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Still imageAdam and Eve after eating from the Tree of Knowledge
Baldung, Hans, -1545A woodcut decorating the title page of Johan Geiler von Kayersberg's Seelen Paradiss. The woodcut depicts Adam and Eve in the Garden of Eden just after having eaten the fruit of the Tree of Knowledge of Good and Evil. They are shown covering themselves, each holding an apple while God looks on. In the bottom right of the scene, an angel carrying a sword guards the gate to the garden.A woodcut decorating the title page of Johan Geiler von Kayersberg's Seelen Paradiss. The woodcut depicts Adam and Eve in the Garden of Eden just after having eaten the fruit of the Tree of Knowledge of Good and Evil. They are shown covering themselves, each holding an apple while God looks on. In the bottom right of the scene, an angel carrying a sword guards the gate to the garden. -
Still imageIlluminated page from the gospel of Matthew in volume five of the Biblia cum glossa ordinaria
An illuminated page from the gospel of Matthew from volume five of the Biblia cum glossa ordinaria printed in 1498. The central initial letter "L" is done in red, blue, green, yellow, and white/grey with gold accents. There are also two examples of blue and red rubricated initial letter "L"s at the top of the page.An illuminated page from the gospel of Matthew from volume five of the Biblia cum glossa ordinaria printed in 1498. The central initial letter "L" is done in red, blue, green, yellow, and white/grey with gold accents. There are also two examples of blue and red rubricated initial letter "L"s at the top of the page. -
Still imageIlluminated page from the Pontificale Romanum
An illuminated page from a 1497 printed edition of the Pontificale Romanum. The illumination includes an initial letter "P" with a full floral border featuring a coat of arms ringed in a laurel wreath in the bottom margin. The illumination is done in red, blue, green, yellow, and black color.An illuminated page from a 1497 printed edition of the Pontificale Romanum. The illumination includes an initial letter "P" with a full floral border featuring a coat of arms ringed in a laurel wreath in the bottom margin. The illumination is done in red, blue, green, yellow, and black color. -
Still imageIlluminated page from the Liber Primus of Sabellico's Decades rerum Venetarum
An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "Q" and decorative border composed of several generic floral patterns, a flowering pear tree branch with a bird perched on it, two different types of flowers, and a coat of arms featuring an eagle, angel, and possibly a swallow. The illumination is done in pink, yellow, black, brown, green, red, and blue color with gold accents.An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "Q" and decorative border composed of several generic floral patterns, a flowering pear tree branch with a bird perched on it, two different types of flowers, and a coat of arms featuring an eagle, angel, and possibly a swallow. The illumination is done in pink, yellow, black, brown, green, red, and blue color with gold accents. -
Still imageIlluminated praefatio from Sabellico's Decades rerum Venetarum
An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "S" and decorative floral border. The illumination is done in pink, brown, green, red, and blue color with gold accents.An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "S" and decorative floral border. The illumination is done in pink, brown, green, red, and blue color with gold accents. -
Still imageIlluminated introductory Epistola from Sabellico's Decades rerum Venetarum
An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "V" and decorative acorn and oak leaf border. The illumination is done in yellow, brown, green, red, and blue color with gold accents.An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "V" and decorative acorn and oak leaf border. The illumination is done in yellow, brown, green, red, and blue color with gold accents. -
Still imageIlluminated page from the Letters of Saint Jerome
An illuminated page from the 1480 printed edition of the Letters of Saint Jerome. The illumination includes an initial letter "P" surrounded by floral decorations and surrounding an image of Saint Jerome holding a book. At the bottom of the page is an illumination showing a crest, which features a wolf, surrounded by a laurel wreath bound on the top, bottom, left, and right with decorative string. The illumination uses blue, red, green, brown, and black color with gold accents.An illuminated page from the 1480 printed edition of the Letters of Saint Jerome. The illumination includes an initial letter "P" surrounded by floral decorations and surrounding an image of Saint Jerome holding a book. At the bottom of the page is an illumination showing a crest, which features a wolf, surrounded by a laurel wreath bound on the top, bottom, left, and right with decorative string. The illumination uses blue, red, green, brown, and black color with gold accents. -
