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A woodcut depicting a bishop greeting the retinue of a traveling cardinal. The cardinal rides a horse with attendants holding a canopy above him while the remainder of his retinue stands before him and a bishop stands in a doorway. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a bishop greeting the retinue of a traveling cardinal. The cardinal rides a horse with attendants holding a canopy above him while the remainder of his retinue stands before him and a bishop stands in a doorway. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

The digital edition of an introduction to and translation of Johann Bugehangen's "Eine christliche Predigt vber der Leich vnd Begrebnis des ehrwirdigen D. Martini Luthers," originally published by Georg Rhaw in Wittenberg, Germany, in 1546, including facsimile reproductions. The original text is a sermon at Martin Luther's funeral service in Wittenberg..

The digital edition of an introduction to and translation of Johann Bugehangen's "Eine christliche Predigt vber der Leich vnd Begrebnis des ehrwirdigen D. Martini Luthers," originally published by Georg Rhaw in Wittenberg, Germany, in 1546, including facsimile reproductions. The original text is a sermon at Martin Luther's funeral service in Wittenberg..

A woodcut depicting a synod gathering of a diocese. A bishop sits surrounded by priests as an archdeacon proclaims the faith from the pulpit. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting a synod gathering of a diocese. A bishop sits surrounded by priests as an archdeacon proclaims the faith from the pulpit. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting a monk in conversation with a knight. The woodcut appears on the title page of Luther's letter to the head of the Teutonic Order of Knights arguing against the requirement of celibacy.

A woodcut depicting a monk in conversation with a knight. The woodcut appears on the title page of Luther's letter to the head of the Teutonic Order of Knights arguing against the requirement of celibacy.

A woodcut depicting a bishop visiting a parish church. The bishop sits on a dias while the local congregation gathers around to hear why he has come. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused throughout the work.

A woodcut depicting a bishop visiting a parish church. The bishop sits on a dias while the local congregation gathers around to hear why he has come. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused throughout the work.

A woodcut depicting a pilgrim outfitted with a hat, cloak, staff, and bag for his journey, being directed by God from Heaven (top right).

A woodcut depicting a pilgrim outfitted with a hat, cloak, staff, and bag for his journey, being directed by God from Heaven (top right).

A woodcut depicting a bishop leading the proceedings of a synod or council gathering. The bishop stands before an altar, leading the gathered, kneeling priests in prayer. The scene is flanked by decorative scrollwork featuring pelicans and snails. This woodcut is reused throughout the work.

A woodcut depicting a bishop leading the proceedings of a synod or council gathering. The bishop stands before an altar, leading the gathered, kneeling priests in prayer. The scene is flanked by decorative scrollwork featuring pelicans and snails. This woodcut is reused throughout the work.

A woodcut depicting a synod gathering. A bishop sits in the center of a group of priests as an archdeacon reads prom the pulpit. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused several times throughout the work.

A woodcut depicting a synod gathering. A bishop sits in the center of a group of priests as an archdeacon reads prom the pulpit. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. This woodcut is reused several times throughout the work.

A woodcut depicting a traveling bishop and his retinue. The bishop rides a horse with hands held before him in prayer as attendants ride behind him and walk before him. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a traveling bishop and his retinue. The bishop rides a horse with hands held before him in prayer as attendants ride behind him and walk before him. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the traveling retinue of an empress or queen. The empress or queen sits side-saddle on a horse with attendents holding a canopy above her while a procession holding a cross go before her. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the traveling retinue of an empress or queen. The empress or queen sits side-saddle on a horse with attendents holding a canopy above her while a procession holding a cross go before her. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting a ruler, possibly a king, traveling with his retinue. The ruler rides a horse with attendants holding a canopy above him and a man bearing a sword riding ahead of him. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting a ruler, possibly a king, traveling with his retinue. The ruler rides a horse with attendants holding a canopy above him and a man bearing a sword riding ahead of him. The scene is flanked by a pair of cherubs standing atop eagles and holding bags of snakes. The woodcut is reused throughout the work.

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Summary: One of six 1523 editions of a collection of sermons delivered by Luther in 1522, directed against A. Karlstadt.

Summary: One of six 1523 editions of a collection of sermons delivered by Luther in 1522, directed against A. Karlstadt.

Summary: Second printing of the eight sermons Luther preached on his return from Wartburg Castle, March 9-16, 1522. They dealt with the mass, the Lord's Supper, images, fating, auricular confession, and other topics. These sermons allowed Luther to restore order in Wittenberg and put and end to the Tumults that had griped the city during his absence.

Summary: Second printing of the eight sermons Luther preached on his return from Wartburg Castle, March 9-16, 1522. They dealt with the mass, the Lord's Supper, images, fating, auricular confession, and other topics. These sermons allowed Luther to restore order in Wittenberg and put and end to the Tumults that had griped the city during his absence.

Summary: In 1518 Luther was summoned to Rome. He appealed to Frederick, Elector of Saxony who was attending the imperial Diet in Augsburg. Frederick negotiated with the Papal Legate Cajetan who finally agreed to a hearing in Augsburg. Luther went there with an imperial escort and then returned safely to Wittenberg. This is Luther's report of what took place in Augsburg. It is the fifth printing of the "Acta Augustana."

Summary: In 1518 Luther was summoned to Rome. He appealed to Frederick, Elector of Saxony who was attending the imperial Diet in Augsburg. Frederick negotiated with the Papal Legate Cajetan who finally agreed to a hearing in Augsburg. Luther went there with an imperial escort and then returned safely to Wittenberg. This is Luther's report of what took place in Augsburg. It is the fifth printing of the "Acta Augustana."

Summary: When Luther received S. Mazzolini's Dialogue on the 95 Theses, he put it into print at once to show just how weak a piece Mazzolini had written. He followed it up with the present work which includes Mazzolini's text and Luther's reply to it. Even the Pope is said to have been embarrassed by Mazzolini's poor performance in this work. The Dominicans are reported to have bought up the first edition, presumably to prevent its further circulation.

Summary: When Luther received S. Mazzolini's Dialogue on the 95 Theses, he put it into print at once to show just how weak a piece Mazzolini had written. He followed it up with the present work which includes Mazzolini's text and Luther's reply to it. Even the Pope is said to have been embarrassed by Mazzolini's poor performance in this work. The Dominicans are reported to have bought up the first edition, presumably to prevent its further circulation.

Summary: A unique printing of an answer by Luther to the attacks of one his earliest opponents, Johann Eck.

Summary: A unique printing of an answer by Luther to the attacks of one his earliest opponents, Johann Eck.

Summary: Fredrick the Wise asked Luther to write to Emperor Charles V after the publication of his Open letter to the Christian Nobility in order to express his loyalty. Spalatin convinced Luther to write this letter of submission and edited it for publication.

Summary: Fredrick the Wise asked Luther to write to Emperor Charles V after the publication of his Open letter to the Christian Nobility in order to express his loyalty. Spalatin convinced Luther to write this letter of submission and edited it for publication.