Richard C. Kessler Reformation Collection
The Richard C. Kessler Reformation Collection was established in 1987, when Richard and Martha Kessler donated their private collection of Reformation imprints and manuscripts to Emory University. These materials were combined with Reformation holdings at the Pitts Theology Library, and an effort was launched to enlarge and sustain this collection in the years to come. An advisory committee of Lutheran laypersons and clergy and of Candler School of Theology faculty and administrators oversees the nurture of the collection and its programs. The Reformation Notes newsletter provides semiannual updates on the growth of the collection, and the Reformation Day at Emory program of music and lectures each October celebrates the collection and its contributions to music, history, and theology. In the sixteenth century the social and theological movements of central Europe, known collectively as the Reformation, critically shaped religion, law, education and other institutions in the West, and their long shadow has extended even to the present. The purpose of the Kessler Collection is to document these changes by collecting print and manuscript materials down to 1570 by Martin Luther (1483-1546) and those whom he influenced or engaged in debate. In this way historians and theologians will be able to hear the full range of voices that were raised in this dynamic period. The holdings of the collection now exceed 4,000 items, a mark approximated by only two other libraries in North America; no American library approaches the Kessler Collection's 1,000+ publications by Luther himself.
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Still imageThe Emperor
Holbein, Hans, 1497-1543A woodcut depicting an emperor listening to the petition of one of his subjects. A skeleton, representing death, holds the crown on the emperor’s head, as the emperor holds a broken sword. An orb, a scepter, and an hourglass sit on the ground at his feet. The emperor is also wearing the collar of the Order of the Golden Fleece. The woodcut is accompanied by verses from Isaiah 38 and 22 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting an emperor listening to the petition of one of his subjects. A skeleton, representing death, holds the crown on the emperor’s head, as the emperor holds a broken sword. An orb, a scepter, and an hourglass sit on the ground at his feet. The emperor is also wearing the collar of the Order of the Golden Fleece. The woodcut is accompanied by verses from Isaiah 38 and 22 translated into French (top) and then reformatted into verse (bottom). -
Still imageThe Pope
Holbein, Hans, 1497-1543A woodcut depicting the Pope wearing the papal triple tiara, crowns a king (the globus cruciger on the ground before him), as cardinals, bishops, skeletons (representing death; one in cardinal's garb), and two flying demons (one with papal decree in hand) look on. The woodcut is accompanied by verses from Joshua 20 and Psalms 108 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting the Pope wearing the papal triple tiara, crowns a king (the globus cruciger on the ground before him), as cardinals, bishops, skeletons (representing death; one in cardinal's garb), and two flying demons (one with papal decree in hand) look on. The woodcut is accompanied by verses from Joshua 20 and Psalms 108 translated into French (top) and then reformatted into verse (bottom). -
Still imageDeath in the Cemetery
Holbein, Hans, 1497-1543A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom). -
Still imageThe Consequences of the Fall
Holbein, Hans, 1497-1543A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom). -
Still imageExpulsion from the Garden of Eden
Holbein, Hans, 1497-1543A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom). -
Still imageThe Fall of Adam and Eve
Holbein, Hans, 1497-1543A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom). -
Still imageThe Creation of Eve
Holbein, Hans, 1497-1543A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom). -
Still imagePrinter's device of Jean Frellon
Holbein, Hans, 1497-1543A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA. -
Still imageHistoriated title page border of Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi
A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525.A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525. -
Still imageHistoriated title page border of Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben
A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom). -
Still imageHistoriated title page border of Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will
A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top). -
Still imageInitial Letter A
A woodcut initial letter "A" depicting a trio of figures leaning agains and through the letter.A woodcut initial letter "A" depicting a trio of figures leaning agains and through the letter. -
Still imageMartinus Luther Sieben Kopff
A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas." -
Still imageDog and Pig
An ornamental woodcut depicting a dog and a pig nose to nose with the back half of what might be a goat on the left.An ornamental woodcut depicting a dog and a pig nose to nose with the back half of what might be a goat on the left. -
Still imageGrapes and grapevines
An ornamental woodcut depicting bunches of grapes on the vine.An ornamental woodcut depicting bunches of grapes on the vine. -
Still imageInitial Letter V
A woodcut initial letter "V" depicting a figure standing on the back of a second holding out a bunch of grapes.A woodcut initial letter "V" depicting a figure standing on the back of a second holding out a bunch of grapes. -
Still imageOrnamental woodcut
An ornamental woodcut depicting a pair of cherubs amongst some vines. The cherub on the left is riding a stick horse and holding an item similar to a pinwheel. On the right of the image, there is an arm holding an arrow which might be part of another cherub.An ornamental woodcut depicting a pair of cherubs amongst some vines. The cherub on the left is riding a stick horse and holding an item similar to a pinwheel. On the right of the image, there is an arm holding an arrow which might be part of another cherub. -
Still imageOrnamental woodcut
An ornamental woodcut depicting a pair of capped figures riding hippocampi and holding shields, flanking a cherub's head.An ornamental woodcut depicting a pair of capped figures riding hippocampi and holding shields, flanking a cherub's head. -
Still imageInitial Letter I
A woodcut initial letter "I" depicting a pair of naked figures holding poles or spears.A woodcut initial letter "I" depicting a pair of naked figures holding poles or spears. -
Still imageInitial Letter V
A woodcut initial letter "V" depicting a horse or hound head with plant decorations.A woodcut initial letter "V" depicting a horse or hound head with plant decorations. -
Still imageMartinus Lutherus Septiceps
A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Lutherus, Ecclesiastes, Suermerus, Visitactor, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Suermerus) and "Barrabas."A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Lutherus, Ecclesiastes, Suermerus, Visitactor, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Suermerus) and "Barrabas."