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An engraving of a framed image of Adam naming animals as detailed in Genesis 2:20. The framed image sits above a plinth with the inscription: "And Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field:". Above the framed image are symbols of the Old and New Testaments, including the tablets of the Ten Commandments, a Sefer Torah, a Cross, and a crown of thorns flanking a glowing star shape potentially representing the Holy Spirit. The entire composition is surrounded by floral decorations held aloft by three birds.

An engraving of a framed image of Adam naming animals as detailed in Genesis 2:20. The framed image sits above a plinth with the inscription: "And Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field:". Above the framed image are symbols of the Old and New Testaments, including the tablets of the Ten Commandments, a Sefer Torah, a Cross, and a crown of thorns flanking a glowing star shape potentially representing the Holy Spirit. The entire composition is surrounded by floral decorations held aloft by three birds.

An engraving depicting a scene from the eighth book of the epic poem, Saint Louys, in which Christ offers the crown of Rome, the crown of Byzantium, and the Crown of Thorns to Saint Louis, who choses the Crown of Thorns. Saint Louis kneels on a cloud held up by angels, reaching out towards Christ enthroned and surrounded by seraphim, while below the two, the orders of the blessed behold the scene in praise.

An engraving depicting a scene from the eighth book of the epic poem, Saint Louys, in which Christ offers the crown of Rome, the crown of Byzantium, and the Crown of Thorns to Saint Louis, who choses the Crown of Thorns. Saint Louis kneels on a cloud held up by angels, reaching out towards Christ enthroned and surrounded by seraphim, while below the two, the orders of the blessed behold the scene in praise.

A woodcut by Urs Graf depiicting Christ being scourged and crowned with thorns. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.

A woodcut by Urs Graf depiicting Christ being scourged and crowned with thorns. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.

An engraved headpiece to the second, eighth, and fourteenth books of Moyne's epic, "Saint Louys," depicting a pair of thorny vines growing into a crown around three lilies, flanked by a pair of heads blowing air, below which is a banner with the Latin motto, "Concutient non excutient." (They will shake/stike violently [but] they will not shake off/cast out).

An engraved headpiece to the second, eighth, and fourteenth books of Moyne's epic, "Saint Louys," depicting a pair of thorny vines growing into a crown around three lilies, flanked by a pair of heads blowing air, below which is a banner with the Latin motto, "Concutient non excutient." (They will shake/stike violently [but] they will not shake off/cast out).

An engraved tailpiece to the sixth, ninth, tenth, and twelfth books of Moyne's epic, "Saint Louys," depicting the standard of the Kingdom of France encircled by a crown of thorns beneath a banner with the Latin motto, "decus et tutamen" (glory/honor and [a means of] protection).

An engraved tailpiece to the sixth, ninth, tenth, and twelfth books of Moyne's epic, "Saint Louys," depicting the standard of the Kingdom of France encircled by a crown of thorns beneath a banner with the Latin motto, "decus et tutamen" (glory/honor and [a means of] protection).

Christ is seated while the guards beat him and apply a crown of thorns to his head, while the Jewish leader look on from the left.

Christ is seated while the guards beat him and apply a crown of thorns to his head, while the Jewish leader look on from the left.

An engraved headpiece to the first, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a pair of cherubim holding a crown of thorns above an interwoven pair of initials ("SL") which sit above a laurel crown and crossed palm fronds. Above the scene is a banner with the Latin motto, "est lauros palmasque Super" (It [Crown of thorns] is above laurels and palms).

An engraved headpiece to the first, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a pair of cherubim holding a crown of thorns above an interwoven pair of initials ("SL") which sit above a laurel crown and crossed palm fronds. Above the scene is a banner with the Latin motto, "est lauros palmasque Super" (It [Crown of thorns] is above laurels and palms).

An engraved frontispiece of Saint Louys, ou, La sainte couronne reconquise : poeme heroique. The engraving depicts King Louis IX, dressed in the garb of a Roman soldier, kneeling before Christ and holding out a crown of thorns as Christ holds out a crown of stars. Above them, an angel carries a banner reading "Iam stella est, quae spina fuit" (Now [there] are stars, where [there] were thorns).

An engraved frontispiece of Saint Louys, ou, La sainte couronne reconquise : poeme heroique. The engraving depicts King Louis IX, dressed in the garb of a Roman soldier, kneeling before Christ and holding out a crown of thorns as Christ holds out a crown of stars. Above them, an angel carries a banner reading "Iam stella est, quae spina fuit" (Now [there] are stars, where [there] were thorns).

An engraved title page to Jean Luiken's Theatre des Martyrs. In the center, there is a depiction of several martyrdoms, including being boiled, being spun on a wheel across spikes, and burning at the stake, under which is the phrase, "per angusta ad augusta" (from crisis to glory). Forming a border around the title information is a collection of weapons and instruments of torture which are related to various martyrdoms, including: swords, maces, spears, arrows, axes, clubs, halberds, flails, saws, knives, chains, manacles, torches, mallets, anchors, and a crown of thorns.

