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An engraving depicting facsimiles of items a pilgrim may recieve from the Pope during a Jubilee year. In the center of the engraving is the sheet that the pope would give to pilgrims with an Agnus Dei (a wax medallion imprinted with the Lamb of God) upon coming to one of the basilicas that grants indulgence during a Jubilee year. The sheet in this engraving bears the coat of arms of Pope Alexander VII and the image of the Agnus Dei, surrounded by the Latin motto “Agnus Dei, qui tollis peccata mundi, miserere nobis” (“Lamb of God, who takes away the sins of the world, have mercy on us”).

An engraving depicting facsimiles of items a pilgrim may recieve from the Pope during a Jubilee year. In the center of the engraving is the sheet that the pope would give to pilgrims with an Agnus Dei (a wax medallion imprinted with the Lamb of God) upon coming to one of the basilicas that grants indulgence during a Jubilee year. The sheet in this engraving bears the coat of arms of Pope Alexander VII and the image of the Agnus Dei, surrounded by the Latin motto “Agnus Dei, qui tollis peccata mundi, miserere nobis” (“Lamb of God, who takes away the sins of the world, have mercy on us”).

An engraving depicting the torture of Anabaptists in the Netherlands under the rule of the Duke of Alba. The image shows torturers afixing vises to the tongues of two men and heating them with iron (left and right) and a number of individuals being burned at the stake (background).

An engraving depicting the torture of Anabaptists in the Netherlands under the rule of the Duke of Alba. The image shows torturers afixing vises to the tongues of two men and heating them with iron (left and right) and a number of individuals being burned at the stake (background).

An engraving depicting the persecution, torture, and murder of Huguenots in Niort. The image shows a man being buried alive (bottom left), a woman being beaten (bottom right), a man being dropped into a well (bottom center), and people being hanged and beaten (background left).

An engraving depicting the persecution, torture, and murder of Huguenots in Niort. The image shows a man being buried alive (bottom left), a woman being beaten (bottom right), a man being dropped into a well (bottom center), and people being hanged and beaten (background left).

A woodcut depicting a group of putti (cherubs) returning from a hunt. The woodcut is accompanied by a verse from Lamentations 5 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a group of putti (cherubs) returning from a hunt. The woodcut is accompanied by a verse from Lamentations 5 translated into French (top) and then reformatted into verse (bottom).

Summary:

Summary:

Summary: The Second Council of Pisa (1511-1512), also known as the Conciliabulum of Pisa, was a French initiative to limit the power of Pope Julius II and to strengthen the power of the conciliarists. Pope Julius II condemned the meeting and in response convoked the Fifth Lateran Council, which secured papal authority over conciliarism. This is the first edition of a record of the council published by Jean Petit for a French readership.

Summary: The Second Council of Pisa (1511-1512), also known as the Conciliabulum of Pisa, was a French initiative to limit the power of Pope Julius II and to strengthen the power of the conciliarists. Pope Julius II condemned the meeting and in response convoked the Fifth Lateran Council, which secured papal authority over conciliarism. This is the first edition of a record of the council published by Jean Petit for a French readership.

A series of six engravings depicting scenes in the life of a Roman Catholic bishop, including his blessing of holy oil (top right), a procession of holy oil (top left) , his encouragement of a parish (middle right), his visit to his diocese (middle left), a parishioner kissing his hand (bottom left), and the public display of his body after death (bottom right).

A series of six engravings depicting scenes in the life of a Roman Catholic bishop, including his blessing of holy oil (top right), a procession of holy oil (top left) , his encouragement of a parish (middle right), his visit to his diocese (middle left), a parishioner kissing his hand (bottom left), and the public display of his body after death (bottom right).

An engraving depicting the execution of Leonhard Bernkopff. The image shows Bernkopff bound to a stake while a man stokes a fire beside him.

An engraving depicting the execution of Leonhard Bernkopff. The image shows Bernkopff bound to a stake while a man stokes a fire beside him.

An engraving depicting the execution of Leonhard Kaiser, a Lutheran martyr. The image shows Kaiser reaching down to pick a flower as he is carted towards a large bonfire in the background.

An engraving depicting the execution of Leonhard Kaiser, a Lutheran martyr. The image shows Kaiser reaching down to pick a flower as he is carted towards a large bonfire in the background.

