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  • A series of six engravings depicting the events surrounding election of new pope. He is adored in the Sistine Chapel (top right), he is adored at thealtar of St. Peter (top left), he witnesses the burning of flax, which represents the fleeting nature of earthly glory (middle right), he is crowned (middle left), he receives a Torah scroll from the Jewish people (bottom right) and receives the keys symbolizing the keys to the Kingdom of heaven.
    Still image

    A New Pope

    Picart, Bernard, 1673-1733
    A series of six engravings depicting the events surrounding election of new pope. He is adored in the Sistine Chapel (top right), he is adored at thealtar of St. Peter (top left), he witnesses the burning of flax, which represents the fleeting nature of earthly glory (middle right), he is crowned (middle left), he receives a Torah scroll from the Jewish people (bottom right) and receives the keys symbolizing the keys to the Kingdom of heaven.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1741
    Copyright
    NO COPYRIGHT - UNITED STATES
    A series of six engravings depicting the events surrounding election of new pope. He is adored in the Sistine Chapel (top right), he is adored at thealtar of St. Peter (top left), he witnesses the burning of flax, which represents the fleeting nature of earthly glory (middle right), he is crowned (middle left), he receives a Torah scroll from the Jewish people (bottom right) and receives the keys symbolizing the keys to the Kingdom of heaven.
  • A woodcut depicting the blessing and coronation of a king. The woodcut depicts the king kneeling before the bishop with head bowed as the bishop reaches out to place a crown upon the king's head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.
    Still image

    Blessing and Coronation of a King: Crowning the King

    A woodcut depicting the blessing and coronation of a king. The woodcut depicts the king kneeling before the bishop with head bowed as the bishop reaches out to place a crown upon the king's head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1582
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut depicting the blessing and coronation of a king. The woodcut depicts the king kneeling before the bishop with head bowed as the bishop reaches out to place a crown upon the king's head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.
  • A woodcut depicting the blessing and coronation of a queen. The queen kneels before the bishop who reaches out to place a crown on her head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.
    Still image

    Blessing and Coronation of a Queen: Crowning the Queen

    A woodcut depicting the blessing and coronation of a queen. The queen kneels before the bishop who reaches out to place a crown on her head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1582
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut depicting the blessing and coronation of a queen. The queen kneels before the bishop who reaches out to place a crown on her head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.
  • An engraving depicting a scene from the eighth book of the epic poem, Saint Louys, in which Christ offers the crown of Rome, the crown of Byzantium, and the Crown of Thorns to Saint Louis, who choses the Crown of Thorns. Saint Louis kneels on a cloud held up by angels, reaching out towards Christ enthroned and surrounded by seraphim, while below the two, the orders of the blessed behold the scene in praise.
    Still image

    Christ Offers Saint Louis the Crown of Thorns

    Chauveau, François, 1613-1676
    An engraving depicting a scene from the eighth book of the epic poem, Saint Louys, in which Christ offers the crown of Rome, the crown of Byzantium, and the Crown of Thorns to Saint Louis, who choses the Crown of Thorns. Saint Louis kneels on a cloud held up by angels, reaching out towards Christ enthroned and surrounded by seraphim, while below the two, the orders of the blessed behold the scene in praise.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1658
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a scene from the eighth book of the epic poem, Saint Louys, in which Christ offers the crown of Rome, the crown of Byzantium, and the Crown of Thorns to Saint Louis, who choses the Crown of Thorns. Saint Louis kneels on a cloud held up by angels, reaching out towards Christ enthroned and surrounded by seraphim, while below the two, the orders of the blessed behold the scene in praise.
  • A woodcut depicting the coronation of a new pope. The pope sits on a dias as the papal crown is placed on his head and cardinals and bishops stand and watch. The scene is flanked by decorative scroll work featuring masks. This woodcut is reused throughout the work.
    Still image

