• A woodcut depicting an emperor listening to the petition of one of his subjects. A skeleton, representing death, holds the crown on the emperor’s head, as the emperor holds a broken sword. An orb, a scepter, and an hourglass sit on the ground at his feet. The emperor is also wearing the collar of the Order of the Golden Fleece. The woodcut is accompanied by verses from Isaiah 38 and 22 translated into French (top) and then reformatted into verse (bottom).
    Still image

    The Emperor

    Holbein, Hans, 1497-1543
    A woodcut depicting an emperor listening to the petition of one of his subjects. A skeleton, representing death, holds the crown on the emperor’s head, as the emperor holds a broken sword. An orb, a scepter, and an hourglass sit on the ground at his feet. The emperor is also wearing the collar of the Order of the Golden Fleece. The woodcut is accompanied by verses from Isaiah 38 and 22 translated into French (top) and then reformatted into verse (bottom).
    A woodcut depicting an emperor listening to the petition of one of his subjects. A skeleton, representing death, holds the crown on the emperor’s head, as the emperor holds a broken sword. An orb, a scepter, and an hourglass sit on the ground at his feet. The emperor is also wearing the collar of the Order of the Golden Fleece. The woodcut is accompanied by verses from Isaiah 38 and 22 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting the Pope wearing the papal triple tiara, crowns a king (the globus cruciger on the ground before him), as cardinals, bishops, skeletons (representing death; one in cardinal's garb), and two flying demons (one with papal decree in hand) look on. The woodcut is accompanied by verses from Joshua 20 and Psalms 108 translated into French (top) and then reformatted into verse (bottom).
    Still image

    The Pope

    Holbein, Hans, 1497-1543
    A woodcut depicting the Pope wearing the papal triple tiara, crowns a king (the globus cruciger on the ground before him), as cardinals, bishops, skeletons (representing death; one in cardinal's garb), and two flying demons (one with papal decree in hand) look on. The woodcut is accompanied by verses from Joshua 20 and Psalms 108 translated into French (top) and then reformatted into verse (bottom).
    A woodcut depicting the Pope wearing the papal triple tiara, crowns a king (the globus cruciger on the ground before him), as cardinals, bishops, skeletons (representing death; one in cardinal's garb), and two flying demons (one with papal decree in hand) look on. The woodcut is accompanied by verses from Joshua 20 and Psalms 108 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom).
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    Death in the Cemetery

    Holbein, Hans, 1497-1543
    A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom).
    A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).
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    The Consequences of the Fall

    Holbein, Hans, 1497-1543
    A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).
    A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
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    Expulsion from the Garden of Eden

    Holbein, Hans, 1497-1543
    A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
    A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
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    The Fall of Adam and Eve

    Holbein, Hans, 1497-1543
    A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
    A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).
    Still image

    The Creation of Eve

    Holbein, Hans, 1497-1543
    A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).
    A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.
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    Printer's device of Jean Frellon

    Holbein, Hans, 1497-1543
    A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.
    A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.
  • A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525. The border is composed of four separate woodcuts depicting a selection of biblical stories including the baptism of Jesus by John the baptist, the Holy Spirit descending as a dove above Jesus, the signs of the four Gospels, Paul rescued from a shipwreck, Paul falling from a horse, conversion of Saul of Tarsus, and Peter's vision of the clean and unclean animals let down from heaven in a sheet.
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    Historiated title page border of Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi

    A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525.
    A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525.
  • A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).
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    Historiated title page border of Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben

    A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).
    A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).
  • A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).
    Still image

    Historiated title page border of Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will

    A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).
    A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).
  • A woodcut initial letter "A" depicting a trio of figures leaning agains and through the letter.
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    Initial Letter A

    A woodcut initial letter "A" depicting a trio of figures leaning agains and through the letter.
    A woodcut initial letter "A" depicting a trio of figures leaning agains and through the letter.
  • A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."
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    Martinus Luther Sieben Kopff

    A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."
    A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."
  • An ornamental woodcut depicting a dog and a pig nose to nose with the back half of what might be a goat on the left.
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    Dog and Pig

    An ornamental woodcut depicting a dog and a pig nose to nose with the back half of what might be a goat on the left.
    An ornamental woodcut depicting a dog and a pig nose to nose with the back half of what might be a goat on the left.
  • An ornamental woodcut depicting bunches of grapes on the vine.
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    Grapes and grapevines

    An ornamental woodcut depicting bunches of grapes on the vine.
    An ornamental woodcut depicting bunches of grapes on the vine.
  • A woodcut initial letter "V" depicting a figure standing on the back of a second holding out a bunch of grapes.
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    Initial Letter V

    A woodcut initial letter "V" depicting a figure standing on the back of a second holding out a bunch of grapes.
    A woodcut initial letter "V" depicting a figure standing on the back of a second holding out a bunch of grapes.
  • An ornamental woodcut depicting a pair of cherubs amongst some vines. The cherub on the left is riding a stick horse and holding an item similar to a pinwheel. On the right of the image, there is an arm holding an arrow which might be part of another cherub.
    Still image

    Ornamental woodcut

    An ornamental woodcut depicting a pair of cherubs amongst some vines. The cherub on the left is riding a stick horse and holding an item similar to a pinwheel. On the right of the image, there is an arm holding an arrow which might be part of another cherub.
    An ornamental woodcut depicting a pair of cherubs amongst some vines. The cherub on the left is riding a stick horse and holding an item similar to a pinwheel. On the right of the image, there is an arm holding an arrow which might be part of another cherub.
  • An ornamental woodcut depicting a pair of capped figures riding hippocampi and holding shields, flanking a cherub's head.
    Still image

    Ornamental woodcut

    An ornamental woodcut depicting a pair of capped figures riding hippocampi and holding shields, flanking a cherub's head.
    An ornamental woodcut depicting a pair of capped figures riding hippocampi and holding shields, flanking a cherub's head.
  • A woodcut initial letter "I" depicting a pair of naked figures holding poles or spears.
    Still image

    Initial Letter I

    A woodcut initial letter "I" depicting a pair of naked figures holding poles or spears.
    A woodcut initial letter "I" depicting a pair of naked figures holding poles or spears.
  • A woodcut initial letter "V" depicting a horse or hound head with plant decorations.
    Still image

    Initial Letter V

    A woodcut initial letter "V" depicting a horse or hound head with plant decorations.
    A woodcut initial letter "V" depicting a horse or hound head with plant decorations.
  • A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Lutherus, Ecclesiastes, Suermerus, Visitactor, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Suermerus) and "Barrabas."
    Still image

    Martinus Lutherus Septiceps

    A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Lutherus, Ecclesiastes, Suermerus, Visitactor, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Suermerus) and "Barrabas."
    A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Lutherus, Ecclesiastes, Suermerus, Visitactor, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Suermerus) and "Barrabas."
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