A woodcut border on the title page of Luther's defense of his thirteenth proposition on the power of the Pope printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.
A woodcut border on the title page of Luther's defense of his thirteenth proposition on the power of the Pope printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.
A woodcut border on the title page of Luther's In epistolam Pauli ad Galatas commentarius printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.
A woodcut border on the title page of Luther's In epistolam Pauli ad Galatas commentarius printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.
A woodcut border on the title page of Luther's In epistolam Pauli ad Galatas commentarius printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.
A woodcut border on the title page of Luther's In epistolam Pauli ad Galatas commentarius printed in 1519. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.
A woodcut border on the title page of the fifth printing of Luther's sermon on the sacrament of penance. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.
A woodcut border on the title page of the fifth printing of Luther's sermon on the sacrament of penance. The border depicts philosophers gathered around the Castalian spring, where historically the Delphi priestesses bathed before announcing their oracles, with the twin peaks of Mount Parnassus in the background. Along the sides and top of the border are a series of musicians playing flutes, harps, bagpipes, lutes, horns, and violins.
A view across the mountain springs below a cave known as Pan's Grotto (right), a site of worship at ancient Caesarea Philippi (modern Banias), with the entrance to the Tomb of St. George, or El Khadir, above.
A view across the mountain springs below a cave known as Pan's Grotto (right), a site of worship at ancient Caesarea Philippi (modern Banias), with the entrance to the Tomb of St. George, or El Khadir, above.
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