• Summary: In response to an ultimatum to the Lutheran princes and cities from Emperor Charles V to return to the pre-Reformation status quo within six months, Luther here issues some of his strongest polemic.
    Text

    Auff das Vermeint Keiserlich Edict : Ausgangen jm 1531 jare nach dem Reichs tage des 1530 Jars. Glosa

    Luther, Martin, 1483-1546
    Summary: In response to an ultimatum to the Lutheran princes and cities from Emperor Charles V to return to the pre-Reformation status quo within six months, Luther here issues some of his strongest polemic.
    Summary: In response to an ultimatum to the Lutheran princes and cities from Emperor Charles V to return to the pre-Reformation status quo within six months, Luther here issues some of his strongest polemic.
  • Summary: Compilation of three anti-Catholic tracts by the Lutheran theologians and composer of hymns Nicolaus Selneccer.
    Text

    Analectus siue libellus collectaneorum, continens tres tractatus de praecipuis capitibus doctrinae Christianae, quae à Papistis corrumpuntur, & oppugnantur

    Selneccer, Nicolaus, 1530-1592
    Summary: Compilation of three anti-Catholic tracts by the Lutheran theologians and composer of hymns Nicolaus Selneccer.
    Summary: Compilation of three anti-Catholic tracts by the Lutheran theologians and composer of hymns Nicolaus Selneccer.
  • Summary: M. Flacius Illyricus issued this edition of Luther's letters from Coburg Castle to the theologians at the Diet of Augsburg in an attempt to strengthen the Protestant resolve during the Interim. Intended for the widest possible distribution, both German and Latin versions were provided.
    Text

    Aliquot epistolae

    Luther, Martin, 1483-1546
    Summary: M. Flacius Illyricus issued this edition of Luther's letters from Coburg Castle to the theologians at the Diet of Augsburg in an attempt to strengthen the Protestant resolve during the Interim. Intended for the widest possible distribution, both German and Latin versions were provided.
    Summary: M. Flacius Illyricus issued this edition of Luther's letters from Coburg Castle to the theologians at the Diet of Augsburg in an attempt to strengthen the Protestant resolve during the Interim. Intended for the widest possible distribution, both German and Latin versions were provided.
  • Summary: Poetic paraphrases of the Psalms by the humanist and reformer Adam Siber.
    Text

    Adami Siberi Psalterii, seu, Carminum Dauidicorum libri V

    Summary: Poetic paraphrases of the Psalms by the humanist and reformer Adam Siber.
    Summary: Poetic paraphrases of the Psalms by the humanist and reformer Adam Siber.
  • A woodcut depicting Joel sharing his vision (left) and the fulfillment of that vision in the form of the Holy Spirit descending on the day of Pentecost (right).
    Still image

    Joel's Vision and the Holy Spirit's Descent on Pentecost

    Brosamer, Hans, approximately 1500-approximately 1554
    A woodcut depicting Joel sharing his vision (left) and the fulfillment of that vision in the form of the Holy Spirit descending on the day of Pentecost (right).
    A woodcut depicting Joel sharing his vision (left) and the fulfillment of that vision in the form of the Holy Spirit descending on the day of Pentecost (right).
  • A woodcut depicting Obadiah receiving his vision from an angel. The text of the first verse of Obadiah is printed above.
    Still image

    Obadiah Receives a Vision from an Angel

    A woodcut depicting Obadiah receiving his vision from an angel. The text of the first verse of Obadiah is printed above.
    A woodcut depicting Obadiah receiving his vision from an angel. The text of the first verse of Obadiah is printed above.
  • A woodcut depicting Hosea, his wife, Gomer, and their first two children, Jezreel and Lo-Ruhamah. The first verse of the book of Hosea is printed above.
    Still image

    Hosea with his Wife and Children

    Beham, Hans Sebald, 1500-1550
    A woodcut depicting Hosea, his wife, Gomer, and their first two children, Jezreel and Lo-Ruhamah. The first verse of the book of Hosea is printed above.
    A woodcut depicting Hosea, his wife, Gomer, and their first two children, Jezreel and Lo-Ruhamah. The first verse of the book of Hosea is printed above.
  • A woodcut depicting Hosea, his wife, Gomer, and their three children, Jezreel, Lo-Ruhamah, and Lo-Ammi. The first verse of the book of Hosea is printed above.
    Still image

    Hosea with his Wife and Children

    A woodcut depicting Hosea, his wife, Gomer, and their three children, Jezreel, Lo-Ruhamah, and Lo-Ammi. The first verse of the book of Hosea is printed above.
    A woodcut depicting Hosea, his wife, Gomer, and their three children, Jezreel, Lo-Ruhamah, and Lo-Ammi. The first verse of the book of Hosea is printed above.
  • Summary: Luther wrote this exposition of the Magnificent (Luke 1:46-55) in March 1521. He dedicated it to Duke Johann Frederich of Saxony as a token of his thanks to the Duke for his support and encouragement after Luther's condemnation by Pope Leo X. Text in German includes Luther's German translation of the Magnificat from the N.T. Greek of St. Luke's Gospel.
    Text