    Coronation of the Pope

    A woodcut depicting the coronation of a new pope. The pope sits on a dias as the papal crown is placed on his head and cardinals and bishops stand and watch. The scene is flanked by decorative scroll work featuring masks. This woodcut is reused throughout the work.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1582
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut depicting the coronation of a new pope. The pope sits on a dias as the papal crown is placed on his head and cardinals and bishops stand and watch. The scene is flanked by decorative scroll work featuring masks. This woodcut is reused throughout the work.
  • An engraving which depicts Emperor Constantine, Pope Sylvester I and the apocryphal “Donation of Constantine,” which gave the pope control of the imperial palace in Rome along with all the regions of the Western Empire, while Constantine will locate his government in the East. The document is likely an 8th century Carolingian invention, and it supports the idea that the papacy should hold some secular as well as sacred authority. The engraving includes the inscription: "Seleucus filio ob adulterium utriusq oculi poena damnato Populi precib[us]- ita consensit ut sibi unus filio alter oculus erueretur."
    Still image

    Donation of Constantine

    Raphael, 1483-1520
    An engraving which depicts Emperor Constantine, Pope Sylvester I and the apocryphal “Donation of Constantine,” which gave the pope control of the imperial palace in Rome along with all the regions of the Western Empire, while Constantine will locate his government in the East. The document is likely an 8th century Carolingian invention, and it supports the idea that the papacy should hold some secular as well as sacred authority.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1600/1699
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving which depicts Emperor Constantine, Pope Sylvester I and the apocryphal “Donation of Constantine,” which gave the pope control of the imperial palace in Rome along with all the regions of the Western Empire, while Constantine will locate his government in the East. The document is likely an 8th century Carolingian invention, and it supports the idea that the papacy should hold some secular as well as sacred authority.
  • An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
    Still image

    Frederick-Guillaume, Roi de Prusse

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
  • An engraved frontispiece of Saint Louys, ou, La sainte couronne reconquise : poeme heroique. The engraving depicts King Louis IX, dressed in the garb of a Roman soldier, kneeling before Christ and holding out a crown of thorns as Christ holds out a crown of stars. Above them, an angel carries a banner reading "Iam stella est, quae spina fuit" (Now [there] are stars, where [there] were thorns).
    Still image

    Frontisepiece of Saint Louys, ou, La sainte couronne reconquise : poeme heroique

    Chauveau, François, 1613-1676
    An engraved frontispiece of Saint Louys, ou, La sainte couronne reconquise : poeme heroique. The engraving depicts King Louis IX, dressed in the garb of a Roman soldier, kneeling before Christ and holding out a crown of thorns as Christ holds out a crown of stars. Above them, an angel carries a banner reading "Iam stella est, quae spina fuit" (Now [there] are stars, where [there] were thorns).
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1658
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved frontispiece of Saint Louys, ou, La sainte couronne reconquise : poeme heroique. The engraving depicts King Louis IX, dressed in the garb of a Roman soldier, kneeling before Christ and holding out a crown of thorns as Christ holds out a crown of stars. Above them, an angel carries a banner reading "Iam stella est, quae spina fuit" (Now [there] are stars, where [there] were thorns).
  • The frontispiece of Thomas Hobbes' Leviathan, or, The matter, forme, & power of a common-wealth ecclesiasticall and civill, the upper portion of which features a large figure representing sovreign authority. The figure's body is composed of individual citizens, is crowned, and holds a sword and crosier. The figure looms over a set of rolling hills in the background and a city in the foreground. At the top of the image is an inscription from Job 41:24, "Non est potestas Super Terram quae Comparetur ei." The image is representative of Thomas Hobbes' concept of an absolute monarch ruling with the consent/support of the people. The lower portion of the frontispiece features ten small vignettes in two sets of five. The first set represents political and/or military power, including: a castle, a crown, a cannon, a collection of weapons arranged as trophies of war, and a scene of two armies clashing. The second set represents religious power, including: a chuch, a mitre, the fulmina (crossed lightning bolts insignia of Rome), a set of horns accompanied by a trident and several bidents (labeled "Dilemma," "Syllogism," "Spiritual Temporal," "Direct Indirect," and "Real Intentional," respectively), and a gathering of clergy at a theological dispute.
    Still image

