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A woodcut depicting a pilgrim outfitted with a hat, cloak, staff, and bag for his journey, being directed by God from Heaven (top right).

A woodcut depicting a pilgrim outfitted with a hat, cloak, staff, and bag for his journey, being directed by God from Heaven (top right).

Summary: First printing of an early Advent sermon by Luther, focusing on the signs of the impending end of the world.

Summary: First printing of an early Advent sermon by Luther, focusing on the signs of the impending end of the world.

Summary: Sermon preached June 9, 1522, on John III, 16, "For God so loved the world ..."

Summary: Sermon preached June 9, 1522, on John III, 16, "For God so loved the world ..."

Summary: Sermon preached July 27, 1522, on Matthew 5:20ff. (Unless your righteousness is greater than that of the Pharisees, etc,.).

Summary: Sermon preached July 27, 1522, on Matthew 5:20ff. (Unless your righteousness is greater than that of the Pharisees, etc,.).

Summary: Sermon by Martin Luther criticizing the adoration of the cross and supposed relics of the Passion.

Summary: Sermon by Martin Luther criticizing the adoration of the cross and supposed relics of the Passion.

Summary: A sermon by Luther admonishing the directing of one's attentions not to the wealth of the church and its relics, but to the needs of the poor.

Summary: A sermon by Luther admonishing the directing of one's attentions not to the wealth of the church and its relics, but to the needs of the poor.

Summary: Sermon preached June 9, 1522, on John 3:16 (God So Loved The World).

Summary: Sermon preached June 9, 1522, on John 3:16 (God So Loved The World).

Summary: Sermon preached in Erfurt, October 21, 1522, on Matthew 25:1ff. (Wise and Foolish Virgins).

Summary: Sermon preached in Erfurt, October 21, 1522, on Matthew 25:1ff. (Wise and Foolish Virgins).

A woodcut full-body portrait of either Martin Luther or Michael Stifel dressed in the garb of an Augustinian monk and holding a book.

A woodcut full-body portrait of either Martin Luther or Michael Stifel dressed in the garb of an Augustinian monk and holding a book.

A woodcut full-body portrait of either Martin Luther or Michael Stifel dressed in the garb of an Augustinian monk and holding a book. Surrounding the monk is a separate woodcut border featuring cherubs and Wild Men in trees and the coat of arms of the Holy Roman Empire at the bottom.

A woodcut full-body portrait of either Martin Luther or Michael Stifel dressed in the garb of an Augustinian monk and holding a book. Surrounding the monk is a separate woodcut border featuring cherubs and Wild Men in trees and the coat of arms of the Holy Roman Empire at the bottom.

Summary: C. Schatzgeyer here writes on the veneration of the saints, the "friends of God". Catholic theology makes a sharp distinction between paying honor to saints (dulia) and worship of God (latria). This is the first printing of this work. No one knows for sure when it was written and printed.

Summary: C. Schatzgeyer here writes on the veneration of the saints, the "friends of God". Catholic theology makes a sharp distinction between paying honor to saints (dulia) and worship of God (latria). This is the first printing of this work. No one knows for sure when it was written and printed.

A woodcut depicting Jesus Christ teaching the apostles about the End Times as he gestures towards the heavens, where the sun, moon, and stars can be seen.

A woodcut depicting Jesus Christ teaching the apostles about the End Times as he gestures towards the heavens, where the sun, moon, and stars can be seen.

A woodcut depicting Jesus Christ riding into Jerusalem on a donkey, the apostles behind him, as a man lays his cloak on the road before him.

A woodcut depicting Jesus Christ riding into Jerusalem on a donkey, the apostles behind him, as a man lays his cloak on the road before him.

A woodcut depicting Saint John the Apostle's vision from the first chapter of Revelations of a Christ with flaming eyes, surrounded by seven candlesticks and holding seven stars, with a sword emerging from his mouth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting Saint John the Apostle's vision from the first chapter of Revelations of a Christ with flaming eyes, surrounded by seven candlesticks and holding seven stars, with a sword emerging from his mouth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting Jesus Christ praying in the Garden of Gethsemane while the apostles sleep around him.

A woodcut depicting Jesus Christ praying in the Garden of Gethsemane while the apostles sleep around him.

Summary: This is the second and much expanded edition of Luther's reply to Henry VIII's Assertion of the Seven Sacraments. Luther replies quite moderately (for him) to what he feels to be the King's unwarranted assertions on the Catholic Sacraments. This is the second printing of this edition.

Summary: This is the second and much expanded edition of Luther's reply to Henry VIII's Assertion of the Seven Sacraments. Luther replies quite moderately (for him) to what he feels to be the King's unwarranted assertions on the Catholic Sacraments. This is the second printing of this edition.

Summary: Luther's translation from the original Greek of the New Testament is a landmark in the history of the German language. His forceful style ensured that his Thuringian-Saxon dialect would provide the standard for High German in years to come. From a religious standpoint, Luther's decision to refer to the original Greek rather than merely to translate the Vulgate ensured that the German New Testament would be much more faithful to the original. Erasmus' New Testament provided the basis for the translation.

Summary: Luther's translation from the original Greek of the New Testament is a landmark in the history of the German language. His forceful style ensured that his Thuringian-Saxon dialect would provide the standard for High German in years to come. From a religious standpoint, Luther's decision to refer to the original Greek rather than merely to translate the Vulgate ensured that the German New Testament would be much more faithful to the original. Erasmus' New Testament provided the basis for the translation.

Summary: The tribulation of monks-turned Protestant, and then turned out of their monasteries, made fascinating reading for the newly-converted Protestants. In style, it is analogous to martyrologies, such as Foxe's "Book of Martyrs." G. Korn here relates his sufferings on account of the Gospel as one such monk in Nuremberg.

Summary: The tribulation of monks-turned Protestant, and then turned out of their monasteries, made fascinating reading for the newly-converted Protestants. In style, it is analogous to martyrologies, such as Foxe's "Book of Martyrs." G. Korn here relates his sufferings on account of the Gospel as one such monk in Nuremberg.

Summary: First printing of an open letter by Luther to the church of Erfurt on the subject of prayers to the saints.

Summary: First printing of an open letter by Luther to the church of Erfurt on the subject of prayers to the saints.

Summary: Text in German includes Luther's translations from Latin of several Psalms from the Hebrew O.T., and the Epistle to Titus from the Greek N.T.

Summary: Text in German includes Luther's translations from Latin of several Psalms from the Hebrew O.T., and the Epistle to Titus from the Greek N.T.

Summary: Fifth edition of Erasmus' Colloquies, a collection of dialogues on Latin conversation and good behavior first published in 1518 as an excercise book for Erasmus's students.

Summary: Fifth edition of Erasmus' Colloquies, a collection of dialogues on Latin conversation and good behavior first published in 1518 as an excercise book for Erasmus's students.