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Summary: Fourth edition of the "Address to the Christian Nobility of the German Nation," one of Luther's most important pamphlets, in which he develops some of the central ideas of his theology, including the principle of universal priesthood. He also discusses the possibility of a German national church.

Summary: Fourth edition of the "Address to the Christian Nobility of the German Nation," one of Luther's most important pamphlets, in which he develops some of the central ideas of his theology, including the principle of universal priesthood. He also discusses the possibility of a German national church.

Summary: Augustinus Alveldt, a Franciscan teacher, and later provincial head of the order, here responds to Luther's tract, "Von dem Papsttum zu Rom," in which Luther explains his views on the Papacy.

Summary: Augustinus Alveldt, a Franciscan teacher, and later provincial head of the order, here responds to Luther's tract, "Von dem Papsttum zu Rom," in which Luther explains his views on the Papacy.

Summary: This is the first printing of Luther's sermon preached June 29th, 1519, at the Leipzig Disputation, on text: Matthew 16: 13-19 (Peter's Great Confession, and the presentation of the Keys). The woodcut on the title page is the earliest known portrait of Luther.

Summary: This is the first printing of Luther's sermon preached June 29th, 1519, at the Leipzig Disputation, on text: Matthew 16: 13-19 (Peter's Great Confession, and the presentation of the Keys). The woodcut on the title page is the earliest known portrait of Luther.

Summary: Sermon preached June 29, 1519, on text: Matthew XVI, 13-19.

Summary: Sermon preached June 29, 1519, on text: Matthew XVI, 13-19.

Summary: The participants in the Leipzig Disputation promised not to print their positions before the faculties of Paris and Louvain had issued their verdicts in the case. Both sides broke their promise. Melanchthon apparently got into print first, for this is Eck's reply to Melanchthon. This is the second printing of the work.

Summary: The participants in the Leipzig Disputation promised not to print their positions before the faculties of Paris and Louvain had issued their verdicts in the case. Both sides broke their promise. Melanchthon apparently got into print first, for this is Eck's reply to Melanchthon. This is the second printing of the work.

A woodcut border to Augustin von Alveldt's Widder Luthers trostung ann die Christen zu Hall : vber er Georgen yhres Predigers todt, szo viel die entpfahung des hochwirdigen Sacraments belangt printed in 1528. The border consists of a single wood cut depicting a pair of columns, one with bulls heads (sides), a pair of cherubs holding the coat of arms of Dresden (bottom), and an arch decorated with floral designs (top).

A woodcut border to Augustin von Alveldt's Widder Luthers trostung ann die Christen zu Hall : vber er Georgen yhres Predigers todt, szo viel die entpfahung des hochwirdigen Sacraments belangt printed in 1528. The border consists of a single wood cut depicting a pair of columns, one with bulls heads (sides), a pair of cherubs holding the coat of arms of Dresden (bottom), and an arch decorated with floral designs (top).

A woodcut initial letter "E" depicting a pair of battling figures, one with a staff and one with a shield and sword.

A woodcut initial letter "E" depicting a pair of battling figures, one with a staff and one with a shield and sword.

A woodcut depicting Martin Luther in the garb of an Augustinian Monk. Below Luther is a traditional Luther rose. Surrounding the portrait is an inscription, mirrored as the image was printed in reverse, reading "DOCTOR MARTINUS LUTTER AUGUSTINER: WITTENB:". This is purported to be the earliest depiction of Luther.

A woodcut depicting Martin Luther in the garb of an Augustinian Monk. Below Luther is a traditional Luther rose. Surrounding the portrait is an inscription, mirrored as the image was printed in reverse, reading "DOCTOR MARTINUS LUTTER AUGUSTINER: WITTENB:". This is purported to be the earliest depiction of Luther.

A woodcut depicting Martin Luther in the garb of an Augustinian Monk. Below Luther is a traditional Luther rose. Surrounding the portrait is an inscription, mirrored as the image was printed in reverse, reading "DOCTOR MARTINUS LUTTER AUGUSTINER: WITTENB:". This is purported to be the earliest depiction of Luther.

A woodcut depicting Martin Luther in the garb of an Augustinian Monk. Below Luther is a traditional Luther rose. Surrounding the portrait is an inscription, mirrored as the image was printed in reverse, reading "DOCTOR MARTINUS LUTTER AUGUSTINER: WITTENB:". This is purported to be the earliest depiction of Luther.

A woodcut depicting Martin Luther in the garb of an Augustinian Monk. Below Luther is a traditional Luther rose. Surrounding the portrait is an inscription, mirrored as the image was printed in reverse, reading "DOCTOR MARTINUS LUTTER AUGUSTINER: WITTENB:". This is purported to be the earliest depiction of Luther.

A woodcut depicting Martin Luther in the garb of an Augustinian Monk. Below Luther is a traditional Luther rose. Surrounding the portrait is an inscription, mirrored as the image was printed in reverse, reading "DOCTOR MARTINUS LUTTER AUGUSTINER: WITTENB:". This is purported to be the earliest depiction of Luther.

A woodcut depicting Saint Jerome in prototypical fashion, kneeling before a crucifix and smiting himself on the chest with a stone. It also includes two of the other 'attributes' that typically occur in his portraits: the lion and the cardinal’s hat. The printer, Wolfgang Stöckel may have used it as a kind of printer's device, and some have characterized it as a loose copy of the work of Wolf Traut.

A woodcut depicting Saint Jerome in prototypical fashion, kneeling before a crucifix and smiting himself on the chest with a stone. It also includes two of the other 'attributes' that typically occur in his portraits: the lion and the cardinal’s hat. The printer, Wolfgang Stöckel may have used it as a kind of printer's device, and some have characterized it as a loose copy of the work of Wolf Traut.

Summary: Response by King Henry VIII of England to Luther's attack on his book, "Assertio septem sacramentorum", on the seven sacraments of the Catholic Church. This printing was issued in Leipzig by Hieronymous Emser, early opponent of Luther, with a reply by his ruler, Duke George of Saxony, and dedicated by Emser to Johann von Schleinitz, bishop of Meissen.

Summary: Response by King Henry VIII of England to Luther's attack on his book, "Assertio septem sacramentorum", on the seven sacraments of the Catholic Church. This printing was issued in Leipzig by Hieronymous Emser, early opponent of Luther, with a reply by his ruler, Duke George of Saxony, and dedicated by Emser to Johann von Schleinitz, bishop of Meissen.

Summary: Luther's Consolation to the Protestants of Halle, published in 1527, provoked this reply from Agustin von Alveld, garuden of the Franciscan Monastery in Halle from 1524-29. Alveld condemns Luther's tract as "Hussisch," in particular with respect to his teachings on the sacrament. Alveld dedicated the work to Albert of Brandenburg, Archbishop of Mainz.

Summary: Luther's Consolation to the Protestants of Halle, published in 1527, provoked this reply from Agustin von Alveld, garuden of the Franciscan Monastery in Halle from 1524-29. Alveld condemns Luther's tract as "Hussisch," in particular with respect to his teachings on the sacrament. Alveld dedicated the work to Albert of Brandenburg, Archbishop of Mainz.

A woodcut depicting a "Wild Man", or hair-covered man with a crown of plants and carrying a club, with the coat of arms of Leipzig.

A woodcut depicting a "Wild Man", or hair-covered man with a crown of plants and carrying a club, with the coat of arms of Leipzig.