    Frontispiece of Leviathan, or, The matter, forme, & power of a common-wealth ecclesiasticall and civill

    Bosse, Abraham, 1602-1676
    The frontispiece of Thomas Hobbes' Leviathan, or, The matter, forme, & power of a common-wealth ecclesiasticall and civill, the upper portion of which features a large figure representing sovreign authority. The figure's body is composed of individual citizens, is crowned, and holds a sword and crosier. The figure looms over a set of rolling hills in the background and a city in the foreground.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1651
    Copyright
    NO COPYRIGHT - UNITED STATES
    The frontispiece of Thomas Hobbes' Leviathan, or, The matter, forme, & power of a common-wealth ecclesiasticall and civill, the upper portion of which features a large figure representing sovreign authority. The figure's body is composed of individual citizens, is crowned, and holds a sword and crosier. The figure looms over a set of rolling hills in the background and a city in the foreground.
  • An engraving depicting a bust of Pope Gregory XII atop a plinth featuring his coat of arms. Surrounding the bust is a broken key and a papal crown, and in the background is a wall depicting what might be the Judgement of Solomon, a possible reference to his oversight of the Council of Constance and the resolution of the Western Schism.
    Still image

    Gregoire XII

    Picart, Bernard, 1673-1733
    An engraving depicting a bust of Pope Gregory XII atop a plinth featuring his coat of arms. Surrounding the bust is a broken key and a papal crown, and in the background is a wall depicting what might be the Judgement of Solomon, a possible reference to his oversight of the Council of Constance and the resolution of the Western Schism.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a bust of Pope Gregory XII atop a plinth featuring his coat of arms. Surrounding the bust is a broken key and a papal crown, and in the background is a wall depicting what might be the Judgement of Solomon, a possible reference to his oversight of the Council of Constance and the resolution of the Western Schism.
  • An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R. on it) flanking a platform with the title inscribed (middle), and a figure in armor holding a spear and a papal crown and flanked by a basilica and various Catholic vestments and acoutremont on the left and a wolf nursing two babies and Roman armor and standards on the right (top).
    Still image

    Historiated title page border of Descrizione di Roma moderna formata nvovamente

    An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1697
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.
  • The title page of Georg Sabinus' Electio et coronatio Caroli .V. Imp. Aug, featuring the coat of arms of Holy Roman Emperor Charles V, which features the two-headed eagle of the Holy Roman Empire, bearing a quartered shield representing the regions he rules. The eagle is flanked by a pair of columns representing the Pillars of Hercules which are inscribed with Charles' motto, "Plus Ultra," translated as "Further Beyond." Additionally the coat of arms are surrounded by the inscription, "CA.V.RO.IMP.AVG./SOBRIE IVSTE ET PIE," translated as "Charles V Roman Emperor Augustus/Sensible Just and Pious."
    Still image

    Historiated title page of Electio et coronatio Caroli .V. Imp. Aug

    The title page of Georg Sabinus' Electio et coronatio Caroli .V. Imp. Aug, featuring the coat of arms of Holy Roman Emperor Charles V, which features the two-headed eagle of the Holy Roman Empire, bearing a quartered shield representing the regions he rules.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1550
    Copyright
    NO COPYRIGHT - UNITED STATES
    The title page of Georg Sabinus' Electio et coronatio Caroli .V. Imp. Aug, featuring the coat of arms of Holy Roman Emperor Charles V, which features the two-headed eagle of the Holy Roman Empire, bearing a quartered shield representing the regions he rules.
  • A woodcut title page to Johann Eck's Chrysopassus, printed in 1514. The main image depicts God, flanked by angels, reaching down to place a crown on the head of Jacob as his twin brother, Esau, looks on. A dog is seated at Esau's feet. Surrounding the central image is an architectural border featuring the coat of arms of the Holy Roman Emperor in the top left, and the symbol of the city of Augsburg, a pine cone, in the top right. To the left of the main image is a man in full armor labeled "Theodorus", while on the right there is another man in armor labeled "Alexander".
    Still image

