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83 items
Subject Portraits
  • An engraving depicting a portrait of Pierre de Foix topped with a galero and surrounded by a cherub holding an olive branch and leaning on a column above a multi-headed dragon that has been decapitated. There is an inscription at the bottom reading, "Il finit le Schisme et donna la paix au Siege de Rome."
    Still image

    François Pierre, Cardinal de Foix

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Pierre de Foix topped with a galero and surrounded by a cherub holding an olive branch and leaning on a column above a multi-headed dragon that has been decapitated. There is an inscription at the bottom reading, "Il finit le Schisme et donna la paix au Siege de Rome."
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Pierre de Foix topped with a galero and surrounded by a cherub holding an olive branch and leaning on a column above a multi-headed dragon that has been decapitated. There is an inscription at the bottom reading, "Il finit le Schisme et donna la paix au Siege de Rome."
  • An engraving depicting a portrait of Frederick IV, Duke of Austria, with his coat of arms below the portrait.
    Still image

    Frederic, Duc D'Austriche

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Frederick IV, Duke of Austria, with his coat of arms below the portrait.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Frederick IV, Duke of Austria, with his coat of arms below the portrait.
  • An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
    Still image

    Frederick-Guillaume, Roi de Prusse

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Frederick William I of Prussia, possibly after a painting by Antoine Pesne, with a crown, scepter, and orbis cruciger on a cushion to the right of the portrait.
  • A portrait of George Frideric Handel, framed above a scene of ancient Greco-Roman musicians playing pipe, lyres, and harps for a crowd of politicians and soldiers. A number of instruments and sheets of music are included into the framing of the scene, including horns, woodwinds, and a violin.
    Still image

    George Frideric Handel

    A portrait of George Frideric Handel, framed above a scene of ancient Greco-Roman musicians playing pipe, lyres, and harps for a crowd of politicians and soldiers. A number of instruments and sheets of music are included into the framing of the scene, including horns, woodwinds, and a violin.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1768
    Copyright
    NO COPYRIGHT - UNITED STATES
    A portrait of George Frideric Handel, framed above a scene of ancient Greco-Roman musicians playing pipe, lyres, and harps for a crowd of politicians and soldiers. A number of instruments and sheets of music are included into the framing of the scene, including horns, woodwinds, and a violin.
  • An engraving depicting a bust of Pope Gregory XII atop a plinth featuring his coat of arms. Surrounding the bust is a broken key and a papal crown, and in the background is a wall depicting what might be the Judgement of Solomon, a possible reference to his oversight of the Council of Constance and the resolution of the Western Schism.
    Still image

    Gregoire XII

    Picart, Bernard, 1673-1733
    An engraving depicting a bust of Pope Gregory XII atop a plinth featuring his coat of arms. Surrounding the bust is a broken key and a papal crown, and in the background is a wall depicting what might be the Judgement of Solomon, a possible reference to his oversight of the Council of Constance and the resolution of the Western Schism.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a bust of Pope Gregory XII atop a plinth featuring his coat of arms. Surrounding the bust is a broken key and a papal crown, and in the background is a wall depicting what might be the Judgement of Solomon, a possible reference to his oversight of the Council of Constance and the resolution of the Western Schism.
  • An engraved portrait of Pope Gregory XII, who sat as pope from 1406-1415. The portrait shows Gregory XII wearing a simple miter with his coat of arms featured in the upper left corner. The portrait is labeled "GREGORIVS. XII. PAPA. VENETVS".
    Still image

    Gregorius XII Papa Venetus

    Soye, Philippe de
    An engraved portrait of Pope Gregory XII, who sat as pope from 1406-1415. The portrait shows Gregory XII wearing a simple miter with his coat of arms featured in the upper left corner. The portrait is labeled "GREGORIVS. XII. PAPA. VENETVS".
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1568
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Pope Gregory XII, who sat as pope from 1406-1415. The portrait shows Gregory XII wearing a simple miter with his coat of arms featured in the upper left corner. The portrait is labeled "GREGORIVS. XII. PAPA. VENETVS".
  • Summary: Translation, with additions, of Platina's Vitae pontificum.
    Text

    Historia delle vite de sommi pontefici : dal Salvator Nostro sino a Gregorio XV

    Platina, 1421-1481
    Summary: Translation, with additions, of Platina's Vitae pontificum.
    Subject - Time Period
    Seventeenth century
    Date Issued or Published
    1622
    Copyright
    NO COPYRIGHT - UNITED STATES
    Summary: Translation, with additions, of Platina's Vitae pontificum.
  • The title page of Ulrich Zwingli's Ad Carolum Romanorum imperatorem Germaniae comitia Augustae celebrantem, fidei Huldrychi Zuinglij ratio featuring a portrait of Holy Roman Emperor Charles V, holding a scepter and with the chain with the ram of the Order of the Goldent Fleece around his neck.
    Still image