An engraving depicting the execution of Lanaert Plovier, Jenne van Aken, and Marie van Aken. The image shows Plovier praying as he is placed in a sack (left), one of the van Aken's lying on the ground already bound in a sack (bottom), and the other van Aken (also bound in a sack) being placed head-first in a barrel of water.

An engraving depicting the execution of Lanaert Plovier, Jenne van Aken, and Marie van Aken. The image shows Plovier praying as he is placed in a sack (left), one of the van Aken's lying on the ground already bound in a sack (bottom), and the other van Aken (also bound in a sack) being placed head-first in a barrel of water.

A pair of engravings depicting the proper way to transport the Eucharist when the Pope is travelling: either on a horse (top) or on a litter supported by two horses, front and back (bottom).

A pair of engravings depicting the proper way to transport the Eucharist when the Pope is travelling: either on a horse (top) or on a litter supported by two horses, front and back (bottom).

An engraving depicting the aftermath of the execution of Marie Wens. The image shows Wens' sons searching through the ashes of their mother's pyre for something to remember her.

An engraving depicting the aftermath of the execution of Marie Wens. The image shows Wens' sons searching through the ashes of their mother's pyre for something to remember her.

An engraving depicting the execution of a woman, Maria. The image shows Maria being bound at the edge of a dock, and as she removes her own outer garments, a monk attempts to encourage her to renounce her faith.

An engraving depicting the execution of a woman, Maria. The image shows Maria being bound at the edge of a dock, and as she removes her own outer garments, a monk attempts to encourage her to renounce her faith.

An engraving depicting the Portadown massacre. The image shows people being cut apart and roasted over a fire (foreground) and being pushed en masse off a bridge into the River Bann (background).

An engraving depicting the Portadown massacre. The image shows people being cut apart and roasted over a fire (foreground) and being pushed en masse off a bridge into the River Bann (background).

An engraving depicting the massacre of Anabaptists under the orders of the Bishop of Chur. The image shows two men shooting a third with rifles while standing over two bodies (foreground), people being thrown from windows (background, center), and people being hanged (background left).

An engraving depicting the massacre of Anabaptists under the orders of the Bishop of Chur. The image shows two men shooting a third with rifles while standing over two bodies (foreground), people being thrown from windows (background, center), and people being hanged (background left).

An engraving depicting the Siege of Magdeburg during the Thirty Years' War. The image shows the invading forces murdering civilians and burning the city.

An engraving depicting the Siege of Magdeburg during the Thirty Years' War. The image shows the invading forces murdering civilians and burning the city.

An engraving depicting the execution of Mattheus Mair. The image shows Mair, bound, being lowered into a river as a crowd watches.

An engraving depicting the execution of Mattheus Mair. The image shows Mair, bound, being lowered into a river as a crowd watches.

An engraving depicting the execution of Matthias Servaes. The image shows Servaes being led towards the execution site with hands held in prayer (right) while a young man (left) and woman (right) who had wished to speak with him and were apprehended are ordered to be releasted by a nobleman (right, on horse).

An engraving depicting the execution of Matthias Servaes. The image shows Servaes being led towards the execution site with hands held in prayer (right) while a young man (left) and woman (right) who had wished to speak with him and were apprehended are ordered to be releasted by a nobleman (right, on horse).

An engraving depicting the torture and forced labor of Protestant priests in Hungary. The image shows the priests digging and hauling dirt in work parties under the watch of overseers.

An engraving depicting the torture and forced labor of Protestant priests in Hungary. The image shows the priests digging and hauling dirt in work parties under the watch of overseers.

A postcard showing in the distance the "Mission Baudouinville." A road lined by thatch-roofed buildings leads up to the church. The shot shows a number of individuals carrying baskets and bundles walking towards the church between several palm trees.

A postcard showing in the distance the "Mission Baudouinville." A road lined by thatch-roofed buildings leads up to the church. The shot shows a number of individuals carrying baskets and bundles walking towards the church between several palm trees.

An engraved tailpiece to the second, fifth, and eleventh books of Moyne's epic, "Saint Louys," depicting a laurel crown above a monogram, above which is a banner with the Latin motto, "non marcescet" (it will not fade/wither).

An engraved tailpiece to the second, fifth, and eleventh books of Moyne's epic, "Saint Louys," depicting a laurel crown above a monogram, above which is a banner with the Latin motto, "non marcescet" (it will not fade/wither).