    Historiated title page of Johann Eck's Chrysopassus

    A woodcut title page to Johann Eck's Chrysopassus, printed in 1514. The main image depicts God, flanked by angels, reaching down to place a crown on the head of Jacob as his twin brother, Esau, looks on. A dog is seated at Esau's feet. Surrounding the central image is an architectural border featuring the coat of arms of the Holy Roman Emperor in the top left, and the symbol of the city of Augsburg, a pine cone, in the top right.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1514
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut title page to Johann Eck's Chrysopassus, printed in 1514. The main image depicts God, flanked by angels, reaching down to place a crown on the head of Jacob as his twin brother, Esau, looks on. A dog is seated at Esau's feet. Surrounding the central image is an architectural border featuring the coat of arms of the Holy Roman Emperor in the top left, and the symbol of the city of Augsburg, a pine cone, in the top right.
  • The title page of Peter Lambeck's Petri Lambecii Hamburgensis Commentariorum de augustissima Bibliotheca Caesarea Vindobonensi liber secundus featuring the coat of arms of the Holy Roman Empire, guarded from above by an eagle holding a sceptre and a sword. To the left and right of the main coat of arms are an additional two crests, a book and pen, and a helmet.
    Still image

    Historiated title page of Petri Lambecii Hamburgensis Commentariorum de augustissima Bibliotheca Caesarea Vindobonensi liber secundus

    The title page of Peter Lambeck's Petri Lambecii Hamburgensis Commentariorum de augustissima Bibliotheca Caesarea Vindobonensi liber secundus featuring the coat of arms of the Holy Roman Empire, guarded from above by an eagle holding a sceptre and a sword. To the left and right of the main coat of arms are an additional two crests, a book and pen, and a helmet.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1665/1679
    Copyright
    NO COPYRIGHT - UNITED STATES
    The title page of Peter Lambeck's Petri Lambecii Hamburgensis Commentariorum de augustissima Bibliotheca Caesarea Vindobonensi liber secundus featuring the coat of arms of the Holy Roman Empire, guarded from above by an eagle holding a sceptre and a sword. To the left and right of the main coat of arms are an additional two crests, a book and pen, and a helmet.
  • The title page of Johan Eck's Vmb den grossen sig Kaiserlicher Maiestat, in Thunis verlihen, Got zu dancken, zwů predig ... features the coat of arms of the Holy Roman Emperor Charles V, featuring the two-headed eagle representing the Holy Roman Empire surrounded by the collar of the chivalric Order of the Golden Fleece and flanked by a pair of crowned columns representing the Pillars of Hercules. Above the coat of arms is the Charles V's motto, "Plus Ultra," translating to "Further Beyond."
    Still image

    Historiated title page of Vmb den grossen sig Kaiserlicher Maiestat, in Thunis verlihen, Got zu dancken, zwů predig ...

    The title page of Johan Eck's Vmb den grossen sig Kaiserlicher Maiestat, in Thunis verlihen, Got zu dancken, zwů predig ... features the coat of arms of the Holy Roman Emperor Charles V, featuring the two-headed eagle representing the Holy Roman Empire surrounded by the collar of the chivalric Order of the Golden Fleece and flanked by a pair of crowned columns representing the Pillars of Hercules. Above the coat of arms is the Charles V's motto, "Plus Ultra," translating to "Further Beyond."
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1536
    Copyright
    NO COPYRIGHT - UNITED STATES
    The title page of Johan Eck's Vmb den grossen sig Kaiserlicher Maiestat, in Thunis verlihen, Got zu dancken, zwů predig ... features the coat of arms of the Holy Roman Emperor Charles V, featuring the two-headed eagle representing the Holy Roman Empire surrounded by the collar of the chivalric Order of the Golden Fleece and flanked by a pair of crowned columns representing the Pillars of Hercules. Above the coat of arms is the Charles V's motto, "Plus Ultra," translating to "Further Beyond."
  • The title page of Hans Baumann's Wie, vnd inn wölcher gestalt, der Eömischer [i.e. Römischer] Kayserlichen Mayestat, Landtgraff Philips von Hessen, auff dem neüntzehenden tag Junij, zuo Hall in Sachsen den fuossfall gethon. M.D.XLVII featuring the coat of arms of Holy Roman Emperor Charles V, which features the two-headed eagle of the Holy Roman Empire, bearing a quartered shield representing the regions he rules. The eagle is flanked by a pair of columns representing the Pillars of Hercules and his motto, "Plus Oultre," translated as "Further Beyond."
    Still image

