Richard C. Kessler Reformation Collection
The Richard C. Kessler Reformation Collection was established in 1987, when Richard and Martha Kessler donated their private collection of Reformation imprints and manuscripts to Emory University. These materials were combined with Reformation holdings at the Pitts Theology Library, and an effort was launched to enlarge and sustain this collection in the years to come. An advisory committee of Lutheran laypersons and clergy and of Candler School of Theology faculty and administrators oversees the nurture of the collection and its programs. The Reformation Notes newsletter provides semiannual updates on the growth of the collection, and the Reformation Day at Emory program of music and lectures each October celebrates the collection and its contributions to music, history, and theology. In the sixteenth century the social and theological movements of central Europe, known collectively as the Reformation, critically shaped religion, law, education and other institutions in the West, and their long shadow has extended even to the present. The purpose of the Kessler Collection is to document these changes by collecting print and manuscript materials down to 1570 by Martin Luther (1483-1546) and those whom he influenced or engaged in debate. In this way historians and theologians will be able to hear the full range of voices that were raised in this dynamic period. The holdings of the collection now exceed 4,000 items, a mark approximated by only two other libraries in North America; no American library approaches the Kessler Collection's 1,000+ publications by Luther himself.
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Still imageInitial Letter P
An initial letter "P" featuring a trio of angels.An initial letter "P" featuring a trio of angels. -
Still imageInitial Letter T
An initial letter "T" featuring a pair of angels descending from heaven on a ladder above the kneeling figure of Jacob.An initial letter "T" featuring a pair of angels descending from heaven on a ladder above the kneeling figure of Jacob. -
Still imageInitial Letter D
An initial letter "D" featuring Jesus holding a chalice and collecting the blood pouring from the spear wound on his side. The wounds from the nails used to pin him to the cross are visible on his hands and feet.An initial letter "D" featuring Jesus holding a chalice and collecting the blood pouring from the spear wound on his side. The wounds from the nails used to pin him to the cross are visible on his hands and feet. -
Still imageInitial Letter C
An initial letter "C" featuring an elaborate ciborium.An initial letter "C" featuring an elaborate ciborium. -
Still imageInitial Letter B
An initial letter "B" featuring the Trinity, with the Holy Spirit as a dove and both God and Christ holding an orbis cruciger.An initial letter "B" featuring the Trinity, with the Holy Spirit as a dove and both God and Christ holding an orbis cruciger. -
Still imageInitial Letter S
An initial letter "S" featuring the Holy Spirit appearing to the Apostles and the Virgin Mary.An initial letter "S" featuring the Holy Spirit appearing to the Apostles and the Virgin Mary. -
Still imageInitial Letter V or U
An initial letter "V" or "U" featuring the ascension of Jesus Christ before the Apostles and the Virgin Mary.An initial letter "V" or "U" featuring the ascension of Jesus Christ before the Apostles and the Virgin Mary. -
Still imageInitial Letter R
An initial letter "R" featuring Jesus rising from his tomb and holding a standard bearing the cross.An initial letter "R" featuring Jesus rising from his tomb and holding a standard bearing the cross. -
Still imageInitial Letter D
An initial letter "D" featuring Jesus entering Jerusalem on the back of a donkey.An initial letter "D" featuring Jesus entering Jerusalem on the back of a donkey. -
Still imageInitial Letter E
An initial letter "E" featuring the Three Wise Men presenting gifts to Jesus who sits in the lap of Mary.An initial letter "E" featuring the Three Wise Men presenting gifts to Jesus who sits in the lap of Mary. -
Still imageInitial Letter P
An initial letter "P" featuring Christ in the manger before the Virgin Mary and Jospeh.An initial letter "P" featuring Christ in the manger before the Virgin Mary and Jospeh. -
Still imageInitial Letter A
An initial letter "A" featuring a kneeling man holding a harp and looking up at God.An initial letter "A" featuring a kneeling man holding a harp and looking up at God. -
Still imageHenry II and Cunigunde of Luxembourg
A woodcut showing Holy Roman Emperor Henry II and Cunigunde of Luxembourg holding up a model of the Bamberg Cathedral (left) and the coat of arms of Georg Schenk von Limpurg (right).A woodcut showing Holy Roman Emperor Henry II and Cunigunde of Luxembourg holding up a model of the Bamberg Cathedral (left) and the coat of arms of Georg Schenk von Limpurg (right). -
TextSpeciale missaru[m] s[e]c[un]d[u]m choru[m] Bambergens[em]
Catholic ChurchSummary: Missal for the diocese of Bamberg, printed at the request of Bishop Georg Schenk von Limpurg (1470-1522).Summary: Missal for the diocese of Bamberg, printed at the request of Bishop Georg Schenk von Limpurg (1470-1522). -
Still imageInitial Letter "C"
Holbein, Hans, 1497-1543A woodcut initial letter "C" decorated with plants and a fish.A woodcut initial letter "C" decorated with plants and a fish. -
Still imageInitial Letter "C"
Holbein, Hans, 1497-1543A woodcut initial letter "C" decorated with plants and a fish.A woodcut initial letter "C" decorated with plants and a fish. -
Still imageInitial Letter "C"
Holbein, Hans, 1497-1543A woodcut initial letter "C" decorated with plants and a fish.A woodcut initial letter "C" decorated with plants and a fish. -
Still imageInitial Letter "S"
Holbein, Hans, 1497-1543A woodcut initial letter "S" decorated with plants and a fish.A woodcut initial letter "S" decorated with plants and a fish. -
Still imageThe Execution of Death
Holbein, Hans, 1497-1543A woodcut depicting a skeleton (= Death) being executed as a man and woman look on. In the center is an hourglass, the reminder of human mortality. The woodcut is accompanied by a verse from Ecclesiastes 7 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting a skeleton (= Death) being executed as a man and woman look on. In the center is an hourglass, the reminder of human mortality. The woodcut is accompanied by a verse from Ecclesiastes 7 translated into French (top) and then reformatted into verse (bottom). -
Still imageThe Last Judgement
Holbein, Hans, 1497-1543A woodcut depicting Jesus siting on the earth, surrounded by a cloud of witnesses, for the last judgment. The woodcut is accompanied by verses from Romans 14 and Matthew 28 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting Jesus siting on the earth, surrounded by a cloud of witnesses, for the last judgment. The woodcut is accompanied by verses from Romans 14 and Matthew 28 translated into French (top) and then reformatted into verse (bottom). -
Still imageIl partira les despoilles auec les puissans
Holbein, Hans, 1497-1543A woodcut depicting a group of putti (cherubs) displaying the spoils of battle (armor). The woodcut is accompanied by a verse from Isaiah 53 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting a group of putti (cherubs) displaying the spoils of battle (armor). The woodcut is accompanied by a verse from Isaiah 53 translated into French (top) and then reformatted into verse (bottom).