Still imageIlluminated introduction page to Opus restitutionum usuarum et excommunicationum by Franciscus de Platea
An illuminated page from Franciscus de Platea's Opus restitutionum usurarum et excommunicationum. The illumination includes an initial letter "R" woven into a floral patterned border. The illumination uses red, green, and blue color with gold accents.An illuminated page from Franciscus de Platea's Opus restitutionum usurarum et excommunicationum. The illumination includes an initial letter "R" woven into a floral patterned border. The illumination uses red, green, and blue color with gold accents. -
Still imageIlluminated introduction page to Cristianus ad solitaru[m] quendam De ymagine mundi by Honorius of Autun
An illuminated page from the 1472 printed edition of Honorius of Atun's Cristianus ad solitariu[m] quendam De ymagine mundi. The illumination includes two initial letters "S" accented with floral patterns. The illumination uses blue, green, and red color with gold accents.An illuminated page from the 1472 printed edition of Honorius of Atun's Cristianus ad solitariu[m] quendam De ymagine mundi. The illumination includes two initial letters "S" accented with floral patterns. The illumination uses blue, green, and red color with gold accents. -
Still imageIlluminated page from the first sermon in Sermones quadragesimales de poenitentia by Roberto Caracciolo
An illuminated page from the first sermon in the 1472 printing of Roberto Caracciolo's Sermones quadragesimales de poenitentia. The illumination includes an initial letter "M" with accompanying floral imagery. At the bottom of the page is a coat of arms bearing a griffin surrounded by a laurel wreath. The illumination is done in red, green, blue, and black color with gold accents.An illuminated page from the first sermon in the 1472 printing of Roberto Caracciolo's Sermones quadragesimales de poenitentia. The illumination includes an initial letter "M" with accompanying floral imagery. At the bottom of the page is a coat of arms bearing a griffin surrounded by a laurel wreath. The illumination is done in red, green, blue, and black color with gold accents. -
Still imageIlluminated introduction page to De euangelica praeparatione by Eusebius of Caesarea
An illuminated page from the 1470 printing of De evangelica praeparatione by Eusebius of Caesarea. The illuminations include an initial letter "E", floral boarder decorations, and a coat of arms featuring a hart surrounded by a laurel wreath. The illuminations are done in green, purple, black, blue, and red coloring with additional gold accents.An illuminated page from the 1470 printing of De evangelica praeparatione by Eusebius of Caesarea. The illuminations include an initial letter "E", floral boarder decorations, and a coat of arms featuring a hart surrounded by a laurel wreath. The illuminations are done in green, purple, black, blue, and red coloring with additional gold accents. -
TextHistoire du concile de Constance : tirée principalement d'auteurs qui ont assisté au concile
Lenfant, Jacques, 1661-1728Summary:Summary: -
TextHistoire générale des cérémonies, moeurs, et coutumes religieuses de tous les peuples du monde: Volume 2
Banier, M. l'abbé 1673-1741. (Antoine)Summary:Summary: -
TextHistoire générale des cérémonies, moeurs, et coutumes religieuses de tous les peuples du monde: Volume 1
Banier, M. l'abbé (Antoine), 1673-1741Summary:Summary: -
TextTheatre des martyrs = Schau-Buhne der Martyrer : depuis la mort J. Christ jusqu' à present : représenté en tres belles tailles-douces
Luiken, Jan, 1649-1712Summary:Summary: -
TextTractatus de sensu et auctoritate decretorum Constantiensis concilii : sessione quarta et quinta circa potestatem ecclesiasticam ...
Schelstrate, Emmanuel, 1645-1692Summary:Summary: -
TextSaint Louys, ou, La sainte couronne reconquise : poeme heroique
Le Moyne, Pierre, 1602-1671Summary: A largely fictitious epic poem about Saint Louis (King Louis IX) and his crusade against the Saracens in Egypt in search of Christ's Crown of Thorns.Summary: A largely fictitious epic poem about Saint Louis (King Louis IX) and his crusade against the Saracens in Egypt in search of Christ's Crown of Thorns. -
TextThe Passionate remonstrance made by his Holinesse in the conclave at Rome: upon the late proceedings, and great Covenant of Scotland, &c. : With a reply Of Cardinall De Barbarini in the name of the Roman clergy. Together with a letter of intelligence from the Apostolicke Nuntio (now residing in London) to Pope Vrban the 8
Summary: A satire.Summary: A satire. -
TextHistoria delle vite de sommi pontefici : dal Salvator Nostro sino a Gregorio XV
Platina, 1421-1481Summary: Translation, with additions, of Platina's Vitae pontificum.Summary: Translation, with additions, of Platina's Vitae pontificum.