    Historiated title page of Ad Carolum Romanorum imperatorem Germaniae comitia Augustae celebrantem, fidei Huldrychi Zuinglij ratio

    The title page of Ulrich Zwingli's Ad Carolum Romanorum imperatorem Germaniae comitia Augustae celebrantem, fidei Huldrychi Zuinglij ratio featuring a portrait of Holy Roman Emperor Charles V, holding a scepter and with the chain with the ram of the Order of the Goldent Fleece around his neck.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1530
    Copyright
    NO COPYRIGHT - UNITED STATES
    The title page of Ulrich Zwingli's Ad Carolum Romanorum imperatorem Germaniae comitia Augustae celebrantem, fidei Huldrychi Zuinglij ratio featuring a portrait of Holy Roman Emperor Charles V, holding a scepter and with the chain with the ram of the Order of the Goldent Fleece around his neck.
  • A woodcut border on the title page of Luther's Ad dialogum Syluestri Prieratis Magistri Palatii de potestate Pape Responsio printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women. At the top of the page, there is a scene of two women with fish tails for legs (possibly a reference to Scylla) flanking a running boy and bird.
    Still image

    Historiated title page of Luther's Ad dialogum Syluestri Prieratis Magistri Palatii de potestate Pape Responsio

    A woodcut border on the title page of Luther's Ad dialogum Syluestri Prieratis Magistri Palatii de potestate Pape Responsio printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1518
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut border on the title page of Luther's Ad dialogum Syluestri Prieratis Magistri Palatii de potestate Pape Responsio printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women.
  • A woodcut border on the title page of Luther's Sermo de penitentia printed in 1519. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women. At the top of the page, there is a scene of two women with fish tails for legs (possibly a reference to Scylla) flanking a running boy and bird.
    Still image

    Historiated title page of Luther's Sermo de penitentia

    A woodcut border on the title page of Luther's Sermo de penitentia printed in 1519. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women. At the top of the page, there is a scene of two women with fish tails for legs (possibly a reference to Scylla) flanking a running boy and bird.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1519
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut border on the title page of Luther's Sermo de penitentia printed in 1519. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women. At the top of the page, there is a scene of two women with fish tails for legs (possibly a reference to Scylla) flanking a running boy and bird.
  • A woodcut border on the title page of Luther's exposition of Psalm 109 printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women. At the top of the page, there is a scene of two women with fish tails for legs (possibly a reference to Scylla) flanking a running boy and bird.
    Still image

    Historiated title page to Luther's exposition of Psalm 109

    A woodcut border on the title page of Luther's exposition of Psalm 109 printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women. At the top of the page, there is a scene of two women with fish tails for legs (possibly a reference to Scylla) flanking a running boy and bird.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1518
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut border on the title page of Luther's exposition of Psalm 109 printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women. At the top of the page, there is a scene of two women with fish tails for legs (possibly a reference to Scylla) flanking a running boy and bird.
  • A woodcut border on the title page of Silvestro da Prierio Mazzolini's refutation of Luther's 95 Theses printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women. At the top of the page, there is a scene of two women with fish tails for legs (possibly a reference to Scylla) flanking a running boy and bird.
    Still image

    Historiated title page to Silvestro da Prierio Mazzolini's refutation of Luther's 95 Theses

    A woodcut border on the title page of Silvestro da Prierio Mazzolini's refutation of Luther's 95 Theses printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women.
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1518
    Collection
    Richard C. Kessler Reformation Collection
    Copyright
    NO COPYRIGHT - UNITED STATES
    A woodcut border on the title page of Silvestro da Prierio Mazzolini's refutation of Luther's 95 Theses printed in 1518. Along the bottom margin, the border features three portraits, one of the Virgin Mary holding Jesus, one of a saint holding a spear and a book (possibly Saint Longinus), and one of a pope. Along both side margins are a series of decorative elements, including a cherub, two men chasing each other around a column, a pair of cats, a goose, and a trio of women.
  • An engraving depicting a portrait of Jan Hus, framed in laurels, with a depiction of his execution by burning at the stake below the portrait.
    Still image

    Iean Hus

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Jan Hus, framed in laurels, with a depiction of his execution by burning at the stake below the portrait.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Jan Hus, framed in laurels, with a depiction of his execution by burning at the stake below the portrait.
  • An engraving depicting a portrait of John Wycliffe framed in a laurel wreath with a pile of books and papers being burned, representing the declaration by the Council of Constance that his works should be burned.
    Still image

    Iean Wiclef

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of John Wycliffe framed in a laurel wreath with a pile of books and papers being burned, representing the declaration by the Council of Constance that his works should be burned.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of John Wycliffe framed in a laurel wreath with a pile of books and papers being burned, representing the declaration by the Council of Constance that his works should be burned.
  • An engraving depicting a portrait of Antipope John XXIII, a pair of manacles hanging above and to the sides of the portrait, while a Papal crown, owl, crossbow, crossed keys, another manacle, and the Antipope's coat of arms depicted below.
    Still image