    Historiated title page of Wie, vnd inn wölcher gestalt, der Eömischer [i.e. Römischer] Kayserlichen Mayestat, Landtgraff Philips von Hessen, auff dem neüntzehenden tag Junij, zuo Hall in Sachsen den fuossfall gethon. M.D.XLVII

    The title page of Hans Baumann's Wie, vnd inn wölcher gestalt, der Eömischer [i.e. Römischer] Kayserlichen Mayestat, Landtgraff Philips von Hessen, auff dem neüntzehenden tag Junij, zuo Hall in Sachsen den fuossfall gethon. M.D.XLVII featuring the coat of arms of Holy Roman Emperor Charles V, which features the two-headed eagle of the Holy Roman Empire, bearing a quartered shield representing the regions he rules. The eagle is flanked by a pair of columns representing the Pillars of Hercules and his motto, "Plus Oultre," translated as "Further Beyond."
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1547
    Copyright
    NO COPYRIGHT - UNITED STATES
    The title page of Hans Baumann's Wie, vnd inn wölcher gestalt, der Eömischer [i.e. Römischer] Kayserlichen Mayestat, Landtgraff Philips von Hessen, auff dem neüntzehenden tag Junij, zuo Hall in Sachsen den fuossfall gethon. M.D.XLVII featuring the coat of arms of Holy Roman Emperor Charles V, which features the two-headed eagle of the Holy Roman Empire, bearing a quartered shield representing the regions he rules. The eagle is flanked by a pair of columns representing the Pillars of Hercules and his motto, "Plus Oultre," translated as "Further Beyond."
  • A woodcut border on the title page of Luther's Resolutiones Lutherianae super propositionibus suis Lipsiae disputatis printed in 1519. The border depicts a fox chasing a bird (bottom), three boars (one holding a sword, one stirring a pot, and one wearing a crown and holding a scepter; right), a man with a comb (?) (top), and two men (one with a bucket and the other working a printing press; left).
    Still image

    Historiated title page to Luther's Resolutiones Lutherianae super propositionibus suis Lipsiae disputatis

    A woodcut border on the title page of Luther's Resolutiones Lutherianae super propositionibus suis Lipsiae disputatis printed in 1519. The border depicts a fox chasing a bird (bottom), three boars (one holding a sword, one stirring a pot, and one wearing a crown and holding a scepter; right), a man with a comb (?) (top), and two men (one with a bucket and the other working a printing press; left).
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1519
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut border on the title page of Luther's Resolutiones Lutherianae super propositionibus suis Lipsiae disputatis printed in 1519. The border depicts a fox chasing a bird (bottom), three boars (one holding a sword, one stirring a pot, and one wearing a crown and holding a scepter; right), a man with a comb (?) (top), and two men (one with a bucket and the other working a printing press; left).
  • An engraving depicting a portrait of Antipope John XXIII, a pair of manacles hanging above and to the sides of the portrait, while a Papal crown, owl, crossbow, crossed keys, another manacle, and the Antipope's coat of arms depicted below.
    Still image

    Iean XXIII

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Antipope John XXIII, a pair of manacles hanging above and to the sides of the portrait, while a Papal crown, owl, crossbow, crossed keys, another manacle, and the Antipope's coat of arms depicted below.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Antipope John XXIII, a pair of manacles hanging above and to the sides of the portrait, while a Papal crown, owl, crossbow, crossed keys, another manacle, and the Antipope's coat of arms depicted below.
  • An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Still image

    Initial Letter G

    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
  • An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Still image

    Initial Letter G

    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
  • An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Still image

    Initial Letter G

    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1506-02-03
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
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