessler Reformation Collection
The Richard C. Kessler Reformation Collection was established in 1987, when Richard and Martha Kessler donated their private collection of Reformation imprints and manuscripts to Emory University. These materials were combined with Reformation holdings at the Pitts Theology Library, and an effort was launched to enlarge and sustain this collection in the years to come. An advisory committee of Lutheran laypersons and clergy and of Candler School of Theology faculty and administrators oversees the nurture of the collection and its programs. The Reformation Notes newsletter provides semiannual updates on the growth of the collection, and the Reformation Day at Emory program of music and lectures each October celebrates the collection and its contributions to music, history, and theology. In the sixteenth century the social and theological movements of central Europe, known collectively as the Reformation, critically shaped religion, law, education and other institutions in the West, and their long shadow has extended even to the present. The purpose of the Kessler Collection is to document these changes by collecting print and manuscript materials down to 1570 by Martin Luther (1483-1546) and those whom he influenced or engaged in debate. In this way historians and theologians will be able to hear the full range of voices that were raised in this dynamic period. The holdings of the collection now exceed 4,000 items, a mark approximated by only two other libraries in North America; no American library approaches the Kessler Collection's 1,000+ publications by Luther himself.
-
Still imageHistoriated title page border of a set of eight Luther sermons
A woodcut border to a set of eight Luther sermons printed in 1523. The border is composed of four woodcuts depicting a cherub playing a violin atop a plant (right), a woman below a pair of fish (left), and various ornamental and floral designs (top and bottom).A woodcut border to a set of eight Luther sermons printed in 1523. The border is composed of four woodcuts depicting a cherub playing a violin atop a plant (right), a woman below a pair of fish (left), and various ornamental and floral designs (top and bottom). -
Still imageHistoriated title page border of Luther's sermon on Matthew 5
A woodcut border to Luther's sermon on Matthew 5:20 printed in 1523. The border is composed of four woodcuts depicting floral columns with bird motifs (sides), floral motifs (top), and two cherubs holding a blank crest (bottom).A woodcut border to Luther's sermon on Matthew 5:20 printed in 1523. The border is composed of four woodcuts depicting floral columns with bird motifs (sides), floral motifs (top), and two cherubs holding a blank crest (bottom). -
Still imageHistoriated title page border of Luther's German version of the Baptismal rite
A woodcut border to Luther's German translation of the Baptismal rite printed in 1523. The border is composed of a single woodcut based on a design from the workshop of Lucas Cranach, the Elder, depicting a pair of decorative dragons (top), a nymph or Venus and a cherub (right), a satyr and a cherub (left), and a decoratibe scroll (bottom).A woodcut border to Luther's German translation of the Baptismal rite printed in 1523. The border is composed of a single woodcut based on a design from the workshop of Lucas Cranach, the Elder, depicting a pair of decorative dragons (top), a nymph or Venus and a cherub (right), a satyr and a cherub (left), and a decoratibe scroll (bottom). -
Still imagePossible printer's mark of Johann Schott
A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Four lines of text in German, Latin, Hebrew, and Greek, surround the image: "Aller Gewalt von Gott" (top), ": מרשךרם חשפסך בנר אךם" (right), "Parcere Subiectis, & debellare Superbos" (bottom), "πἃδα ψυχη' έξουσί'αισ ύπερεχούδαισ ύποταδδε'ολω" (left).A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Four lines of text in German, Latin, Hebrew, and Greek, surround the image: "Aller Gewalt von Gott" (top), ": מרשךרם חשפסך בנר אךם" (right), "Parcere Subiectis, & debellare Superbos" (bottom), "πἃδα ψυχη' έξουσί'αισ ύπερεχούδαισ ύποταδδε'ολω" (left). -
Still imageMartin Luther and the Holy Spirit
Baldung, Hans, -1545A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit. -
Still imageHistoriated title page border of a collection of Luther's sermons
A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts four scenes: two well dressed men appearing to be appealing to God (right), Jesus preaching to a group while behind him is a fourest full of sheep and chickens (bottom), pilgrims or worshipers climbing a path towards a church (left), and shadowy figures surrounding a kneeling man in a cloak (top).A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts four scenes: two well dressed men appearing to be appealing to God (right), Jesus preaching to a group while behind him is a fourest full of sheep and chickens (bottom), pilgrims or worshipers climbing a path towards a church (left), and shadowy figures surrounding a kneeling man in a cloak (top). -
Still imageHistoriated title page border of Luther's Dass Jesus Christus ein geborener Jude sei
A woodcut border to Luther's Dass Jesus Christus ein geborener Jude sei printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).A woodcut border to Luther's Dass Jesus Christus ein geborener Jude sei printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom). -
Still imagePossible printer's mark of Johann Schott