    Das Magnificat Vorteutschet vnd auszgelegt

    Luther, Martin, 1483-1546
    Summary: Luther wrote this exposition of the Magnificent (Luke 1:46-55) in March 1521. He dedicated it to Duke Johann Frederich of Saxony as a token of his thanks to the Duke for his support and encouragement after Luther's condemnation by Pope Leo X. Text in German includes Luther's German translation of the Magnificat from the N.T. Greek of St. Luke's Gospel.
    Summary: Luther wrote this exposition of the Magnificent (Luke 1:46-55) in March 1521. He dedicated it to Duke Johann Frederich of Saxony as a token of his thanks to the Duke for his support and encouragement after Luther's condemnation by Pope Leo X. Text in German includes Luther's German translation of the Magnificat from the N.T. Greek of St. Luke's Gospel.
  • Summary: The first edition of Martin Luther's first book, this is Luther's commentary on the seven penitential Psalms (Psalms 6, 32, 38, 51, 102, 130, and 143) based on his lectures at the University of Wittenberg and published in March1517, six months before his 95 Theses. The Reformer's understanding of repentance, penance and grace, influenced by the medieval mystic Johannes Tauler, became central to his theology and underlies his later critique of indulgences. Luther revised this commentary in 1525.
    Text

    Die Sieben puszpsalm mit deutscher auszlegu[n]g nach dem schrifttlichen synne tzu Christi vn[d] gottis gnaden, neben seyns selben. ware erkentniss gru[n]dlich gerichtet.. 1517

    Luther, Martin, 1483-1546
    Summary: The first edition of Martin Luther's first book, this is Luther's commentary on the seven penitential Psalms (Psalms 6, 32, 38, 51, 102, 130, and 143) based on his lectures at the University of Wittenberg and published in March1517, six months before his 95 Theses. The Reformer's understanding of repentance, penance and grace, influenced by the medieval mystic Johannes Tauler, became central to his theology and underlies his later critique of indulgences. Luther revised this commentary in 1525.
    Summary: The first edition of Martin Luther's first book, this is Luther's commentary on the seven penitential Psalms (Psalms 6, 32, 38, 51, 102, 130, and 143) based on his lectures at the University of Wittenberg and published in March1517, six months before his 95 Theses. The Reformer's understanding of repentance, penance and grace, influenced by the medieval mystic Johannes Tauler, became central to his theology and underlies his later critique of indulgences. Luther revised this commentary in 1525.
  • An initial letter "R" featuring an angel pulling a soul up out of the fires of Hell.
    Still image

    Initial Letter R

    An initial letter "R" featuring an angel pulling a soul up out of the fires of Hell.
    An initial letter "R" featuring an angel pulling a soul up out of the fires of Hell.
  • An initial letter "S" featuring the Vigin Mary holding the infant Jesus Christ with a bird in the upper left corner.
    Still image

    Initial Letter S

    An initial letter "S" featuring the Vigin Mary holding the infant Jesus Christ with a bird in the upper left corner.
    An initial letter "S" featuring the Vigin Mary holding the infant Jesus Christ with a bird in the upper left corner.
  • An initial letter "E" printed in red ink.
    Still image

    Initial Letter E

    An initial letter "E" printed in red ink.
    An initial letter "E" printed in red ink.
  • An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Still image

    Initial Letter G

    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
  • An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Still image

    Initial Letter G

    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
  • An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    Still image

    Initial Letter G

    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
    An initial letter "G" featuring the Virgin Mary being crowned by Christ enthroned.
  • An initial letter "S" featuring the Vigin Mary supporting the infant Jesus Christ atop an altar while another figure approaches. This is possibly a depiction of the circumcision of Jesus. A lion (upper left) and pelican (lower right) are depicted in the margins outside the initial.
    Still image

    Initial Letter S

    An initial letter "S" featuring the Vigin Mary supporting the infant Jesus Christ atop an altar while another figure approaches. This is possibly a depiction of the circumcision of Jesus. A lion (upper left) and pelican (lower right) are depicted in the margins outside the initial.
    An initial letter "S" featuring the Vigin Mary supporting the infant Jesus Christ atop an altar while another figure approaches. This is possibly a depiction of the circumcision of Jesus. A lion (upper left) and pelican (lower right) are depicted in the margins outside the initial.
  • An initial letter "M" printed in red ink.
    Still image

    Initial Letter M

    An initial letter "M" printed in red ink.
    An initial letter "M" printed in red ink.
  • A medallion featuring the Agnus Dei (Lamb of God) with a cross banner.
    Still image

    Agnus Dei

    A medallion featuring the Agnus Dei (Lamb of God) with a cross banner.
    A medallion featuring the Agnus Dei (Lamb of God) with a cross banner.
  • An initial letter "T" featuring an angel halting Abraham's blade as he prepares to sacrifice his son, Isaac, upon an altar as a ram watches.
    Still image

    Initial Letter T

    An initial letter "T" featuring an angel halting Abraham's blade as he prepares to sacrifice his son, Isaac, upon an altar as a ram watches.
    An initial letter "T" featuring an angel halting Abraham's blade as he prepares to sacrifice his son, Isaac, upon an altar as a ram watches.
  • A woodcut of Christ crucified with the Virgin Mary (left) and John the Evangelist (right). A skull sits at the base of the cross and the inscription INRI appears above it.
    Still image

    The Crucifixion of Jesus Christ

    A woodcut of Christ crucified with the Virgin Mary (left) and John the Evangelist (right). A skull sits at the base of the cross and the inscription INRI appears above it.
    A woodcut of Christ crucified with the Virgin Mary (left) and John the Evangelist (right). A skull sits at the base of the cross and the inscription INRI appears above it.
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