    Iean XXIII

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Antipope John XXIII, a pair of manacles hanging above and to the sides of the portrait, while a Papal crown, owl, crossbow, crossed keys, another manacle, and the Antipope's coat of arms depicted below.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Antipope John XXIII, a pair of manacles hanging above and to the sides of the portrait, while a Papal crown, owl, crossbow, crossed keys, another manacle, and the Antipope's coat of arms depicted below.
  • An engraving depicting a bust of Jan Žižka atop a column featuring a laurel wreath. The figure is wearing armor and a helmet with a partial eyepatch.
    Still image

    Iean Ziska, Duc de Boheme

    Picart, Bernard, 1673-1733
    An engraving depicting a bust of Jan Žižka atop a column featuring a laurel wreath. The figure is wearing armor and a helmet with a partial eyepatch.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a bust of Jan Žižka atop a column featuring a laurel wreath. The figure is wearing armor and a helmet with a partial eyepatch.
  • An engraving depicting a portrait of Cardinal Jean Allarment de Brogny hanging from a tree, a pair of shoes hanging from the bottom of the frame, and a schene of a pair of monks speaking with a farmer in the background.
    Still image

    Iean de Brogni, Cardinal de Viviers

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Cardinal Jean Allarment de Brogny hanging from a tree, a pair of shoes hanging from the bottom of the frame, and a schene of a pair of monks speaking with a farmer in the background.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Cardinal Jean Allarment de Brogny hanging from a tree, a pair of shoes hanging from the bottom of the frame, and a schene of a pair of monks speaking with a farmer in the background.
  • An engraving depicting a portrait of Jerome of Prague with a fire built below the portrait, the flames catching along the sides and frame in reference to his execution by burning at the stake.
    Still image

    Ierôme de Prague

    Picart, Bernard, 1673-1733
    An engraving depicting a portrait of Jerome of Prague with a fire built below the portrait, the flames catching along the sides and frame in reference to his execution by burning at the stake.
    Subject - Time Period
    Eighteenth century
    Date Issued or Published
    1714
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraving depicting a portrait of Jerome of Prague with a fire built below the portrait, the flames catching along the sides and frame in reference to his execution by burning at the stake.
  • An engraved portrait of Pope Innocent VIII, who sat as pope from 1484-1492. The portrait shows Innocent VIII wearing simple vestments with his coat of arms featured in the upper left corner. The portrait is labeled "INNOCENTIVS. VIII. PAPA. GENVENSIS".
    Still image

    Innocentius VIII Papa Genuensis

    Soye, Philippe de
    An engraved portrait of Pope Innocent VIII, who sat as pope from 1484-1492. The portrait shows Innocent VIII wearing simple vestments with his coat of arms featured in the upper left corner. The portrait is labeled "INNOCENTIVS. VIII. PAPA. GENVENSIS".
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1568
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Pope Innocent VIII, who sat as pope from 1484-1492. The portrait shows Innocent VIII wearing simple vestments with his coat of arms featured in the upper left corner. The portrait is labeled "INNOCENTIVS. VIII. PAPA. GENVENSIS".
  • An engraved portrait of Pope Innocent VII, who sat as pope from 1404-1406. The portrait shows Innocent VII wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "INNOCENTIVS. VII. PAPA. SVLMONENSIS".
    Still image

    Innocentus VII Papa Sulmonensis

    Soye, Philippe de
    An engraved portrait of Pope Innocent VII, who sat as pope from 1404-1406. The portrait shows Innocent VII wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "INNOCENTIVS. VII. PAPA. SVLMONENSIS".
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1568
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Pope Innocent VII, who sat as pope from 1404-1406. The portrait shows Innocent VII wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "INNOCENTIVS. VII. PAPA. SVLMONENSIS".
  • An engraved portrait of Antipope John XXIII, who was elected by the Council of Pisa during the Western Schism and held the office from 1410-1415. The portrait shows John XXIII wearing a bishop's miter with his coat of arms featured in the upper left corner. The portrait is labeled "IOANNES. XXIII. PAPA. NEAPOLITANVS".
    Still image

    Ioannes XXIII Papa Neapolitanus

    Soye, Philippe de
    An engraved portrait of Antipope John XXIII, who was elected by the Council of Pisa during the Western Schism and held the office from 1410-1415. The portrait shows John XXIII wearing a bishop's miter with his coat of arms featured in the upper left corner. The portrait is labeled "IOANNES. XXIII. PAPA. NEAPOLITANVS".
    Subject - Time Period
    Sixteenth century
    Date Issued or Published
    1568
    Copyright
    NO COPYRIGHT - UNITED STATES
    An engraved portrait of Antipope John XXIII, who was elected by the Council of Pisa during the Western Schism and held the office from 1410-1415. The portrait shows John XXIII wearing a bishop's miter with his coat of arms featured in the upper left corner. The portrait is labeled "IOANNES. XXIII. PAPA. NEAPOLITANVS".
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