A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Above and below the mark are the words "Allein Gott eer" (above) and "Aller Gewalt von Gott" (below).A woodcut image, possibly a printer's mark of Johann Schott, depicting God's hand descending from Heaven grasping a mace with a nest of storks on top of it (top left) and a fallen knight beneath the mace (bottom). Above and below the mark are the words "Allein Gott eer" (above) and "Aller Gewalt von Gott" (below). -
Still imageJesus Christ
A woodcut depicting Jesus Christ with a halo of light.A woodcut depicting Jesus Christ with a halo of light. -
Still imageMartin Luther and the Holy Spirit
Baldung, Hans, -1545A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit.A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit. -
Still imageHistoriated title page border of a collection of Luther's sermons
A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts a forest filled with deer, lions, horses, a unicorn, and a pair of cherubs holding rabbits and a shield (bottom). At the top of the woodcut, a dove with a branch in its mouth sits above a pair of decorative dragons above a frame surrounding the title.A woodcut border to a collection of Luther's sermons printed in 1523. The border is comprised of a single woodcut and depicts a forest filled with deer, lions, horses, a unicorn, and a pair of cherubs holding rabbits and a shield (bottom). At the top of the woodcut, a dove with a branch in its mouth sits above a pair of decorative dragons above a frame surrounding the title. -
Still imageFloral printer's ornament
A decorative woodcut depicting a floral printer's ornament below the date of printing, "1523."A decorative woodcut depicting a floral printer's ornament below the date of printing, "1523." -
Still imageHistoriated title page border of Luther's Christmas sermon
A woodcut border to Luther's Christmas sermon printed in 1523. The border is composed of a single woodcut depicting a pair of armed cherubs (top), a cherub, bird, and monkey climbing a pair of grapevines (sides), and a pair of kneeling men flanking the printer's mark of Michel Buchfürer featuring a bull (bottom).A woodcut border to Luther's Christmas sermon printed in 1523. The border is composed of a single woodcut depicting a pair of armed cherubs (top), a cherub, bird, and monkey climbing a pair of grapevines (sides), and a pair of kneeling men flanking the printer's mark of Michel Buchfürer featuring a bull (bottom). -
Still imageSouls in Hell
A woodcut depicting souls suffering in the fires of Hell.A woodcut depicting souls suffering in the fires of Hell. -
Still imagePortrait of Ulrich von Hutten
A woodcut portrait of Ulrich van Hutten dressed in armor and wearing a laurel crown. Below the portrait is the motto "IACTA EST ALEA," translated as "the die is cast." In the four corners of the portrait are coats of arms.A woodcut portrait of Ulrich van Hutten dressed in armor and wearing a laurel crown. Below the portrait is the motto "IACTA EST ALEA," translated as "the die is cast." In the four corners of the portrait are coats of arms. -
Still imageInitial letter with floral motif
A woodcut initial letter "R" with a floral motif.A woodcut initial letter "R" with a floral motif. -
Still imageMedallion portraits of Erasmus, Hutten, Luther, and Melanchthon
A set of three woodcuts: two medallion portraits of Erasmus Desidarius and Ulrich van Hutten and one medallion schematic caricature double portrait of Martin Luther and Philip Melanchthon.A set of three woodcuts: two medallion portraits of Erasmus Desidarius and Ulrich van Hutten and one medallion schematic caricature double portrait of Martin Luther and Philip Melanchthon. -
Still imageHistoriated title page border of Johannes Faber's anti-Luther tract
A woodcut border to Johannes Faber's anti-Luther tract printed in 1523. The border consists of four woodcuts depicting a cherub with a bow and arrows atop a decorative column (right), a cherub with a ball atop a decorative column (left), a pair of bucrania flanking a shield with the chi-rho and "EC" on it (bottom), and a group of cherubs (top).A woodcut border to Johannes Faber's anti-Luther tract printed in 1523. The border consists of four woodcuts depicting a cherub with a bow and arrows atop a decorative column (right), a cherub with a ball atop a decorative column (left), a pair of bucrania flanking a shield with the chi-rho and "EC" on it (bottom), and a group of cherubs (top). -
Still imageHistoriated title page border of Matthias Blochinger's response to Dominicus Beyer's preaching
A woodcut border to Mattias Blochinger's response to Dominicus Beyer's preaching. The border consists of four separate woodcuts depicting a pair of cherubs dueling (bottom), decorative plant motif (left), a Wild Man or a Green Man (top), and a cherub playing either a violin or viola (right).A woodcut border to Mattias Blochinger's response to Dominicus Beyer's preaching. The border consists of four separate woodcuts depicting a pair of cherubs dueling (bottom), decorative plant motif (left), a Wild Man or a Green Man (top), and a cherub playing either a violin or viola (right). -
Still imageInitial letter with Moses delivering his farewell
Lemberger, Georg, 1495?-1540?A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance.A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance. -
Still imageInitial letter with Moses kneeling before God
Lemberger, Georg, 1495?-1540?A woodcut initial letter "U" depicting Moses praying before God in Heaven, who is holding a globus cruciger. Moses is here depicted with horns, which was common before the Renaissance. The shape of the "U" includes two cherubs atop pillars and a bound bird.A woodcut initial letter "U" depicting Moses praying before God in Heaven, who is holding a globus cruciger. Moses is here depicted with horns, which was common before the Renaissance. The shape of the "U" includes two cherubs atop pillars and a bound bird.