An engraved title page to Jean Luiken's Theatre des Martyrs. In the center, there is a depiction of several martyrdoms, including being boiled, being spun on a wheel across spikes, and burning at the stake, under which is the phrase, "per angusta ad augusta" (from crisis to glory). Forming a border around the title information is a collection of weapons and instruments of torture which are related to various martyrdoms, including: swords, maces, spears, arrows, axes, clubs, halberds, flails, saws, knives, chains, manacles, torches, mallets, anchors, and a crown of thorns.

An engraved headpiece to the fifth, eleventh, and seventeenth books of Moyne's epic, "Saint Louys," depicting a pair of scepters (one topped with a fleur-de-lis and one with a hand) interwoven with a crown of thorns beneath a banner with the Latin motto, "hoc nexu immota manebunt" (this/these will remain/endure by imovable binds).

An engraved headpiece to the fifth, eleventh, and seventeenth books of Moyne's epic, "Saint Louys," depicting a pair of scepters (one topped with a fleur-de-lis and one with a hand) interwoven with a crown of thorns beneath a banner with the Latin motto, "hoc nexu immota manebunt" (this/these will remain/endure by imovable binds).

A woodcut depicting Jesus as the "man of sorrows" (Isaiah 53:3), surrounded by the instruments of his suffering and death, including a spear, cross, hammer, scourge, and crown of thorns, as three die sit stacked at his feet. The phrase "Ecce homo" appears behind the form of Jesus.

A woodcut depicting Jesus as the "man of sorrows" (Isaiah 53:3), surrounded by the instruments of his suffering and death, including a spear, cross, hammer, scourge, and crown of thorns, as three die sit stacked at his feet. The phrase "Ecce homo" appears behind the form of Jesus.

An engraved tailpiece to the first, fourth, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a crown of thorns above a monogram, above which is a banner with the Latin motto, "olim efflorescet" (In the future, it will bloom/grow/flourish).

An engraved tailpiece to the first, fourth, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a crown of thorns above a monogram, above which is a banner with the Latin motto, "olim efflorescet" (In the future, it will bloom/grow/flourish).

An engraved headpiece to the sixth, twelfth, and eighteenth books of Moyne's epic, "Saint Louys," depicting interwoven initials (SL) within a glowing crown of thorns, flanked by four cherubs, with a banner below featuring the Latin motto, "qua radiat pupugit" (that which shines, prunctured).

An engraved headpiece to the sixth, twelfth, and eighteenth books of Moyne's epic, "Saint Louys," depicting interwoven initials (SL) within a glowing crown of thorns, flanked by four cherubs, with a banner below featuring the Latin motto, "qua radiat pupugit" (that which shines, prunctured).

A woodcut depicting Mary and Joseph of Arimathea taking the body of Jesus down from the cross. The crown of thorns lies on the ground beside Jesus and the inscription "INRI" appears above the cross.

A woodcut depicting Mary and Joseph of Arimathea taking the body of Jesus down from the cross. The crown of thorns lies on the ground beside Jesus and the inscription "INRI" appears above the cross.

An engraving depicting a scene from the eighteenth book of the epic poem, Saint Louys, in which God destroys a false Crown of Thorns which would have caused plague and bestows the true Crown of Thorns on Saint Louis.

An engraving depicting a scene from the eighteenth book of the epic poem, Saint Louys, in which God destroys a false Crown of Thorns which would have caused plague and bestows the true Crown of Thorns on Saint Louis.

Summary: A largely fictitious epic poem about Saint Louis (King Louis IX) and his crusade against the Saracens in Egypt in search of Christ's Crown of Thorns.

Summary: A largely fictitious epic poem about Saint Louis (King Louis IX) and his crusade against the Saracens in Egypt in search of Christ's Crown of Thorns.

An engraved headpiece to the third, ninth, and fifteenth books of Moyne's epic, "Saint Louys," depicting a pair of thorny vines growing into a crown around three lilies, flanked by an eagle (left) and a lion and snake (right), above which is a banner with the Latin motto, "sepitque tueturque" (it confines/surrounds and protects).

An engraved headpiece to the third, ninth, and fifteenth books of Moyne's epic, "Saint Louys," depicting a pair of thorny vines growing into a crown around three lilies, flanked by an eagle (left) and a lion and snake (right), above which is a banner with the Latin motto, "sepitque tueturque" (it confines/surrounds and protects).

An engraved headpiece to the fourth, tenth, and sixteenth books of Moyne's epic, "Saint Louys," depicting a royal crown decorated with a crown of thorns, sitting atop a cushion on a table decorated with fleur-de-lis. Four monsters with human faces, lion's paws, snake's tails, and wings flank the crown and above the scene is a banner with the Latin motto, "Vincior hac Vincoque" (that which is bound here also conquers).

An engraved headpiece to the fourth, tenth, and sixteenth books of Moyne's epic, "Saint Louys," depicting a royal crown decorated with a crown of thorns, sitting atop a cushion on a table decorated with fleur-de-lis. Four monsters with human faces, lion's paws, snake's tails, and wings flank the crown and above the scene is a banner with the Latin motto, "Vincior hac Vincoque" (that which is bound here also conquers).